…these recordings were nothing short of "must haves". While – in the intervening years – performance practices have encountered emendation and musical aesthetics have been altered, the immense musical and artistic value of these performances still holds.
The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest words in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the world's most dramatic musical media, encompassing music from six centuries and featuring sensational performers. All boxes come with a fascinating booklet with detailed information on the genre itself, chronological placement of each work, and a comprehensive study of the music. A fitting celebration of 25 years of superb music from Naxos, the world's favourite classical label.
This release ’Pellegrina’s Delight’ is a joy from start to finish and a testament to Vivaldi’s undoubted genius. It is good to have this wonderful disc of Vivaldi works imaginatively themed around the oboe and a most welcome change too from yet another version of the ubiquitous ‘Four Seasons‘!
George Frederick Handel (1685-1759), one of the preeminent Baroque composers, was born in Germany, educated in Italy, and spent most of his career in England, making him one of the first genuinely cosmopolitan composers noted, for the elegance, sophistication, and tunefulness of his music. He established his reputation in London as a composer of Italian opera, but after public taste shifted in the 1730s, he turned to English oratorios, the most famous of which is Messiah. Other popular works include Water Music, Royal Fireworks Music, the operas Giulio Cesare and Serse, and the oratorios Israel in Egypt and Judas Maccabeus.
This recording is part of the Naïve label's Vivaldi Edition, a complete recording, scheduled to run to 100 discs, of a trove of Vivaldi manuscripts unearthed at the library of the National University of Turin. The recordings have been divided up among various mostly young Italian Baroque interpreters, with a pleasing variety of approaches.
George Frideric Handel (1685 – 1759): Italian Cantatas “Clori, Tirsi e Fileno” and “Apollo e Dafne”. Oboe Concerto in G Minor. Performed by various soloists and the Philharmonia Baroque Orchestra, directed from the harpsichord by Nicholas McGegan.
Tomaso Albinoni was a contemporary of Vivaldi in Venice, and his Concerti a cinque opus 9, published in 1722, provide ample evidence of his felicity in composition. His wife was a well-known opera singer, and his oboe concertos sound like wonderfully cantabile instrumental da capo arias: first there is an energetic fast movement, then a lyrical slow movement, followed by another fast movement that once again takes up themes from the first movement. The music is contrapuntal, harmonious, balanced and, to put it blankly, full of sheer enjoyment…
Bob van Asperen (born 8 October 1947 in Amsterdam) is a Dutch harpsichordist and early keyboard instrument performer, as well as a conductor. He graduated in 1971 from the Amsterdam Conservatory, where he studied the harpsichord with Gustav Leonhardt and the pipe organ with Albert de Klerk. Since then he has been performing extensively in Europe and the rest of the world, both as a soloist and as an accompanist/conductor.
In addition to his live performances, he has recorded repeatedly for several labels, including Sony, EMI, Teldec, Virgin, and Deutsche Harmonia Mundi, specialising in the keyboard repertoire of the 16th - 18th centuries, such as the harpsichord works of Froberger, J. S. Bach and Handel. One of the most important discography projects he has undertaken is the complete keyboard works of C.P.E. Bach and also the complete sonatas of Catalan composer Antonio Soler (Astrée, 1992). Various other projects are under way, while many of his recordings have been awarded with prestigious prizes, such as the Preis der Deutschen Schallplattenkritik and the Diapason d'Or.