8 Track

Annalisa Tornfelt - The Number 8 (2015)  Music

Posted by Pisulik at March 12, 2015
Annalisa Tornfelt - The Number 8 (2015)

Annalisa Tornfelt - The Number 8 (2015)
Folk, Country | MP3 CBR 320 kbps | 00:41:57 | 101 MB
Label: Jealous Butcher Records | Woodphone Records | Release Year: 2015

2015 release from the Alaska-raised musician best known as the singer and fiddle player for Black Prairie. Annalisa Tornfelt grabbed her Black Beauty Arch Kraft guitar and an analog 8-track to record her unadorned, front porch solo album, The Number 8. "I asked Annalisa to play a few fiddle tunes with me, which soon flipped to her picking up a guitar and singing Hank Williams," says her Black Prairie bandmate, Chris Funk. "It was simple, but it was stunning. It's those moments when she grabs the all too familiar guitar and sings a song that you realize your bandmate and friend has the unique gift and power to make the weight of the world lift for 3 minutes."

V.A. - Em:t 0094-0004 [8 CD] (1994-2004)  Music

Posted by gribovar at Dec. 21, 2014
V.A. - Em:t 0094-0004 [8 CD] (1994-2004)

V.A. - Em:t 0094-0004 [8 CD] (1994-2004)
EAC Rip | FLAC (image+.cue+log) - 2,84 GB | MP3 CBR 320 kbps (LAME 3.93) - 1,23 GB | Covers - 192 MB
Genre: Electronic, Ambient | RAR 3% Rec. | Label: em:t

Em:t was a British record label, based in Nottingham, which specialized in ambient electronic music. They were active from 1994 to 1998, and after a period of bankruptcy, re-established themselves in 2003 under new ownership and management. In summer 2006, the label officially ceased operations again, although by this time it had not been active for some time.

Groundhogs - Solid (1974) [2001, with Bonus Track]  Music

Posted by technick at April 23, 2012
Groundhogs - Solid (1974) [2001, with Bonus Track]

Groundhogs - Solid (1974)
[2001, with Bonus Track]

EAC: flac (tracks)+cue+log | RAR, 3%, 300,64MB
mp3, 320kbps | RAR, 3%, 102,34MB | Scans | RAR, 3%, 25,13MB
Label: Talking Elephant | Cat №: TECD025 | (FilePost+Turbobit+DepositFiles+RapidGator)

During the seventies Groundhogs released a string of very strong albums, "Solid" while not being one of their best does have moments that almost equal classics on albums such as "Split" and "Hogwash".
John Entwhistle - Whistle Rhymes (1972) [VINYL] - Track LP - 24-bit/96kHz plus CD-compatible format

John Entwhistle - Whistle Rhymes (1972) [VINYL] - Track LP
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u's, md5 checksum, no cue or log (vinyl) | Filesonic + FF
730 MB (24/96) or 205 MB redbook | Artwork | Rock | 1972

JE's best solo disk, and for The Who fan, there is much to enjoy.

Celtica Volume 8  Music

Posted by juncas at Oct. 7, 2009
Celtica Volume 8

Celtica Volume 8 (2001)
EAC Rip | FLAC, IMG+CUE, LOG | 317 MB | MP3 VBR >200 Kbps | 93 MB
Celtic | Label: Celtica | RAR 3% Rec. | RS.com

Alive WMA MP3 Recorder 3.3.2.8  Software

Posted by arungupta at March 7, 2009
Alive WMA MP3 Recorder 3.3.2.8

Alive WMA MP3 Recorder 3.3.2.8 | 6.05 mb

Record any audio source from your computer into MP3, WAV, WMA, OGG, and VOX files.
With Alive WMA MP3 Recorder you can record sound from microphone, line-in, streaming audio from the Internet, or music played by WinAMP, Windows Media Player, Quick Time, RealPlayer, Power DVD, VCD, Flash, Games, etc..

Telefon Tel Aviv - Immediate Action #8  Music

Posted by Viander at Dec. 5, 2008
Telefon Tel Aviv - Immediate Action #8

Telefon Tel Aviv - Immediate Action #8 (2002) [Maxi CD]
1 CD | MP3 CBR 320 kbit/s | 46 MB
Ambient, IDM, Electronica | Total time: 20:06 min

The Doors - Live On Air 1967-1972 (2016)  Music

Posted by Pisulik at Oct. 16, 2017
The Doors - Live On Air 1967-1972 (2016)

The Doors - Live On Air 1967-1972 (2016)
EAC Rip | FLAC (Tracks) +cue, log, m3u, artworks - 1.3 GB | MP3 CBR 320 kbps - 653 MB | 04:46:10
Classic Rock, Psychedelic Rock | Label: Livewire

4-CD set presents radio recordings from various band phases from 1967 (Avalon Ballroom, San Francisco) to 1972 (Aragon Ballroom, Chicago / without Jim Morrison) and presented band classics such as »Light My Fire«, "The End," "People Are Strange," "Touch Me," "Moonlight Drive," "Wishful Sinful," "Roadhouse Blues," "When The Music's Over," "Five To One" and "Break On Through.
Imogen Cooper - Robert Schumann: "Abegg" Variations; Davidsbundlertanze; Novelettes Op. 21 Nos 2 & 8; Geisternahe (2015)

Imogen Cooper - Robert Schumann:
"Abegg" Variations; Davidsbündlertänze; Novelettes Op. 21 Nos 2 & 8; Geisternähe (2015)

EAC | FLAC | Image (Cue&Log) ~ 200 Mb | Mp3 (CBR320) ~ 178 Mb | Artwork included
Genre: Classical | Label: Chandos | # CHAN 10874 | Time: 01:15:52

This third recording by Imogen Cooper on Chandos features some of Robert Schumann’s most characteristic and complex works for solo piano. Cooper is one of those artists who are reaching a glorious maturity in middle age; she seems to follow in the steps of her teacher Alfred Brendel, her prodigious virtuosity coexisting with lyrical and emotional wisdom. This album includes the Davidsbündlertänze which she describes as a ‘work of stirring beauty and humour that make it one of the great romantic masterpieces for the piano’. It also illustrates the journey between two sets of variations: Schumann’s first published and last composed piano pieces. While the ‘Abegg’ is ‘virtuosic, extroverted, challenging to play, and charming’, the Geistervariationen are ‘introverted and sparse, with a deep but elusive emotion’. Finally, in the two Novelletten Imogen Cooper reveals what she calls the ‘hidden narrative filaments to be discovered’ in Schumann’s music; this requires ‘a skill which is very necessary in the interpretation of scores that frequently appear disjointed and illogical’.
John Cage, Sun Ra - John Cage Meets Sun Ra (The Complete Concert, June 8, 1986, Coney Island, NY) (Reissue) (2016)

John Cage, Sun Ra - John Cage Meets Sun Ra (The Complete Concert, June 8, 1986, Coney Island, NY) (Reissue) (2016)
EAC Rip | FLAC (tracks+.cue, log) ~ 246.30 Mb | 1:10:01 | Cover
Avant-garde Jazz, Free Jazz | Country: USA | Label: Modern Harmonic (MHCD-20)

This live album documents the meeting of two avant-garde legends, but it is not exactly a "super duo." The curious chemistry these two share is subtler and possibly more rewarding than that. John Cage was a quotable artist. On the subject of albums, he once remarked that “records ruin the landscape.” Elsewhere, in a treatise collected in his 1961 book Silence, the composer offered some opinions about jazz. The genre “derives from serious music,” he wrote, “and when serious music derives from it, the situation becomes rather silly.” Given those harsh judgments, it makes sense to venture an opening question about Cage’s one-off appearance alongside swing-and-improv icon Sun Ra. If Cage himself thought jazz unsuited for “serious” contexts and recordings lame, why should this document of their 1986 shared bill be anything other than a curiosity?