Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
Features 24 bit remastering and comes with a mini-description. Great work by this legendary hard swinging band – an early 60s American album issued on Atlantic Records, in the years before the Clark Boland Band's legendary run on MPS! Despite the early date, the album's got all the core elements of the band's sound in place – soaring rhythms, sharp-edged frontlines, and some great solo work by players who include Benny Bailey, Derek Humble, Jimmy Woode, Shahib Shihab, Idrees Sulieman, and Fats Sadi – coming together in a brilliant trans-Atlantic meeting of jazz talents! Tracks include "Long Note Blues", "Speedy Reeds", "Sonor", and "Om Mani Padme Hum".
Hailing from a trio of Modern Jazz Quartet (MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums) recorded for Prestige Records. Initially, the combo was part of Dizzy Gillespie's influential backing band and after a change in drummers (to Connie Kay), they continued as one of the more sophisticated aggregates of the post-bop era. The album commences with Lewis' sublime and serene title track "Django," dedicated to the memory of guitarist extraordinaire Django Reinhardt. This musical paean aptly recaptures the essence of Reinhardt's enigmatic gypsy-like nature, especially evident within Jackson's leads, which emerge from the thoughtful opening dirge with a refined, warm tone throughout.
Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Reissue with DSD remastering. Comes with liner notes. A Japanese-only album from Weather Report – recorded early in the group's career, and with some of the same sort of freedoms that Miles Davis was getting on his own double-length dates from Japan! The tracks here are quite stretched out, and often adventurous – showing a marked ability to jam heavily at one moment, get contemplative the next, and continually explore sounds on the frontiers of fusion in the 70s. The group's the "second chapter" Weather Report – with Wayne Shorter on reeds, Joe Zawinul on keyboards, Miroslav Vitous on bass, Eric Gravatt on drums, and Dom Um Romao on percussion – and titles include "Orange Lady", "Vertical Invader/Seventh Arrow/TH", "Surucucu/Lost/Early Minor/Direction", and "Tears/Umbrellas".
An interesting set of music originally recorded as the soundtrack for the French film Les Liaisons Dangereuses, the majority of these tracks feature Art Blakey's Jazz Messengers of mid-1959 with trumpeter Lee Morgan, tenorman Barney Wilen, pianist Boby Timmons and bassist Jymie Merritt joining the explosive drummer/leader. In general, the music manages to stand on its own with the ensemble getting to stretch out a bit on the rare material.
Limited edition Deluxe 8CD set featuring the best female voices in jazz history. This is no ordinary compilation, but an anthology of 15 complete original albums by some of the best loved jazz vocalists: Billie Holiday, Carmen McRae, Anita O day, Abbey Lincoln, Peggy Lee, Sarah Vaughan, Ella Fitzgerald etc.