Beethoven was Wilhelm Furtwängler’s guiding musical force. In his interpretations of the symphonies, the conductor generates irresistible dramatic momentum – and a constant sense of imaginative freshness – through the interrelationship of form, harmony, texture, rhythm and tempo. These recordings, all made in the late 1940s and early 1950s, in the Musikverein in Vienna and at concerts in London, Bayreuth and Stockholm, were newly remastered in 2010, bringing their sound more alive than ever before.
Nonesuch releases Pulitzer Prize–winning composer Steve Reich’s WTC 9/11 on September 20, 2011. The album marks the 10th anniversary of the terrorist attacks on the World Trade Center, which is the subject of Reich’s piece. Commissioned for and recorded by Kronos Quartet, WTC 9/11 is scored for three string quartets and pre-recorded voices. The album also includes Reich’s Mallet Quartet, performed by Sō Percussion, and Dance Patterns, featuring members of Steve Reich and Musicians, as well as a DVD with a live performance of Mallet Quartet by Sō Percussion.
At the dawn of World War I, the United States was only a rising power. Our reputation was relatively benign among Middle Easterners, who saw no "imperial ambitions" in our presence and were grateful for the educational and philanthropic services Americans provided. Yet by September 11, 2001, everything had changed. The U.S. had now become a "world colossus so prominent in the political, economic, and cultural life of the Middle East that it was the unquestioned target of those bent on attacking the West for its perceived offenses against Islam."
From the Notes: Taken as a whole, this substantial, important collection gives us a stimulating, revelatory cross-section of Horenstein's conducting over a span of sixteen years. Although many of his commercial recordings date from the same period, we are nonetheless presented with performances both supplementary and complementary to those already available, sinificantly filling our our aural image of Horenstein's accomplishments. May it prove to be but the first of many such surveys of his art to appear. Written by Joel Lazar, Horenstein's personal assistant during the last two years of the legendary Maestro's life, the only young conductor ever to serve in this capacity