90s Indie

Moody alternative rockers of the 1990s, feted by the British press, held to cult status in US. Collection includes: 'Attack Of The Grey Lantern' (1997); 'Six' (1998) Japanese Edition; 'Little Kix' (2000) Japanese Release.

The worlds of indie rock, synth pop and underground electronica collide in Indie Pop across 1.1GB of loops, MIDI, hits and kits mashing house, techno and electro with post-punk and new wave influences. Packed with vintage drumbox beats, dirty live and metronomic synth bass, scuzzy guitars and retro 80s synths, Indie Pop delivers an indie-dance extravaganza with a distinctive DIY attitude.

This winter, Ministry of Sound presents Made in the 90s. 3 CDs documenting one of the most influential decades of popular music in history. An all-encompassing collection of tracks offering dance floor favourites, indie-pop hits and of course a solid selection of R&B and soul. Relive some of your favourite memories with music from artists such as Oasis, All Saints, The Cardigans, Robbie Williams, Radiohead and Shola Ama. It's the perfect sing-a-long, feel-good, dance around soundtrack and features familiar hits associated with some of the greatest 90s chick flicks of all time. This includes the ultimate teen movie anthem 'Kiss Me' by Sixpence None The Richer, which was famously featured in the iconic film 'She’s All That'. This release harks back to a time of MTV, Nickelodeon, crop tops, Gameboy’s and Reebok classics. There is no denying Made in the 90s perfectly defines the decade and is a must buy for those who want to reminisce about good times. Relive the music, the moments and the memories with Made in the 90s, from Ministry of Sound.

Along with Pavement's Slanted & Enchanted, Sebadoh III is one of the cornerstones of '90s indie rock, establishing the dubious lo-fi style as a credible subgenre. Though the recording techniques give the album a distinctive, hazy atmosphere, the music itself is fascinating. Divided between contributions from Lou Barlow, Eric Gaffney, and Jason Loewenstein, Sebadoh III doesn't necessarily offer a coherent listen. Instead, it's a variety of unexpected detours, with each track offering something different from what preceded. Barlow immediately distinguishes himself with his folky acoustic musings, which not only have sensitivity to spare, but also strong melodies. Gaffney, on the other hand, consigns himself to the role of hardcore noise rocker, often with varying results.

This isn’t just another remix album. This collection of remixes is diverse, deep, sometimes challenging, and always innovative… needless to say, flat-out impressive. Every single track from the Tropical LP gets reworked here by a conglomeration of various artists from different worlds and styles. That’s what makes the whole thing so fun.

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