8 Pieces Breves

Ensemble Aleph - Kagel: The 8 Pieces of the Wind Rose (2017)  Music

Posted by SERTiL at Jan. 7, 2017
Ensemble Aleph - Kagel: The 8 Pieces of the Wind Rose (2017)

Ensemble Aleph - Kagel: The 8 Pieces of the Wind Rose
Classical | MP3 CBR 320 kbps | 105:29 min | 242 MB
Label: Ensemble Aleph / Evidence Classics | Tracks: 08 | Rls.date: 2017

Quel abîme sans fond que ces Huit pièces pour la rose des vents de Maurizio Kagel ! Commencé avec L’Est en 1989 et s’achevant avec Nord de 1994, ce périple fait allègrement le tour de la planète musicale car Kagel ne se situe pas à un endroit unique initial pour désigner ses directions : l’Est des uns est l’Ouest des autres, et quand au « Nord », il exprime en Amérique du Sud les contrées les plus chaudes puisqu’exposées plein nord – au soleil donc.

French Piano Music: The Ultimate Collection Parts I, II by CD Sheet Music (Repost)  eBooks & eLearning

Posted by thingska at Feb. 10, 2015
French Piano Music: The Ultimate Collection Parts I, II by CD Sheet Music (Repost)

French Piano Music: The Ultimate Collection Parts I, II by CD Sheet Music
French | Jun 1, 2006 | ISBN 1423428048, 1423428056 | 3500 pages | RAR/PDF | 367,2 MB
Cantus Cölln, Konrad Junghänel - J.S.Bach: Missae Breves (2007)
Cantus Cölln, Konrad Junghänel - J.S.Bach: Missae Breves (2007)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:50:46 | 527 MB
Genre: Classical, Choral | Label: Harmonia Mundi | Catalog: 901939

Since the additional movements of the Roman Catholic Mass (Sanctus, Agnus Dei, and Credo) that appear in his B minor Mass were excluded, Bach's four missa breves (short masses) are essentially two-movement Lutheran works. Naturally, Bach being Bach, he subdivided the expansive Gloria into five shorter movements; set the texts as arias, duets, and choruses; and used an orchestra ensemble including strings, flutes, oboes, trumpets, and organ as a powerful and colorful accompaniment. But at the heart of all four works is the austere faith of Martin Luther, and the German reformer's strength, severity, and occasional sentimentality is at the spiritual core of Bach's sacred music.

Theo Bruins – Complete Works (2004)  Music

Posted by d'Avignon at Nov. 4, 2011
Theo Bruins – Complete Works (2004)

Theo Bruins – Complete Works (2004)
Classical/contemporary | FLAC lossless | cuesheets+log | covers+booklet | 1h16m | 314mb
Label: Q Disc | cat. no. Q97045

7thShare Android Data Recovery 1.8.8.8  Software

Posted by big1ne at April 28, 2017
7thShare Android Data Recovery 1.8.8.8

7thShare Android Data Recovery 1.8.8.8 | 12.4 MB

The World's #1 Android Data Recovery Software to recover deleted photos, videos, contacts, messaging, call logs, and more from android devices and SD Cards.
Boris Giltburg, Rhys Owens, RLPO, Vasily Petrenko - Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)

Dmitri Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)
Royal Liverpool Philharmonic Orchestra; Vasily Petrenko, conductor
Boris Giltburg, piano; Rhys Owens, Trumpet

EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573666 | Time: 01:09:45

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.

Incubus - 8 (2017)  Music

Posted by SERTiL at April 26, 2017
Incubus - 8 (2017)

Incubus - 8
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 40:12 min | 279 MB
Label: Island - B0026461-02 | Tracks: 11 | Rls.date: 2017
Alternative Rock

Anyone hoping that the 11th-hour recruitment of Skrillex as coproducer would encourage Incubus to add vertiginous drops and bowel-shaking sub-bass to their eighth album will be disappointed. Despite that, they remain as dismissive of rock’s traditional boundaries as ever, roaming from New Wave pop (“Familiar Faces”) to dark-hearted electro-blues (“Loneliest”) and a dub/lounge-jazz mash-up (“Make No Sound in the Forest”). The Californians have never undervalued short, sharp thrills though; the riff-laden “Nimble Bastard” is exhilarating and incisive.
Peter Serkin, Chicago Symphony Orchestra - Schoenberg: Piano Concerto, Op. 42; 5 Piano Pieces, Op. 23 & Phantasy, Op. 47 (2017)

Peter Serkin, Chicago Symphony Orchestra - Schoenberg: Piano Concerto, Op. 42; 5 Piano Pieces, Op. 23 & Phantasy, Op. 47
Classical | MP3 CBR 320 kbps | 48:05 min | 111 MB
Label: Sony Classical | Tracks: 11 | Rls.date: 2017

He is "one of those rarities, a natural conductor", exclaimed one reviewer after Seiji Ozawa's Chicago Symphony debut on July 16, 1963 at the orchestra's Ravinia Festival. "His technical facility is phenomenal, his sense of rhythm both solid and subtle, and his knowledge of scores… detailed and intimate." Another Chicago critic concurred: "His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the orchestra with transparency of gesture and human communication, then commands acceptance."

Occasional Pieces: Writings and Interviews, 1952-2013  eBooks & eLearning

Posted by nebulae at April 23, 2017
Occasional Pieces: Writings and Interviews, 1952-2013

Christian Wolff and George E. Lewis, "Occasional Pieces: Writings and Interviews, 1952-2013"
English | ISBN: 0190222891, 0190614706 | 2017 | 368 pages | PDF | 4 MB

Mary Lattimore - Collected Pieces (2017)  Music

Posted by aasana at April 15, 2017
Mary Lattimore - Collected Pieces (2017)

Mary Lattimore - Collected Pieces (2017)
Electronic, Classical, New Age | 54:17 min | MP3, 320 kbps | 126 MB
Label: Ghostly International

Last year, Mary Lattimore’s At The Dam marked a watershed moment for the classically trained harpist. While over the past decade she had recorded and performed with notable talents like Kurt Vile, Sharon Van Etten, Steve Gunn, Jarvis Cocker, Meg Baird, and Thurston Moore, Mary’s acclaimed third solo full-length (her first long-player for Ghostly International) saw her own music deservedly embraced by a wider audience. It was certainly no small feat coming from a beguiling album of improvised, processed harp pieces that had been recorded during stops along a road trip across America – all funded by an esteemed fellowship that she received from the Pew Center for Arts & Heritage.