Today we take high fidelity sound quality for granted, but how did it start? When was the moment when compressed and scratchy sound gave way to natural, realistic sound that captured the whole picture of a performance?
Decca Sound ‘Mono Years’ seeks to answer that question and shows how, 70 years ago, amidst war-time privations, a small team at Decca made technological breakthroughs that brought hi-fi to the world. This latest cube explores Decca’s earliest high-fidelity history, and restores some restores critically acclaimed albums from ensembles such as the Trio di Trieste, Quintetto Chigiano and Griller Quartet which have not been available since their original LP release more than sixty years ago. An equally impressive array of soloists includes pianists Clifford Curzon, Julius Katchen, Friedrich Gulda and Moura Lypmany and violinists Ruggiero Ricci and Alfredo Campoli. Several generations of cellists are represented with recordings by Pierre Fournier, Maurice Gendron and Zara Nelsova.
Shostakovich wrote his Eighth Symphony (from a total of fifteen) in the summer of 1943, across a period of around ten weeks. It was given its first performance on 4 November that year by the USSR Symphony Orchestra, conducted by Evgeny Mravinsky, to whom the work is dedicated. Expectations were high, for Shostakovich’s Seventh Symphony, associated with the siege of Leningrad, had been adopted both in Russia and the West as a symbol of resistance to the Nazis. It was hoped that the Eighth would follow in its patriotic footsteps – earlier that year the German Sixth army had been annihilated at Stalingrad, the siege of Leningrad has been lifted, and the Nazis were in retreat.
We know nothing of the origins, youth and education of Marbriano de Orto (c. 1460-1529) other than that he was the illegitimate son of a priest. His surname is probably that of his mother, Dujardin, and he was trained as a chorister somewhere in the diocese of Doornik/Tournai, in present-day Belgium. The fact that the Pope granted de Orto a benefice in 1486 which secured him a lifelong income from the diocese seems to confirm his close relationship to it from the outset of his career.
Shostakovich’s atmospheric Eleventh Symphony recounts the events surrounding the First Russian Revolution of 1905, while reflecting on the brutality of the later Soviet regime. Its cinematic depiction of winter cold and military might is utterly compelling, and never more so than under the baton of the composer’s friend Mstislav Rostropovich.
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, author, and painter, who has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" that became anthems for the Civil Rights Movement and anti-war movement. In 1965, he controversially abandoned his early fan-base in the American folk music revival, recording a six-minute single, "Like a Rolling Stone", which enlarged the scope of popular music…