Neo-prog band Pendragon formed in London during the heady days of punk, but didn't coalesce until 1983, when the band began playing around London and earned a small spot at that year's Reading Festival. The lineup stabilized, after the 1985 album Jewel, around vocalist/guitarist Nick Barrett, bassist Peter Gee, drummer Fudge Smith and keyboard player Clive Nolan. Pendragon recorded the live album 9:15 in 1986 and began to establish a continental fan base the following year. European audiences proved enthusiastic, spawning a contract with the French M.S.I. label; nevertheless, the group was forced to form its own Toff label just to release material in England.
A previously unreleased live set recorded at London’s legendary Town and Country club and available for the first time on this two CD set. By the late 80s years of substance abuse had left Gil Scott-Heron rotten-toothed and out of it a lot of the time. In 1987 he missed a gig at London's Town & Country Club completely, turning up long after the venue had shut. The T&CC stuck with him though, booking him again in 1988 and hoping for the best. By then he'd gained a new manager, Freddie Cousaert, who had been responsible for turning the career of Marvin Gaye round in the early 80s, getting him off cocaine and back into the studio.
Roy Buchanan has long been considered one of the finest, yet criminally overlooked guitarists of the blues rock genre whose lyrical leads and use of harmonics would later influence such guitar greats as Jeff Beck, his one-time student Robbie Robertson, and ZZ Top's Billy Gibbons.
b. 18 February 1926, Kingston, Jamaica, West Indies, d. 2 December 1998, London, England. As a child Burrowes was given a trumpet by his sea-going father and began learning to play the instrument. As the unofficial mascot of a West Indian army regiment, he was encouraged to develop his musical abilities and took lessons from a military bandsman. He formed his own bands, playing in and around his home town but in the late 40s went to New York City, USA where he quickly established himself on the local music scene. Among the musicians with whom he played during this stage of his career and who also helped his advance was Sonny Rollins.
Perhaps the more miraculous fact about Live Without Sense is not that it's the best live thrash album of the 80s, nor one of the best live German metal albums of all time, but that it manages to take the already superb material of a band and make it sound better. Yes, by 1989, Destruction had not sounded superior than they do on this record, and it rewrites the fuzzy tones of Sentence of Death/Eternal Devastation, and the surgical, frightening cold of Release from Agony into a brazen, consistent 53 minute set of the band's best material…