Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet.
The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz. Included here are such stellar and classic tracks as "Dig," "Oleo," "Down," "The Serpent's Tooth," "Airegin," "Doxy," and "Vierd Blues"." Although all of these recordings are available elsewhere on the original albums, Davis and Rollins' relationship was an incredibly fertile one and it is great to have all of it compiled together.
Reissue with the latest remastering. Comes with liner notes. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".
Many musicians lived and were musically active during multiple jazz periods, and some of them actually made significant contributions during all of the periods during which they recorded. But few can claim, as Miles Davis could, to have actually helped design the architecture in every case. Bebop, cool, and fusion all have Davis' handprints deep in the cement of their foundations, and this disc documents some of his best work during the second of those periods. In the mid-'50s he started what would be a tumultuous musical relationship with John Coltrane, and what would eventually become one of the greatest combos in jazz history began to coalesce: alto saxophonist Cannonball Adderley, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones in addition to Davis and Coltrane.
THE COMPLETE COLUMBIA STUDIO RECORDINGS compiles all of Miles Davis' collaborations with composer/arranger Gil Evans. Included are the original and alternate versions of the four albums that Davis and Evans made together–MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN and QUIET NIGHTS–as well as various outtakes and unreleased tracks. More than half of the material is previously unreleased. THE COMPLETE COLUMBIA STUDIO RECORDINGS won 1997 Grammy Awards for Best Historical Album, Best Album Notes (by George Avakian, Bob Belden, Bill Kirchner and Phil Schaap), and Best Recording Package - Boxed.
Deluxe edition of Oldfield's 1982 album featuring the hit single "Family Man". Includes a newly remastered version of the album, a second CD of previously unreleased live tracks from Cologne 1982, and a DVD with a new 5.1 surround mix.
Joe Henderson's follow-up to his hugely successful Lush Life disc is another concept album, this time involving ten songs (including many lesser-known ones) associated with Miles Davis. Henderson only actually played with Davis for a few weekends around 1967 but he shows a great deal of understanding for this potentially difficult music. With particularly strong assistance from guitarist John Scofield, bassist Dave Holland and drummer Al Foster, Henderson revives such forgotten songs as "Teo," "Swing Spring" and "Side Car" in addition to coming up with fresh interpretations of "Miles Ahead," "Milestones" and "No Blues." He is to be congratulated for not taking the easy way out and sticking to the simpler material of Davis's earlier years.