81 Miles

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 458 Mb
Full Artwork @ 600 dpi (png) -> 958 Mb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Miles Davis & Gil Evans - Concierto De Aranjuez (1961) {Giants Of Jazz}

Miles Davis & Gil Evans - Concierto De Aranjuez (1961) {Giants Of Jazz}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 364MB + 5% Recovery
MP3 CBR 320 Kbps | 134MB + 5% Recovery
Genre: Jazz, Bop

On May 19, 1961, Miles Davis was showcased at a Carnegie Hall concert, performing with his quintet of the time (tenor saxophonist Hank Mobley, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb) and, for the first time in public, the Gil Evans Orchestra. Although thought of by some later on as being in an off period since he was between innovations, Miles' trumpet chops were actually in prime form during 1961-63, as he shows throughout the date. All of the music on this 1998 two-CD set has been out before, either on the original LP of the same name or on the later album More Music From the Legendary Carnegie Hall Concert, but this is the first time that the two sets have been reproduced in their original order.
Miles Davis - The Complete Miles Davis At Montreux (2002) {20CD LongBox Warner 0927-41836-2 rec 1973-1991}

Miles Davis - The Complete Miles Davis At Montreux (2002) {20 CD LongBox Warner 0927-41836-2 rec 1973-1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.60 Gb | MP3 @320 -> 2.67 Gb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1973-91, 2002 Warner Music Switzerland | 0927-41836-2
Jazz / Jazz Rock / Fusion / Experimental Big Band / Trumpet

Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.
Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.73 Gb | MP3 @320 -> 964 Mb
Full Artwork @ 300 dpi (png) -> 541 Mb | 5% repair rar
© 1972-75, 2007 Columbia / Legacy / Sony BMG Music | 886970 6239 2 | 24bit remastering
Jazz / Fusion / Jazz-Funk / Jazz-Rock / Free Funk / Funk

From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.
Miles Davis Quintet - Live In Europe 1969-The Bootleg Series, Vol.2 (2013) [3CD+DVD] {Columbia} [Re-Up]

Miles Davis Quintet - Live In Europe 1969-The Bootleg Series, Vol. 2 (2013) [3CD+DVD] {Columbia}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 649MB + 5% Recovery
DVD-5 | DVD Decrypter | NTSC 4:3 (720x480) | ISO+MDS+MD5 | MPEG-2 | LPCM 48kHz | 2.74GB + 5% recovery
Genre: Jazz

The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.
Miles Davis - Miles Davis And Horns (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis - Miles Davis And Horns (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 33:41 minutes | 867 MB
Studio Master, MONO, Official Digital Download | Artwork: Digital booklet

Miles Davis is backed up by two different groups on these songs taken from various 10-inch vinyl releases, recorded in 1951 and 1953 and released in 1956. The earlier session features Sonny Rollins on saxophone, Bennie Green on trombone, John Lewis on piano, bassist Percy Heath and drummer Roy Haynes. The 1953 session also features Lewis, with Zoot Sims, Al Cohn and Sonny Truitt joining Davis on the front line, backed by the rhythm section of bassist Leonard Gaskin and drummer Kenny Clarke.
Miles Davis - Dig (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis, Sonny Rollins - Dig (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 35:02 minutes | 751 MB
Studio Master, MONO, Official Digital Download | Artwork: Digital booklet

Recorded in one day in October 1951, these tracks allowed Miles Davis and Sonny Rollins to stretch out together like they had never done in the studio before, delivering fluid solos with warmth and emotion. The rest of the musicians on this pivotal session are equally praiseworthy: a teenage Jackie McLean on alto sax on most songs, pianist Walter Bishop and bassist Tommy Porter, all held together by the explosive drive of drummer Art Blakey.

Tangerine Dream - Live Miles (1988) [Reissue 2003] (Repost)  Music

Posted by gribovar at Nov. 12, 2017
Tangerine Dream - Live Miles (1988) [Reissue 2003] (Repost)

Tangerine Dream - Live Miles (1988) [Reissue 2003]
EAC Rip | APE (image+.cue+log) - 395 MB | MP3 CBR 320 kbps (LAME 3.93) - 134 MB | Covers - 36 MB
Genre: Traditional Electronic, Berlin School | RAR 3% Rec. | Label: Sanctuary Records (CMRCD724)

Live Miles consists of two parts, which were both recorded live. "Livemiles I" was recorded during the American tour of 1986, while "Livemiles II" was captured at a concert to commemorate the 750th anniversary of Berlin. As usual with TD, the audience had no clue of what they were going to experience while attending one of those concerts. During that era it was rather common for TD to improvise much of the music on the spot. So when you listen to a live record of TD you mostly hear new music that isn't available as a studio version. The extended pieces displayed on Live Miles cover many musical moods and textures throughout the playing time of almost half an hour: from slow and haunting, through up-tempo and uplifting; from driving and percussive, to grand and majestic. It's all present on both tracks!

Knit Now - Issue 81 - December 2017  Magazines

Posted by crazy-slim at Nov. 11, 2017
Knit Now - Issue 81 - December 2017

Knit Now - December 2017
English | 100 pages | True PDF | 54 MB
Sam Most - Plays Bird, Bud, Monk and Miles (1957/2013) [Official Digital Download 24/96]

Sam Most - Plays Bird, Bud, Monk & Miles (1957/2013)
FLAC (tracks) 24-bit/96 kHz | Time - 39:59 minutes | 924 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Sam Most switches from his usual instrument, the flute, to the clarinet on this 1957 album that pays tribute to the songs of Charlie Parker, Bud Powell, Thelonious Monk and Miles Davis. The eight songs here are divided into two sessions: one featuring Most leading a 16-piece orchestra and another with Most backed by a sextet. Both bands were made up of a combination of East Coast musicians.