Cuban born pianist Alfredo Rodrguez literally lived his music while in his native land. Coming to the United States has given Rodriguez a new perspective and a second chance at creativity that few artists are smart enough to embrace on the first go-round. The Invasion Parade celebrates different styles of Cuban music seldom recorded in the United States along with a wonderful lineup of musicians including a nice cameo from Esperanza Spalding.
The hauntingly beautiful voice of countertenor Carlos Mena is featured here on the Mirare début of the Disfonik Orchestra. The group’s music blends jazz and classical with other influences to produce a sound that is both unique and captivating. Under the Shadow includes a selection of some of the most beautiful works in the classical repertoire, delicately arranged for jazz band.
Legendary jazz greats Branford Marsalis and Kurt Elling collaborate for the first time on a full album, Upward Spiral. They ve been talking for a while about making a record together, and finally at the end of 2015 it all came together. They found time to play the new material in the New Orleans Snug Harbor club for four days and then recorded a variety of songs in the studio, all chosen because of their melodic richness and musical quality. Their versions of the chosen material are simply incredible, as the musicality of Branford and Kurt and their deep understanding of these songs shows through immediately.
After a much celebrated appearance by Adam Baldych at the 2011 Berlin Jazzfest, critic Ulrich Olshausen raved in the Frankfurter Allgemeine Zeitung newspaper: "He has, without doubt, the greatest technique of any jazz violinist alive today. We can expect everything of him". High praise for a musician of just 26 years of age, and at the same time only fitting for a man who has been considered a prodigy in his native Poland for many years already. He discovered the violin at the age of 11, and jazz at 13; the music gave him the freedom of expression he was looking for, and at 16 he started his international career. After completing his jazz studies at the Katowice Academy with distinction, he was awarded a scholarship to Berklee College of Music in Boston.
Based in São Paulo, Metá Metá have played a key role in the city’s thriving experimental music scene, mixing samba and Afro-Brazilian candomblé with jazz and rock. Now they have added north African influences, inspired by visits to Morocco, in an album that constantly changes style and pace – often in the same song. Opener Três Amigos sets the mood, starting as an atmospheric piece with an Arabic edge and relaxed vocals by Juçara Marçal, before switching to a furious blitz of sound by saxophonist Thiago França and guitarist Kiko Dinucci, who played a key role in an extraordinary recent album from Elza Soares. Elsewhere, the songs vary from the cheerful and breezy Toque Certeiro (featuring scat vocals from Marçal that have the easy charm of Joyce Moreno) to passages that sound like an angry Brazilian post-punk thrash, influenced by their country’s political crisis.
When a musician’s second record is released, one is tempted to say that this is the album of maturity and it’s often true. This time, we have to admit it’s not the case, Baptiste Herbin having passed that stage with his first opus. The young saxophonist from Chartres (France), who started with classical music and switched to jazz studying with Lourau Julien and Jean-Charles Richard, made his mark in 2012 with his first album “Brother Stoon” justifiably prompting a series of rave reviews that emphasized the virtuosity of the young man, fan of Charlie Parker and Cannonball Adderley.
Avec l’arrivée du printemps, la formation jazz Misc (anciennement connue sous le nom de Trio Jérôme Beaulieu, et consacrée Révélation Jazz Radio-Canada 2013-2014) proposera son album homonyme le 18 mars 2016 via Bonsound. Cet album est le fruit d’une complicité singulière entre trois musiciens affranchis. Différent des deux premiers longs jeux, ils se sont investis à parts égales au niveau des agencements rythmiques, mélodiques et harmoniques pour créer une signature sonore propre à ce trio qui sort de l’ordinaire.
The longest track on “Perfection,” the debut album by a jazz trio with David Murray on tenor saxophone and bass clarinet, Geri Allen on piano and Terri Lyne Carrington on drums, clocks in at just over eight minutes, covering so much ground that it feels almost like an epic. Composed by Mr. Murray, it’s a swinging tune with a pensive yet intrepid melody, and a midsection of bristling abstraction. The title is playfully apt: “The David, Geri & Terri Show.” Dynamic combustion is the core characteristic of this all-star trio, which first convened at the 2015 NYC Winter Jazzfest. Mr. Murray, 61, is an improviser of great, garrulous bluster, while Ms. Allen and Ms. Carrington, both in their 50s, have forged prominent careers more in line with the postbop mainstream.
The duo offers the most intimate dialogue between two musicians: a time when each musician himself up, and dig deep inside himself to express a melody inspired improvisation on the other, this is so magical. This magic has proved the first time that Nico Gori has performed with Fred Hersch. The two musicians met for the first time the North Sea Jazz Festival 2010 in Holland. Nico Gori then played with the Italian pianist Stefano Bollani and Fred Hersch Trio with her two. The two were immediately attracted by the sound of the other.
Bee Jazz releases the second album from the Edwin Berg trio with the lyrical Eric Surménian playing double-bass and the subtle Fred Jeanne playing drums. The first album Perpetuum have seen the gifted Kenny Werner getting a franc success with the acknowledgement “of a perfectly completed record with rare lyricism and timeless charm” Jazz Magazine and also defined by Citizen Jazz “a gem of pure music”. Since, the trio has been performing in various places in the European scene, including the famous “Bimhuis Jazz Club” in Amsterdam for a concert worthy of attention.