710 Mfsl

Billy Joel: MFSL Hybrid SACD Collection (1973-1982)  Music

Posted by v3122 at March 26, 2013
Billy Joel: MFSL Hybrid SACD Collection (1973-1982)

Billy Joel: MFSL Hybrid SACD Collection (1973-1982)
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
Rock | ~ 1000 or 1004 or 468 Mb | Scans(jpg) Included | Scans(png) -> 1130 Mb
2011, 2012 | Sony Music / Columbia Records / Mobile Fidelity Sound Lab

Including: Piano Man, Turnstiles, The Stranger, 52nd Street, Glass Houses, The Nylon Curtain
Louis Armstrong - Master of Jazz: Live In Chicago, 1962 (1962) {MFSL UDCD II 710}

Louis Armstrong - Master of Jazz: Live In Chicago, 1962 (1962) [MFSL UDCD II 710]
EAC+LOG+CUE | Flac (image) | 1 CD | 387 MB | scans @ 600dpi | Time 66:24 | RS + FSo
Genre: Jazz/ Bigband/ Dixieland | Storyville Records | Release date: Aug 1, 1962 | Catalog # SLP 4101

A wonderful artifact, this is a prime slice of the latter-day Satchmo with a small all-stars band working through a relatively typical set. The performance ranges from solid to excellent, with the occasional odd flub (such as the uncertain return after Danny Barcelona's first drum solo on "Basin Street Blues"), but the quality of the recording is the key element. The Mobile Fidelity gold CD edition adds three tracks to the Storyville original, and provides a clear, uncluttered sound field with excellent separation. The resulting album is a treat to hear. ~ Steven McDonald, Rovi

Love - Da Capo (1966) [MFSL 2013] PS3 ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at June 10, 2018
Love - Da Capo (1966) [MFSL 2013] PS3 ISO + Hi-Res FLAC

Love - Da Capo (1966) [MFSL 2013]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:23 minutes | Scans included | 1,12 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 775 MB
Mobile Fidelity Sound Lab # UDSACD 2130

Love was an American rock group of the late 1960s and early 1970s. They were led by singer/songwriter Arthur Lee who wrote most of the songs, although some of their best known songs were written by Bryan MacLean. One of the first racially diverse American pop bands, their music reflected different influences, combining elements of rock and roll, garage rock, folk and psychedelia. Da Capo is their second album.
The Pretenders - Pretenders II (1981) [MFSL 2010] PS3 ISO + Hi-Res FLAC

Pretenders - Pretenders II (1981) [MFSL 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 47:10 minutes | Scans included | 1,47 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,02 GB
Mobile Fidelity Sound Lab # UDSACD 2056

The Alan Parsons Project - I Robot (1977) {MFSL}  Music

Posted by tiburon at June 1, 2018
The Alan Parsons Project - I Robot (1977) {MFSL}

The Alan Parsons Project - I Robot (1977) {MFSL}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 214MB + 5% Recovery
Genre: Progressive Rock

With its title originating from an Isaac Asimov novel, I Robot's main concept is one that deals heavily in the field of science fiction. The album's idea is based around Parsons' concern with the onslaught of machinery and its inevitable takeover of man, both in a physical sense and a spiritual one. As one of the Alan Parsons Project's strongest efforts, its wise blend of keyboard-dominated instrumentals partnered with the warmth of the vocals during the lyrical songs emblazons the man-vs.-machine idea. The mechanical-sounding title track is the opening song, setting the tone for the album's futuristic motif. Man's regret for his mechanical creations sweeps through "I Wouldn't Want to Be Like You," with a passionate Lenny Zakatek singing lead.
John Lennon / Plastic Ono Band - Live Peace in Toronto (1969) [2006, MFSL, UDCD 763] Repost

John Lennon / Plastic Ono Band - Live Peace in Toronto (1969)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
MFSL, UDCD 763 | ~ 243 or 96 Mb | Scans(jpg) -> 49 Mb
Classic Rock / Pop Rock / Rock & Roll

Although one of the world's best-kept secrets at the time, this was John Lennon's declaration of independence from the Beatles, the document of a concert appearance at Toronto's Rock and Roll Revival festival about a month after the conclusion of the Abbey Road sessions. Thrown together literally on the wing (they rehearsed only on the flight from England), the ad-hoc band consisting of Lennon, Yoko Ono, Eric Clapton on guitar, Klaus Voorman on bass, and Alan White on drums hit the stage to the surprise and delight of the thousands who packed Varsity Stadium…

The Manhattan Transfer - Extensions (1979) {MFSL}  Music

Posted by tiburon at April 27, 2018
The Manhattan Transfer - Extensions (1979) {MFSL}

The Manhattan Transfer - Extensions (1979) {MFSL}
EAC 0.95b4 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 211MB + 5% Recovery
MP3 CBR 320 Kbps | 91MB + 5% Recovery
Genre: Vocal Jazz

This fourth album from Manhattan Transfer was the first for Cheryl Bentyne, who replaced Laurel Masse after the original singer's auto accident and subsequent decision to leave the group. Though replacing Masse was difficult, Bentyne's energy and style proved to be the perfect complement to the group's already dynamic performance. Hits from Extensions include "Twilight Zone" and "Birdland," which earned the group their first Grammy for Best Jazz Performance, Vocal or Instrumental.

Herbie Hancock - Man-Child (1975) {MFSL}  Music

Posted by tiburon at April 26, 2018
Herbie Hancock - Man-Child (1975) {MFSL}

Herbie Hancock - Man-Child (1975) {MFSL}
EAC 0.95pb5 | FLAC tracks level 5 | Cue+Log+M3U | Full Scans 300dpi | 266MB + 5% Recovery
MP3 CBR 320 Kbps | 108MB + 5% Recovery
Genre: Jazz-Funk, Fusion

Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson's presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.
Bob Dylan - Highway 61 Revisited (1965) MFSL Remastered, Ultradisc UHR, Hybrid Mono SACD 2017, Audio CD Layer

Bob Dylan - Highway 61 Revisited (1965)
Mastered by Shawn R. Britton & Rod LoVerde
Ultradisc UHR, Hybrid Mono SACD 2017, Audio CD Layer

EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb | Mp3 (CBR320) ~ 127 Mb | Scans included
Label: Mobile Fidelity Sound Lab, Columbia, Sony | # UDSACD 2182 Monaural, 88875091852
Singer/Songwriter, Folk-Rock, Country-Rock, Blues-Rock | Time: 00:49:25

Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. The album was ranked No. 4 on Rolling Stone's "500 Greatest Albums of All Time". "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 1 on Rolling Stone's 500 Greatest Songs of All Time list.
The Mothers Of Invention - We're Only In It For The Money (1968) {MFSL UDCD 764 24k Gold}

The Mothers Of Invention - We're Only In It For The Money (1968) {MFSL UDCD 764 24k Gold}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 280MB + 5% Recovery
MP3 CBR 320 Kbps | 90MB + 5% Recovery
Genre: Rock, Experimental Rock

From the beginning, Frank Zappa cultivated a role as voice of the freaks - imaginative outsiders who didn't fit comfortably into any group. We're Only in It for the Money is the ultimate expression of that sensibility, a satirical masterpiece that simultaneously skewered the hippies and the straights as prisoners of the same narrow-minded, superficial phoniness. Zappa's barbs were vicious and perceptive, and not just humorously so: his seemingly paranoid vision of authoritarian violence against the counterculture was borne out two years later by the Kent State killings.