Haydn's Sinfonia Concertante in B flat major for violin, cello, oboe, and bassoon, Hob. 1/105, is among his most recorded works, and among his most utterly joyful. But it has rarely reached the heights of ebullience achieved in this historical-instrument reading by the small British ensemble Arcangelo and its conductor, Jonathan Cohen. The list of things to be enthusiastic about is long, but it begins with the differentiation of the instruments in the solo passages, with the period oboe and bassoon of Alfredo Bernardini and Peter Whelan, respectively, having the depth of texture to stand up to the brilliant Stradivarius violin and Guarneri cello of Ilya Gringolts (a renowned soloist in his own right) and Nicolas Altstaedt.
2014 Limited Edition deluxe individually numbered 50 CD boxes et with all of conductor Zinman's Zurich recordings. Includes the complete Beethoven Symphonies, concertos & overtures, complete Mozart Violin Concertos played by Pamela Frank, plus complete cycles of Brahms, Mahler, Schubert, Schumann & Richard Strauss.
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG
Heinz Chur was born in Essen (Germany), and for him music is a wonderful language - the language of ideas and emotions. The Piano Sonatas Nos 6 - 8 are examples of his tonal style. These sonatas were composed concurrently (e.g., the first movement of Piano Sonata No. 6 developed during the same year as the final movement of Piano Sonata No. 8), and in each case the completed sonatas were committed to writing within the space of a few days: Sonata No. 6 in 1984, Sonata No. 7 in 1985, and Sonata No. 8 in 1987…
A unique 8-CD collection comprising nine hours of the best loved classical music!
In terms of their reputations, it is the misfortune of both Albinoni and Telemann that they shared their time and space with Vivaldi and Bach - respectively, the nonpareils of Venetian Baroque and Baroque everywhere else. Nonetheless, these oboe concerti of Albinoni testify to the considerable talents of the Red Priest's contemporaries. Three of the four concerti that begin CD1 (those in d, C and g) are probably the equals of anything that Vivaldi wrote for this instrument. They show the 51 year old composer (former dilettante now turned professional) at the height of his powers. Telemann's works on these discs, meanwhile - and especially the wonderful Sonata in g from 'Tafelmusik III' - show him at his most inspired…By Jon Chambers (Birmingham, England)