80 Musik

Akademie für Alte Musik Berlin & René Jacobs - Pergolesi: Septem verba a Christo (2013) [Official Digital Download 24/96]

Akademie für Alte Musik Berlin & René Jacobs - Pergolesi: Septem verba a Christo (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 80:19 minutes | 1.35 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Now attributed to Pergolesi on the basis of recent research, the ‘Seven Words of Christ’ has been regarded as ‘one of the most heartfelt works of art, full of profound tenderness and an all-conquering sense of beauty’ [Hermann Scherchen, on its discovery in 1930]. However, his judgment has remained unheeded and only the discovery of two more manuscripts in the abbeys of Kremsmünster and Aldersbach, by the musicologist Reinhard Fehling, prompted the firm of Breitkopf & Härtel to publish a critical edition.
René Jacobs & Akademie für Alte Musik Berlin - Handel: Agrippina (2011) [Official Digital Download]

René Jacobs & Akademie für Alte Musik Berlin - Handel: Agrippina (2011)
FLAC (tracks) 24-bit/48 kHz | Time - 202:39 minutes | 1.98 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

After his acclaimed explorations of such Handel operas as Giulio Cesare and Rinaldo, René Jacobs now tackles the first great operatic success of the ‘caro Sassone’ (Venice, 1710), the climax of his Italian period. This version reconstructs the work in its original conception, the only one to combine explosive topicality with extreme dramatic cogency. As a result, this tale of amorous intrigues against a background of Roman history, the ‘prequel’ to Monteverdi’s L’incoronazione di Poppea, emerges more fascinating than ever.
Rene Jacobs, Akademie fr Alte Musik, Berlin - Giovanni Battista Pergolesi: Septem Verba a Christo (2013)

René Jacobs, Akademie für Alte Musik, Berlin - Giovanni Battista Pergolesi: Septem Verba a Christo (2013)
EAC | FLAC | Image (Cue & Log) ~ 349 Mb | Total time: 80:30 | Scans included
Classical | Label: Harmonia Mundi | # HMC 902155 | Recorded: 2013

This Septem verba a Christo in cruce moriente proloata (The Seven Words of the Dying Christ on the Cross) was rediscovered nearly a century ago, and scholars down through the years have reached differing conclusions as to whether or not the work was really by Giovanni Battista Pergolesi, as one manuscript claimed. More and more copies surfaced, and finally the discovery by musicologist Reinhard Fehling of a new set of parts at an Austrian monastery in 2009 showed that the work was at the very least popular over a good part of Europe, and the forces represented here gave the work its modern-day premiere performance and first recording. You can see why some were skeptical of Pergolesi's authorship, for it doesn't sound much like his more famous Stabat Mater or like anything by anybody else, either. The closest parallel would be Bach's so-called dialogue cantatas, with soloists representing Christ and the soul. The work is Bachian in another way, too, with a set of hidden symmetries and apparent meanings outlined in the album notes. It consists of seven aria pairs, with a few of the arias prefaced by accompanied recitatives. Each of the pairs represents one of the seven last words of Christ on the cross, with Christ (a bass in all cases except for the second "word," where he is a tenor) setting out the basic meaning and the Soul (a soprano, alto, or tenor) providing a kind of emotional reaction that is closely related, both musically and conceptually, to Christ's aria. It's thus a tightly constructed, rather intellectual piece, atypical of Pergolesi. The orchestral writing, featuring horns, trumpet, harp, and lute, is also unlike anything else in Pergolesi's oeuvre. But the work is successful on its own terms, and it receives a fine performance here from conductor René Jacobs, the Akademie für Alte Musik Berlin, and an impressive quartet of soloists. This odd piece isn't going to displace the Stabat Mater from the top rank of Pergolesi's work, but it adds substantially to the picture of his genius.
(James Manheim )

Chefkoch.de Fun Food: 80 Lieblingsrezepte von den Usern gewählt (German Edition)  eBooks & eLearning

Posted by AlexGolova at Feb. 20, 2018
Chefkoch.de Fun Food: 80 Lieblingsrezepte von den Usern gewählt (German Edition)

Chefkoch.de Fun Food: 80 Lieblingsrezepte von den Usern gewählt (German Edition) by Andreas H. Bock
German | 27 Oct. 2017 | ASIN: B076X4MZ3R | 128 Pages | AZW3 | 10.85 MB

ControlMyNikon Pro 5.4.98.80 Multilingual  Software

Posted by Givaraa at Feb. 20, 2018
ControlMyNikon Pro 5.4.98.80 Multilingual

ControlMyNikon Pro 5.4.98.80 Multilingual | 42.8 MB

Connect your Nikon DSLR to your PC and experience new ways to capture images. Macro photography, timelapses, stop motion, HDR, long exposures, portrait sessions, product and laboratory sessions just got a lot easier.

Mireille Mathieu - Meine Welt ist die Musik (1998)  Music

Posted by Fizzpop at Feb. 18, 2018
Mireille Mathieu - Meine Welt ist die Musik (1998)

Mireille Mathieu - Meine Welt ist die Musik (1998)
WEB FLAC (Tracks) 339 MB | Cover | 51:39 | MP3 CBR 320 kbps | 121 MB
French Pop, Chanson | Label: Ariola

Meine Welt ist die Musik est une compilation allemande de la chanteuse française Mireille Mathieu contenant 15 titres. Sur les 15 titres, 2 chansons sont de nouveaux morceaux enregistrés en 1998 : Mon amour et Die Sonne wartet schon.
Vivica Genaux, Akademie fur Alte Musik Berlin, Rene Jacobs - Arias for Farinelli (2003) PS3 ISO + Hi-Res FLAC

Vivica Genaux, Akademie Für Alte Musik Berlin, René Jacobs - Arias for Farinelli (2003)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 77:33 minutes | Scans & Digital booklet | 3,77 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans & Digital booklet | 1,43 GB
Features Stereo & Multichannel Surround Sound / Harmonia Mundi #– HMC 801778

Recording an album of arias written expressly for Farinelli, one of the most legendary castratos of the eighteenth century, is brave; his name invokes a world of superhuman vocal feats, remarkable pathos, and a uniquely strong and brilliant tone that, for obvious anatomical reasons, will not be replicated by modern singers. But that clearly does not scare Vivica Genaux who, along with René Jacobs and the Akademie für Alte Musik Berlin, dives into Farinelli's repertory as if it were her very own.

Friedrich Nietzsche - Zwischen Musik, Philosophie und Ressentiment  eBooks & eLearning

Posted by DZ123 at Feb. 12, 2018
Friedrich Nietzsche - Zwischen Musik, Philosophie und Ressentiment

Volker Gerhardt, Renate Reschke, "Friedrich Nietzsche - Zwischen Musik, Philosophie und Ressentiment"
German | 2006 | ISBN: 3050042206 | PDF | pages: 312 | 1.5 mb

Die Rationalen Und Soziologischen Grundlagen Der Musik (Repost)  eBooks & eLearning

Posted by leonardo78 at Feb. 12, 2018
Die Rationalen Und Soziologischen Grundlagen Der Musik (Repost)

Die Rationalen Und Soziologischen Grundlagen Der Musik by Max Weber
Language: German | 2010 | ISBN: 1145137946 | 106 pages | PDF (scan) | 1,95 MB

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words.

iL GIRO DEL MONDO IN 80 PIAZZE  eBooks & eLearning

Posted by Barvaz at Feb. 8, 2018
iL GIRO DEL MONDO IN 80 PIAZZE

iL GIRO DEL MONDO IN 80 PIAZZE by paolo cella
Italian | 2016 | ISBN: n/a | 107 pages | PDF | 0.5 MB