Scherchen was one of the leading conductors in the middle part of the twentieth century, especially valued for his pioneering performances of the contemporary music of his time. He was essentially self-taught as a musician and became a violist in the Blüthner Orchestra and the Berlin Philharmonic when he was 16. In 1911 he was an assistant to Arnold Schoenberg in the preparation of Pierrot Lunaire for performance.
Bernard Haitink has had a long association with Gustav Mahler's Symphony No. 3 in D minor, from his classic 1966 stereo recording with the Royal Concertgebouw Orchestra to his 2006 audiophile recording with the Chicago Symphony Orchestra. This 2016 release on BR Klassik finds Haitink leading the Bavarian Radio Symphony Orchestra in a stirring live performance that shows no diminishment of the conductor's interpretive powers, and compares quite well with his previous renditions.
With the release of this live recording of Hector Berlioz's Symphonie fantastique, RCO Live celebrates the start of its collaboration with Daniele Gatti as the Royal Concertgebouw Orchestra's seventh chief conductor on 9 September 2016. His unconventional take on this spectacular score evokes the astonishment audiences must have experienced at the time of the 1830 premiere. It is exactly this sense of surprise and freshness - founded on a thorough knowledge of the score - and the sheer joy of making music together that prompted the members of the RCO to choose Daniele Gatti as their new chief conductor.
John Eliot Gardiner conducts his Orchestre Revolutionnaire et Romantique through two concerts of Berlioz compositions. The 'Symphonie Fantastique' is an orchestral tour de force which is central to the repertoire of every major orchestra. It is performed here on original instruments in its original 1830s orchestration in the atmospheric old hall of the Paris Conservatoire where it was first heard. Also included is the first performance of the newly discovered 'Messe Solennelle' with the Monteverdi choir. Written when Berlioz was just 20 years old, it was thought lost until its rediscovery in 1992. The first performance of this large-scale Mass for 150 years was filmed in London's Westminster Cathedral. Gardiner's period-instrument orchestra gives characteristically idiomatic performances of these seminal works (which are also linked thematically, through Berlioz's extensive re-use of material from the Messe).