This 3 CD set released by EMI to coincide with Cliff’s 75th Birthday tour. As the title says, this set contains 75 tracks covering Cliff’s career. Yes, it’s another ‘best of’ but this set contains 4 of Cliff’s rarer tracks “Golden” “21st Century Christmas”, a remake of “Move It”, and “Thank You For A Lifetime”. Celebrating his 56th anniversary in the music business this year, Cliff Richard is indisputably Britain’s all-time greatest hit-maker the ultimate pop star! No other UK band or solo artist is even close to equalling his 100 album releases, 123 single hits, or can claim to have occupied a place in our charts for the equivalent of over 20 years.
Verdi at the Met captures the drama of Verdi's greatest operas as they were performed live at The Metropolitan Opera in New York. These ten recordings cover four decades starting with La Traviata in 1935 and feature some of the best-loved voices and conductors of the twentieth century. The famous pairing of tenor Richard Tucker and baritone Leonard Warren can be heard in Simon Boccanegra and La Forza del Destino.
Omnivore's 2013 double-disc set Buck Em! The Music of Buck Owens (1955-1967) provides an interesting spin on Buck Owens: through a collection of mono singles, live tracks, alternate takes, early 45s, and other rarities, it tells an alternate history of Buck's prime years. If there's a hit on this 50-track collection, it's almost always in a version that's slightly different than what usually shows up on a standard greatest-hits. "Second Fiddle," "Love's Gonna Live Here," "I Don't Care (Just as Long as You Love Me)," "I've Got a Tiger by the Tail," and "Before You Go" are all in mono, there's an early version of "Ain't It Amazing Gracie," and "Act Naturally" is live, so they're familiar enough to not feel jarring and they do provide the core of a collection that winds up wandering into some pretty interesting territory.
The argument will forever rage, but Memphis, Tennessee, is as much the fountainhead of rock ’n’ roll as is Cleveland, Ohio. Whilst the north had Alan Freed as its turntable champion, the south was blessed with the madcap deejay, Dewey Phillips. Chances are, ole Dewey would have played most of the 75 titles that go to make up Raunchy Sugar on his Red Hot and Blue show that aired over WHBQ in Memphis.During the 1950s the city was alive with labels, record hops, musicians and the general chaos that goes hand in hand with the big beat. The geographical lie of the land helped a great deal, because the city was central to so many rural areas that harboured musical talent and style. Carl Perkins and Carl Mann gravitated to the area from Jackson, Tennessee, Billy Riley and Conway Twitty did the same from Arkansas, and Elvis Presley hit the trail from Mississippi in order to soak up some of that unique Shelby County action. Outside of Sam Phillips’ legendary Sun Records, the labels included such names as Hi, Cover, Fernwood, Meteor, Vaden Moon and Satellite.
…Whatever reservations one might harbor about this or that individual performance, it is unlikely that this set as a whole will be surpassed in the near future. It belongs in every serious music library, private or public.
Here is a collection of 159 titles, 227 CDs in the Elvis Presley - Follow That Dream Series (1999-2016). All of these have covers and many have very nice artwork. Several have full booklet scans as well.
…If you haven’t heard this music, let’s just say that Zelenka wrote some of the most enjoyable and colorful music of the Baroque era, and he is supremely well served by CPO’s engineers, conductor Sonnentheil, and his New-Eröffnete Orchestre.
Erroll Louis Garner (1923-1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso".
There Is a Season is a four-CD box set by the American rock band The Byrds that was released on September 26, 2006 by Columbia/Legacy. It comprises 99 tracks and includes material from every one of the band's twelve studio albums, presented in roughly chronological order. In addition to the four CDs, the set also includes a bonus DVD featuring ten previously unissued television performances.
Grechaninov was born in Moscow a year before Sibelius and also died in New York a year before Sibelius. He was taught by Rimsky-Korsakov. His music did not migrate far from his roots and continued to write in that style well after the 1917 revolution had led to exile first in France and then in the USA. A prolific composer in all the usual genres, his reputation seems to rest mainly on choral music and to be rather tainted by suggestions of lack of originality. Certainly, by comparison with his near contemporary Sibelius, his style did not develop much, meaning it is rather hard to believe the fourth quartet was written as late as 1929. But, listening to this disc, I sometimes found the music hard to place and was not continually reminded of other composers, surely one sign of an original voice. There are four Grechaninov string quartets and this offering completes the Utrecht Quartet’s cycle. The previous disc was well-received by Michael Cookson three years ago (see review). Both works are in four movements with the slow movement placed second. They are fairly conventional but well-crafted and pleasant listening.