Features 24 bit remastering and comes with a mini-description. Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.
This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. This is a fun quartet playing a very nice combination of Bossa-Samba-Jazz. Their version (Chick de Ipanema) has a fantastic incidental combination of two of the most amazing Bossa songs of all times in the same song; Girl from Ipanema and Summer Samba in a smooth and subtle way that will blow you away. Their other renditions to Bossa classics are amazing. Check them out, you'll love them.
This exciting CD has 20 diverse performances that were originally produced by Leonard Feather for the Victor label during 1946-47. The first eight selections feature various versions of Esquire's All-American Award Winners and have some unique combinations of musicians. "Long Long Journey" was the first record to match together Duke Ellington (who verbally introduces the song) and Louis Armstrong, and on "Snafu" Armstrong takes a surprisingly modern solo that hints at bebop. Trumpeter Charlie Shavers creates a remarkable improvisation on "The One That Got Away," ltoist Johnny Hodges plays beautifully on "Gone with the Wind" and other key players include tenor saxophonist Don Byas, trumpeter Buck Clayton, trombonist J.J. Johnson and tenor saxophonist Coleman Hawkins. In addition, there are selections featuring trombonist Jack Teagarden, the 52nd Street All-Stars (with Shavers, Hawkins and tenorman Allan Eager), the tenor of Lucky Thompson, trumpeter Neal Hefti, altoist Benny Carter, singer Mildred Bailey and solo piano records by Art Tatum and Erroll Garner. The mid-to-late '40s were a particularly rich period for jazz and this highly recommended CD is filled with gems.
Strange as it seems, the main criticism about this CD and about Kenny Burrell's playing during the past couple decades is that he is often overly tasteful. On this set (which has six unaccompanied guitar solos, four duets with bassist Ray Drummond, and three trio numbers with Drummond and drummer Yoron Israel), Burrell is so loving of the melodies that he adds very little of himself other than his beautiful tone. Although the tunes are superior, none of these versions are definitive and the mellow results rarely rise above the level of background music.