Euripides wrote The Trojan Women in 415 B.C., but his tragic play about the aftermath of the fall of Troy continues to resonate many centuries after it was first performed. Eleni Karaindrou, best know for her film scores for Ulysses' Gaze and Eternity and a Day, composed this score for a 2001 production of The Trojan Women after being struck by the parallels between the ancient Greek story and the recent situation in the Balkans. Although she chose to use various folk instruments from around the Mediterranean, such as the lyre, an ancestor of the modern violin; the lauto, a Greek form of the lute; and the ney, an end-blown flute, her stark compositions are not folkloric recreations. Instead, she blends the ancient timbres of the instruments with a vocal chorus to create a sound that is not quite modern but not archaic either. Perhaps the best word to use in describing Karaindrou's austere, beautiful music is timeless.
‘Sharon…’ is an eclectic soundtrack for the early ‘80s covering post punk, mod revival, ‘60s revival, independent scene, rockabilly/cowpunk, garage, London soul/funk, reggae dub and commercial pop, pre C86 with its looking back and looking forward, and what it isn’t, the extremes of the SAW production line of the late ‘80s and another era entirely.