Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Mid-'80s big band recordings featuring the arrangements and compositions of David Matthews, mixing swing, bop, soul-jazz, and fusion influences. There's a blend between acoustic and electric, standards and originals, and tightly crafted ensemble-dominated arrangements and straight blowing material.
Dangerous Age is the eighth studio album by hard rock band Bad Company. The album was released on August 23, 1988. It was their second album with Brian Howe as lead vocalist and Steve Price as bass guitarist. It helped bring the group back into the spotlight, with major radio airplay for the tracks "No Smoke Without A Fire"(#4), "One Night"(#9) and "Shake It Up"(#9) all reaching the top 10 on Billboard Magazines Album Rock Tracks chart.
Within a refined setting of easy listening pop ballads and lightly funky up-tempo selections produced by Al McKay, Henderson proves himself an assured vocalist with mastery of clarity and phrasing. The problem here is the material isn't challenging enough – it's often formulaic and derivative of other early-'80s releases. Even a contribution from Stevie Wonder, "Crush on You," wanders into oblivion. But the singer's debonair tone and elegant, polished diction makes the weaker sound stronger. A perfect example is the mid-tempo "I'd Rather Be Gone," which suffers from a sleepy melody and clichéd rhythm arrangement.
Strength in Numbers is the seventh studio album by the southern rock band 38 Special, released in 1986. This album was the last one to feature the founding member and co-frontman Don Barnes, until he rejoined the band in 1992.
After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove…
Saga are a Canadian rock band, formed in Oakville, Ontario. Jim Crichton and Welsh-born vocalist Michael Sadler have been the principal songwriters for Saga. Ian Crichton is the band's guitarist; apart from his work with Saga, he has recorded several solo albums as well as sessions with Asia. The band's keyboardist, Scottish-born Jim "Daryl" Gilmour, joined Saga in December 1979 after Greg Chadd left the band in August 1979. The Security of Illusion is the ninth studio album by Saga, originally released in 1993. The album marks the return of keyboardist Jim Gilmour and drummer Steve Negus, both of whom left the band in 1986 due to management concerns.
Don't pay attention to the title, which is absolutely nonsensical and bewildering – it suggests that This Is Me…Then is a compilation, which it isn't, and it also suggests that this has some sort of theme, which it doesn't – and concentrate on the music, which is the strongest, sultriest, best music Jennifer Lopez (who has abandoned the moniker J-Lo) has recorded for any of her three albums. This, of course, doesn't mean that it's a radical musical departure, though there are differences here – the glitzy dance-pop has been phased out, there's a stronger urban soul vibe, particularly on the lush surfaces and sexy grooves.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.
This is a must-have for JPJ or those who collect Zeppelin material. This isnt the bone crushing rock n roll you expect but some good experimentation by Jonsey. With Jimmy Page on 2 tracks and Jon Anderson of Yes on 2 tracks,plus the bonus of Jones himself singing on tracks, I really enjoyed the various types of music on this. "Crackback" will remind you of the same hard hitting sound heard on Zep 4 while "Chilli Sauce" is all in the mind of Jones stepping away from Zeppelin and into his own. A sweet piece of work for sure and when you select this CD for the collection, dont forget to pick up "Zooma"also.
After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track…