Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.
Igor Stravinsky The Complete Columbia Album Collection is an unprecedented reissue of the complete recordings of his works that Igor Stravinsky made for CBS/American Columbia, bringing together for the very first time on CD all of the mono "Stravinsky conducts Stravinsky" recordings issued in the 1940s and 1950s alongside the more familiar stereo remakes from the 1960s, as well as all the authorized performances that Stravinsky's assistant Robert Craft conducted for the label in the composer's presence, after age and infirmity had restricted his own ability to do so.
For those who believe in Original Sin, Predestination or, for that matter, Karma, here's a two disc set of the complete "Penitential Psalms" of Orlandus Lassus fabulously performed by Henry's Eight and marvelously recorded by Hyperion. Gloomy but glorious works that hope for the best while assuming for the worst, Lassus' setting of seven fuliginously serious but spiritually salubrious Psalms of David are sure to send shivers down the spine of anyone with a pessimistic cast of mind. The acapella performances of the all-male – two countertenors, three tenors and three basses – Henry's Eight is darkly hued, strongly rhythmic, deeply soulful, very expressive and absolutely true to the late Renaissance agony of Lassus's music. While not perhaps the first place to start with for Lassus in a melancholy mood – try "The Tears of Peter" for the peak of harmonic anguish – Henry's Eight's recording Penitential Psalms belongs in every Lassus collection, especially as preserved in Hyperion's intimate and evocative sound.
The production of a new Ring at the Bayreuth Festival is an event that takes place every six years. Bayreuth recordings of the complete cycle are rare; this is only the third official audio recording and the second filmed version. The Kupfer/Barenboim Ring was performed over a five-year period and recorded at the conclusion when the "Bayreuth Workshop" had raised "the quality of the performance to an almost unsurpassable level".
Gustav Leonhardt was one of the most important harpsichord and organ players in the world and a very well-known specialist in baroque music. Gustav Leonhardt -The Edition is a 15-CD retrospective containing a representative selection of his numerous recordings, including famous solo recordings such as the legendary Goldberg Variations and Bach's organ and harpsichord works. 6 CDs feature collaborations with his famous colleagues Sigiswald Kuijken, Frans Bruggen and Anner Bylsma, the Leonhardt-Consort and Harry van der Kamp.
This 10CD box covers the entire range of the repertoire with which Boris Christoff took the world by storm; from his first opera role in La Boheme over the important Verdi roles and his devilish portrayal of Mephisto to the major roles in Russian operas; Christoff took part in no less than 600 performances of Boris Godunov.
The Japanese company, BMG Japan, sorted the original RCA RED SEAL CDs according to the composers and the year when the music pieces were created. BEST100 series are the best representative CDs, which were carefully chosen from those music pieces by acting and recording, and they were released again with the mark of RCA BEST100. These CDs are the most impressive records in the classical field at RCA’s best. Theoretically, we could find the single originals of those CDs, but BMG Japan reorganised excellently for everyone. During BMG Japan period, it was released for the first time in 1999 and for the second time in 2008 after SONY took over BMG. BEST100 series belong to the latter.
The Bach/Stokowski orchestral transcriptions join Bartok's Music for Percussion, Stings and Celeste ; Shostakovich's Symphony No. 11 ; Barber's Adagio for Strings ; Holst's The Planets ; Schoenberg's Verklarte Nacht ; Stravinsky's Petrushka Suite and Firebird Suite ; Sibelius's Finlandia ; Orff's Carmina Burana ; Khachaturian's Symphony No. 2 , plus Dukas, Strauss, Vaughan Williams, Tchaikovsky, Frescobaldi, Bloch, Ibert, Mussorgsky, Respighi, Ravel, Palestrina, Gabrielli and more!
Claudio Arrau was past his prime when, in the mid-1980s, he offered these final thoughts on the late sonatas, but he was still a sovereign interpreter, with a sense of line and grasp of form few other exponents of this music have possessed in comparable degree. Where an interpreter like Pollini emphasizes the energy in Beethoven’s writing for the piano, Arrau conveys its mass, giving these sonatas a symphonic treatment.