This 3 CD set released by EMI to coincide with Cliff’s 75th Birthday tour. As the title says, this set contains 75 tracks covering Cliff’s career. Yes, it’s another ‘best of’ but this set contains 4 of Cliff’s rarer tracks “Golden” “21st Century Christmas”, a remake of “Move It”, and “Thank You For A Lifetime”. Celebrating his 56th anniversary in the music business this year, Cliff Richard is indisputably Britain’s all-time greatest hit-maker the ultimate pop star! No other UK band or solo artist is even close to equalling his 100 album releases, 123 single hits, or can claim to have occupied a place in our charts for the equivalent of over 20 years.
Memphis was the town blues musicians passed through on their way to Chicago. But some of them stayed and the record companies sent their mobile units to record them. Over a three-year period from 1927, an astonishing amount of talent was recorded: local stars like the Memphis Jug Band, Frank Stokes, Cannon’s Jug Stompers, Jim Jackson, Furry Lewis, Robert Wilkins, Bukka White, Memphis Minnie, Joe Callicott and Sleepy John Estes.
People call Chicago The Home Of The Blues. It may not be where the blues came from but it s where the blues came to live. It’s the place where Muddy Waters, Howlin’ Wolf and Jimmy Reed laid down the songs that inspired the Rolling Stones and the Yardbirds. The blues was the bedrock on which Jimmy Page created Led Zeppelin, the band that helped to change pop music forever. Chicago was the mecca for Buddy Guy, Otis Rush, Magic Sam, Elmore James and a host of others who arrived in the city to make their fortune. The process had begun decades earlier, when record companies first came to town.
A great Lee Morgan set – and one of his rarest! The album was recorded in 1967, but unissued until 1998, when Blue Note unveiled the material as part of its "standards" series that featured label players performing material not of their own composition. Unlike the other records in the series, though, this set by Morgan is not filled with snoozy evergreens, and instead features some excellent reworkings of 60's pop tracks and a few traditional numbers. The group's a septet, with instrumentation that hearkens to other Morgan sessions from the time – like Infinity or Sixth Sense – and players include Wayne Shorter, James Spaulding, and Herbie Hancock. Duke Pearson did the arrangements.
Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.
Box set containing a compilation of works by various composers in celebration of the 200th anniversary of Liszt. As well as the tracks listed it also includes 'Piano Sonata No. 8 in C minor, Op. 13, 'Pathétique'', 'Piano Sonata No. 14 in C Sharp minor, Op. 27, No. 2, 'Moonlight'' and 'Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'' by Ludwig van Beethoven, 'Preludios, Op. 80' by Joaquin Turina, etc…
During the 70s, the Japanese jazz scene was in an incredibly intense phase - one that had players breaking out of older modes that were often strict copies of American jazz, and working in newer styles that often blended soul, modal, and spiritual jazz with freer-thinking ideas and more Eastern-inspired modes. The result was an incredible batch of music that was probably more strongly recorded by the Three Blind Mice label than any other Japanese imprint - because unlike some of their contemporaries, TBM didn't fill their catalog with work by American players, and often focused exclusively on Japanese artists.
This album confirms the talent of a leading blues songwriter. Sometimes the Truth is a milestone in the career of this San Antonio, Texas, singer/guitarist. Part of this set was recorded in the New York studio of Neal's good friend Popa Chubby (who makes noted vocal appearances on three tracks and plays guitar on five), while the rest was cut in Europe with a little help from noted Frenchies Nico "Wayne" Toussaint and Fred Chapellier.
Arista dropped them but the Church soldiered on – Tim Powles fully joined in the songwriting process a number of times, while Peter Koppes guested on various cuts after his absence from Sometime Anywhere. Violinist Linda Neil also appeared along with other guests from that record, with Magician Among the Spirits being the attractive end result. If the band was still a touch fragmented, Magician shows them well on the road to becoming a fully tight unit once again, with a number of interesting diversions along the way. Sonically, things followed in the vein of Sometime to a large extent, trying out different approaches and backing, often exploring more spacious, sometimes very late-night, relaxed arrangements.