This budget-priced collection from the hunky Aussie soap opera actor turned rock star collects ten of his biggest radio hits, including "Jessie's Girl," "I've Done Everything for You," "Don't Talk to Strangers," and "Love Is Alright Tonite."
Thanks to the 1970s and '80s soul jazz movement and its 21st century counterpart, acid jazz, the Hammond B-3 organ has shown a remarkable ability to survive and adapt to changing musical trends – all without changing its swirling, pulsing tone one little bit. The Hammond Street anthology from Acid Jazz mixes in tracks from a couple of veteran B-3 players like Jimmy McGriff and Reuben Wilson with tracks from newer combos, and even though these newer groups cover songs like Nirvana's "Smells Like Teen Spirit," what is immediately obvious here is how much a B-3 sounds like a B-3 no matter what kind of clothes you drape over it. Highlights include the hard-charging "Itchy Feet" by the Past Present Organisation (which opens the disc), the ragged and energy-overloaded "Clubtown" by the Trashmonkeys, McGriff's "Ain't It Funky" (which indeed it is), and Wilson's "Sugar," a classic piece of soul jazz.
Back To Love celebrates the finest club classics that paved the way for a whole generation of music lovers. With a 90s revival in full swing and the sounds of the 80s still influencing new music, it's always time to wipe the dust off the 80s and 90s records we once loved. This album will bring back memories of legendary soul-infused house and hip hop anthems. Including vocally dominated anthems from Incognito & Jocelyn Brown, Degrees of Motion and Donna Summer as well as house classics from Nightcrawlers and Ultra Naté, Back To Love represents hip hop and house with the likes of Jungle Brothers, A Tribe Called Quest and DJ EZ Rock.
"After the widely noticed performance at the „Acht Brücken Festival 2016” at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of „Grandbrothers“), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich’s "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich’s composition but still far more than just that – it is a modern approach to his idea behind it. "Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich’s composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach’s assumption: "Especially Terry Riley’s and Steve Reich’s music are open doors for pianists socialized by pop music and their audience".
Something of a smooth jazz oriented answer to the label's 2003 straight-ahead compilation Jazz After Dark, this highly engaging two-disc set features oft-played radio hits that have helped define the genre's generally easy grooves and colorful melodies. For diehard fans, smooth jazz has always been as about much about lifestyle as music, and these tracks will no doubt remind them just why they became devotees. All the early classics (circa mid-'70s to mid-'80s) are here, from Kenny G.'s "Songbird" and Dave Grusin's "Mountain Dance" to George Benson's "Breezin'" and Grover Washington, Jr.'s "Just the Two of Us." These are supplemented by later hits like Boney James & Rick Braun's "Grazin' in the Grass" and Dave Koz's "You Make Me Smile." But it's not simply an objective survey of smoothness at its best. The collection also seems designed to promote artists in the Concord Jazz stable – David Benoit and Russ Freeman, the Rippingtons, the Braxton Brothers, Gato Barbieri, Eric Marienthal, and Cassandra Reed, among others.
A massive, 2-disc compilation featuring cover versions of virtually every Peter Green song written during his Fleetwood Mac period, and a few drawn from his mid-80s solo period. While there are some weaker moments in this 39-track collection, the majority of the interpretations feature blues guitar, piano and vocal at their very best. Rather than simply pay tribute to Peter Green by faithfully imitating his material, the artists have chosen to re-interpret these songs and in most cases the results are superb. The power of Green's influence is felt all the more deeply when so many artists use his music as a jumping-off point. A must have item for blues guitar fans.
The Ultimate Christmas Album, Vol. 6: WCBS FM 101.1 is another eclectic collection of pop holiday tunes from the '50s, '60s, '70s, and '80s, including Wham!'s "Last Christmas," the Beach Boys' "Santa Claus Is Coming to Town," and Andy Williams' "Let It Snow! Let It Snow! Let It Snow!." Aretha Franklin's "Winter Wonderland," America's "Hark! The Herald Angels Sing," and Connie Francis' "White Christmas" are some of the other highlights from this scattered compilation, which somehow mixes different sounds and eras into a festive celebration.