88.2 Khz 24 Bit

Cyrille Aimee - It's A Good Day (2014) [Official Digital Download 24-bit/88,2 kHz]

Cyrille Aimée - It's A Good Day (2014)
FLAC (tracks) 24-bit/88,2 kHz | Time - 43:03 minutes | 885 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

It's A Good Day is the major label debut by the widely acclaimed young jazz singer Cyrille Aimée—yet another step forward for the rapidly rising vocalist. Winner of both the Montreux Jazz Festival’s Vocal Competition and the Sarah Vaughan International Vocal Competition, Aimée explores a range of musical styles, eras, continents and moods on It's A Good Day (Mack Avenue) with a singular voice on inventive arrangements, and produced by Fabrice DuPont (Shakira, Jennifer Lopez).
Rossini - Guglielmo Tell  (  96 Khz.  24 Bit  Remastering  2008 )

Rossini - Guglielmo Tell ( 96 Khz. 24 Bit Remastering 2008 )
EAC Rip | FLAC+CUE+LOG | 4CD | Scans | 234Min. | 1085 MB
Label: Decca The Originals Series / Catalogue: 4757723DOR4 /
Opera / LP´s Originally Released in 1980

William Tell is Rossini's last opera, and this Romantic heroic interpretation of Schiller's epic of Wilhelm Tell among his best works. Rossini composed this opera in Paris. The original libretto was written in French, for a French audience, chorus. Parisians by reputation had more refined musical technique and tastes than their Italian counterparts and Rossini applied the best of Italian opera technique, which he had mastered and more refined and complex French musical staging which he studied and adapted during his years in Paris.
Wagner - Das Rheingold - Solti  ( 96 Khz. 24 Bit Remastering - 2008 ) Re Up

Wagner - Das Rheingold - Solti (2008 )
EAC Rip | FLAC-TRACKS+CUE+LOG | 2CD | Scans | 145 Min. | 726 MB
Opera / LP´s Originally Released in 1959 / 24 Bit / 96 Khz Remastering
Label : Decca The Original Series / Catalogue 4780382

DAS RHEINGOLD, the prelude to Wagner's drama DER RING DES NIBELUNGEN, is the shortest work in the series, and at times it can be forgotten. Of the four pieces that make up the Ring Cycle, it probably would not be a stand alone opera, as the other three would be, and with the exception of "The Entry of the gods into Valhalla" it does not have the memorable highlights of the other three longer works of the cycle.

The Lovin' Spoonful - The Best of Vol. 1 & 2 (1969) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at Nov. 24, 2011
The Lovin' Spoonful - The Best of Vol. 1 & 2 (1969) 24-bit/96kHz Vinyl Rip

The Lovin' Spoonful - The Best of Vol. 1 & 2 (1969) plus bonus
Vinyl rip @ 24/96 | FLAC | Artwork | 1442mb
Megaupload, Multiupload | Rock, Pop | 1969 UK mono LPs | Kama Sutra/Marble Arch MAL 1115/6

The Lovin’ Spoonful were among the first American groups to challenge the domination of the British Invasion bands in the mid-'60s. Between mid-1965 and the end of 1967, the group was astonishingly successful, issuing one classic hit single after another, including "Do You Believe in Magic?," "You Didn't Have to Be So Nice," "Daydream," "Summer in the City," "Rain on the Roof," "Nashville Cats," and "Six o'Clock."
Linda Ronstadt - Greatest Hits Vol.2 (1980) 24-Bit/96-kHz Vinyl Rip

Linda Ronstadt - Greatest Hits Vol.2
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU , RS , FF | 732 MB + 3% recovery
1980 | Genre: Pop/Rock | Label: Asylum Records | 5E-516 | US pressing | Vinyl: M
Original version, not the remastered

The disc covers mostly Linda's heavier rocking singles The album has sold close to two million copies in the United States alone and was Ronstadt's eighth consecutive Platinum certified album.
(wikipedia)
Grover Washington, Jr. - Soul Box Vol.2 (1973) 24-Bit/96-kHz Vinyl Rip

Grover Washington, Jr. - Soul Box Vol.2
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | Rapidshare + FileFactory | 762 MB
1973 | Genre: Jazz | Label: Kudu | KU-13 | US pressing | Vinyl: VG+

Maturity for jazzmen has often been equated with the ability to speak passionately in a ballad setting and in this regard Washington never flags from his responsibilities. Both “Don’t Explain” and “Easy Living” find the saxophonist in peak form. His tone is lush and fervent, but never too sweet or saccharine. By contrast, funkier numbers like “Masterpiece” and “Taurian Matador” feature Washington at his soulful best in a style that has likely influenced scores of “lite jazz” saxophonists over the years but has never sounded quite as convincing in anyone’s hands but this master.
( Andrew Hovan - allaboutjazz.com )
Fabio Biondi & Europa Galante - Vivaldi: I concerti dell'addio (2015) [Official Digital Download 24/88.2]

Fabio Biondi & Europa Galante - Vivaldi: I concerti dell'addio (2015)
FLAC (tracks) 24-bit/88.2 kHz | Time - 79:46 minutes | 1.46 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since the early 1990s, Antonio Vivaldi and Fabio Biondi have become an inseparable pair for many music lovers around the world. In his latest recording for Glossa, Mr. Biondi offers further proof of Vivaldis astonishing imaginative powers as a composer of violin concertos, matched by Biondis own dynamic and cultured virtuosity as a violinist (and director). With these Farewell Concertos, Biondi leading Europa Galante turns to works written by a Vivaldi very near the end of his life as he traveled to Vienna in a desperate search for creative opportunities. I concerti delladdio sees the composer in a Vienna in mourning for its recently deceased emperor and himself more attuned to the now fashionable galante style, bearing witness to Vivaldis late style as it headed in the direction of Tartini and Locatelli.
Britten Sinfonia & Thomas Gould - Bach: Goldberg Variations (arr Dmitry Sitkovetsky) (2015) [Official Digital Download 24/88.2]

Britten Sinfonia & Thomas Gould - Bach: Goldberg Variations (arr Dmitry Sitkovetsky) (2015)
FLAC (tracks) 24-bit/88.2 kHz | Time - 72:34 minutes | 1.34 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Britten Sinfonia s Associate Leader, Thomas Gould directs the ensemble in Dmitry Sitkovetsky s beautifully realised and heartfelt arrangement for strings of Bach s great keyboard work, 'The Goldberg Variations'. Sitkovetsky s arrangement (first conceived for string trio and later expanded for string orchestra), made in 1985 on the 300th anniversary of Bach s birth, is lovingly and painstakingly done. He dedicates the string trio arrangement to Glenn Gould, and it is clear from much of the written-out ornamentation that Gould s recordings of the Goldbergs were Sitkovetsky s passport into the music.
Scottish Chamber Orchestra, Charles Mackerras - Mozart: Symphonies Nos. 38-41 (2008) [Official Digital Download 24/88.2]

Scottish Chamber Orchestra, Charles Mackerras - Mozart: Symphonies Nos. 38-41 (2008)
FLAC (tracks) 24-bit/88.2 kHz | Time - 139:14 minutes | 2.36 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This recording was named BBC Music Magazine's one of '5 Essential Works by Wolfgang Amadeus Mozart' by BBC Music Magazine in 2012 as well as being a winner at the 2009 Classical BRIT Awards (Critics' Award 2009) and the 2009 BBC Music Magazine Awards (Disc of the Year Award and Orchestral Award) In their original review BBC Music Magazine stated: These performances are so exhilarating that I listened to all four symphonies straight through at a first hearing, mesmerised by the variety and intensity of the music itself, sounding here completely fresh, and the virtually flawless renderings by the excellent Scottish Chamber Orchestra, with Sir Charles Mackerras at his most penetrating.
Il Convito & Maude Gratton - W.F. Bach: Concertos pour clavecin et cordes (2015) [Official Digital Download 24/88.2]

Il Convito & Maude Gratton - W.F. Bach: Concertos pour clavecin et cordes (2015)
FLAC (tracks) 24-bit/88.2 kHz | Time - 73:27 minutes | 1.35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The image of Wilhelm Friedemann Bach (1710– 84) most widely prevalent in our time is that of an eldest son as it were haunted by the memory of his father but who, nevertheless, crippled by gambling and drinking debts, was obliged to sell his share of the precious inheritance constituted by Johann Sebastian’s manuscripts. Yet he was also one of the first composers to carve out a ‘freelance’ existence, like Wolfgang Amadeus Mozart some years after him.