"Keep Their Heads Ringin'" is a single by American rapper Dr. Dre featuring vocalist Nanci Fletcher, taken from the soundtrack of the movie Friday…
Radio Music Society is the fourth studio album by Esperanza Spalding, which was released through the record label Heads Up International on March 20, 2012. The album earned Spalding Grammy Awards for Best Jazz Vocal Album and Best Instrumental Arrangement Accompanying Vocalist(s) for the track, "City of Roses".
An Evening with Dave Grusin is essentially the soundtrack to the Blu-Ray DVD product, and an app for the iPad, both of which have loads more features. The composer, arranger, and pianist conducts the 75-piece Henry Mancini Orchestra in a live program of his own music – tunes written for cinema – as well as the works of composers Gershwin, Bernstein, and Mancini. The show was co-produced by Grusin's longstanding business associate and collaborator Larry Rosen and Phil Ramone.
Osibisa, the West African high-life band from Ghana, waxed their first LP in 1971 and continues to spit them out. Their longevity can be attributed to a vibrant sound and the ability to inject humor into music. They don't allow themselves to become mired in social issues as did the short-lived but often brilliant Cymande, whose LPs were essentially political statements. Osibisa's only agenda is making good music, and if it happens to strike a political or social nerve, fine, but it's not what they're totally about. "Wango Wango" starts slow but evolves into a wicked jam that's heavy as P-Funk. Pleasant flute and trumpet riffs accent the lovely "So So MI La So." The bands' tribute to America, the floating "Sweet America," teases and tantalizes. Percussion heads will appreciate "Ye Tie Wo" and "Che Che Kule." The deepest slabs of social commentary are the thought-provoking "Sweet Sounds" and "Did You Know." All tracks were written by all or various members of Osibisa, who share production credit with John Punter.
Summer Madness is a new kind of Richard Elliot recording. For one thing, the cast includes two other horn men augmenting Elliot's signature sax work: trumpeter/trombonist Rick Braun, who also produced the album and, on several tracks, baritone saxophonist Curt Waylee. Most importantly though, the music was created from scratch as Elliot and his handpicked musicians formulated and honed their ideas in the studio, with Braun's ultra-capable guidance. For Elliot, recruiting the additional players and having the entire band plus a well-respected veteran producer help him shape the music was integral to the project's success.