Collection of essential 12" and extended mixes of 80s Electro Classics, featuring artists such as Frankie Goes To Hollywood, Propaganda, Blancmange and many more.
The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts…
Mal Waldron is accompanied by a trio of Japanese players for this fine album, recorded in Japan in 1982. As the title suggests, it's a look back, celebrating one of Waldron's key influences, Thelonious Monk. "Blue Monk" is given a relaxed and regal treatment, as Waldron's bedrock chording supports the higher register melody played in tandem on piano and sax. The set as a whole has a bluesy feel to it, with "I Can't Get Started" gliding along as gracefully as a solitary ice skater in a light snowfall. Waldron's varied discography has found him recording for numerous labels, especially in the '70s and '80s, and this date didn't find a U.S. release until eight years after it was recorded; however, it's well worth adding to any Waldron collection.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and James Williams on piano – augmented by Kevin Eubanks on guitar, Valerie Ponomarev on trumpet, and the Marsalis brothers rounding out the set with some extra horn work! The sound is strong and proud, and handled by Blakey with a tightness that's similar to his smaller group work of the time – but with a power that's simply incredible – especially when Watson's presence is made known on his tunes "Wheel Within A Wheel", "Linwood", and "Bit A Bittadose". Also features a take on Williams' "Minor Thesis".
Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP (subject to change). Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
A Twist of Rit is Lee Ritenour’s new 2015 Concord Records release. A star-studded band performs a number of new compositions combining with fresh, “twisted” versions of some of his earliest funky, fusion material from the 70s and early 80s. Combining some of the hottest rhythm players out there, including Ron Bruner Jr., Chris Coleman, Dave Weckl, Melvin Davis, Paulinho Da Costa, Michael Thompson, John Beasley, Patrice Rushen, and Dave Grusin with a five piece Horn Section and Ernie Watts on tenor sax, A Twist of Rit will make for one of his most special releases to date.
Although he only appeared on a pair of albums with Iron Maiden, Paul Di'Anno has carved quite a niche for himself with headbangers worldwide. He'll forever be associated with belting out such New Wave of British Heavy Metal classics as "Prowler," "Phantom of the Opera," and "Wrathchild," but Di'Anno has been issuing solo releases on a somewhat regular basis since the mid-'80s. His 2006 release, The Living Dead, catches Maiden's original vocalist in an extreme metal mood, as the rough, almost punk-esque vocals of his Maiden days are barely detectable. In its place is the album-opening title track, which surprisingly sounds very much like Bruce Dickinson-era Maiden, while "Brothers of the Tomb" features some Rob Halford-esque falsetto vocals, and the Nigel Tufnel-titled "Mad Man in the Attic" is classic thrash metal.
"Vienna" was a kind of Japanese super-group because of inclusion of 4 musicians who used to play in popular prog-rock bands: Yukihiro Fujimura ("Gerard"), Shusei Tsukamoto ("Outer Limits"), Toshimi Nagai ("Afflatus" & later also "Gerard") and Ryuichi Nishida ("Novela" & "Mugen")…