710 Mfsl

Louis Armstrong - Master of Jazz: Live In Chicago, 1962 (1962) {MFSL UDCD II 710}

Louis Armstrong - Master of Jazz: Live In Chicago, 1962 (1962) [MFSL UDCD II 710]
EAC+LOG+CUE | Flac (image) | 1 CD | 387 MB | scans @ 600dpi | Time 66:24 | RS + FSo
Genre: Jazz/ Bigband/ Dixieland | Storyville Records | Release date: Aug 1, 1962 | Catalog # SLP 4101

A wonderful artifact, this is a prime slice of the latter-day Satchmo with a small all-stars band working through a relatively typical set. The performance ranges from solid to excellent, with the occasional odd flub (such as the uncertain return after Danny Barcelona's first drum solo on "Basin Street Blues"), but the quality of the recording is the key element. The Mobile Fidelity gold CD edition adds three tracks to the Storyville original, and provides a clear, uncluttered sound field with excellent separation. The resulting album is a treat to hear. ~ Steven McDonald, Rovi
Stevie Ray Vaughan And Double Trouble - 5 Studio Albums (1983-1991) [MFSL, 2011] (Repost)

Stevie Ray Vaughan And Double Trouble - 5 Studio Albums (1983-1991) [MFSL, 2011]
EAC Rip | FLAC (image+.cue+log) - 1,23 GB | MP3 CBR 320 kbps (LAME 3.93) - 464 MB | Covers - 1,05 GB
Genre: Blues Rock | RAR 3% Rec. | Label: Mobile Fidelity Sound Lab

Stevie Ray Vaughan and his band Double Trouble formed the most impressive blues act of the 1980s, which made Vaughan's death in a helicopter crash at the start of the '90s all the more tragic. He grew up in Dallas, the younger brother of Jimmie Vaughan (cofounder of the Fabulous Thunderbirds). Stevie began playing in clubs at 12, and by 17 had dropped out of high school and moved to Austin. There followed years of struggling until April 23, 1982, when Vaughan and his group, Double Trouble, played a private audition for the Rolling Stones in New York. The gig led to an invitation to appear at the Montreux Jazz Festival, at which Vaughan was seen by David Bowie, who hired him to play guitar on his Let's Dance album, and Jackson Browne, who offered the free use of his recording studio. Vaughan took up that offer after being signed by legendary talent scout John Hammond to Epic, recording his debut album, Texas Flood, in the fall of 1982…

Boston - Third Stage (1986) [MFSL UDCD 582]  Music

Posted by v3122 at March 16, 2017
Boston - Third Stage (1986) [MFSL UDCD 582]

Boston - Third Stage (1986)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | MFSL, UDCD 582 | ~ 225 or 86 Mb | Scans(jpg) -> 18 Mb
Hard Rock, Classic Rock

After rushing their second album Don't Look Back, Boston took eight years to complete the album Third Stage. The long delay is even more surprising considering that their sound didn't change at all; even though only songwriter/guitarist Tom Scholz and vocalist Brad Delp remained from the original lineup, they were the ones responsible for Boston's sound…
Blue Öyster Cult - Blue Öyster Cult / Tyranny and Mutation (1999) [MFSL UDCD 738]

Blue Öyster Cult - Blue Öyster Cult / Tyranny and Mutation (1999)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
MFSL UDCD 738 | ~ 484 or 177 Mb | Scans(jpg) -> 24 Mb
Hard Rock, Classic Rock

In 1999, Mobile Fidelity reissued Blue Oyster Cult's first two albums, Blue Oyster Cult (1972) and Tyranny and Mutation (1973) on a single 24-karat gold CD that was aimed at audiophiles. Hearing the albums back to back on the same disc, one is reminded how much crisper, tougher and sharper Murry Krugman and Sandy Pearlman's production was on Tyranny and Mutation – it's a production that's more suitable for a heavy metal/hard rock band…

Don Henley - The End Of The Innocence (1989) [MFSL UDCD 721]  Music

Posted by v3122 at March 15, 2017
Don Henley - The End Of The Innocence (1989) [MFSL UDCD 721]

Don Henley - The End Of The Innocence (1989)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1998 | MFSL, UDCD 721 | ~ 340 or 126 Mb | Scans(jpg) -> 19 Mb
Pop Rock

Don Henley took some time before completing his highly anticipated third album, The End of the Innocence. Although he manages to duplicate much of the magic of his previous album, Henley has backed off of the synthesizers and expanded his musical palette…

Santana - Abraxas (1970) [MFSL UDCD 552]  Music

Posted by v3122 at March 15, 2017
Santana - Abraxas (1970) [MFSL UDCD 552]

Santana - Abraxas (1970)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1991 | MFSL, UDCD 552 | ~ 226 or 88 Mb | Scans(png) -> 64 Mb
Jazz / Rock / Latin

The San Francisco Bay Area rock scene of the late '60s was one that encouraged radical experimentation and discouraged the type of mindless conformity that's often plagued corporate rock. When one considers just how different Santana, Jefferson Airplane, Moby Grape, and the Grateful Dead sounded, it becomes obvious just how much it was encouraged. In the mid-'90s, an album as eclectic as Abraxas would be considered a marketing exec's worst nightmare…

Traffic - Traffic (1968) [MFSL UDCD 629]  Music

Posted by v3122 at March 15, 2017
Traffic - Traffic (1968) [MFSL UDCD 629]

Traffic - Traffic (1968)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1995 | MFSL, UDCD 629 | ~ 259 or 96 Mb | Scans(jpg) -> 42 Mb
Stoner Rock, Psychedelic Rock, Prog Rock, Classic Rock

After dispensing with his services in December 1967, the remaining members of Traffic reinstated Dave Mason in the group in the spring of 1968 as they struggled to write enough material for their impending second album. The result was a disc evenly divided between Mason's catchy folk-rock compositions and Steve Winwood's compelling rock jams…
Supertramp - Crime Of The Century (1974) [MFSL UDCD 505] Repost

Supertramp - Crime Of The Century (1974)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1987 | MFSL, UDCD 505 | ~ 212 or 104 Mb | Scans(png) -> 38 Mb
Progressive Rock

Supertramp came into their own on their third album, 1974's Crime of the Century, as their lineup gelled but, more importantly, so did their sound. The group still betrayed a heavy Pink Floyd influence, particularly in its expansive art rock arrangements graced by saxophones, but Supertramp isn't nearly as spooky as Floyd – they're snarky collegiate elitists, an art rock variation on Steely Dan or perhaps a less difficult 10cc, filled with cutting jokes and allusions, best heard on "Bloody Well Right."…

Bob Dylan - 3 Studio Albums (1963-1976) [MFSL, 2012-2013] (Repost)  Music

Posted by gribovar at March 14, 2017
Bob Dylan - 3 Studio Albums (1963-1976) [MFSL, 2012-2013] (Repost)

Bob Dylan - 3 Studio Albums (1963-1976) [MFSL, 2012-2013]
EAC Rip | WavPack/FLAC (image+.cue+log) - 991 MB | MP3 CBR 320 kbps (LAME 3.93) - 372 MB | Covers - 371 MB
Genre: Folk Rock | RAR 3% Rec. | Label: Mobile Fidelity Sound Lab

Bob Dylan - The Freewheelin' Bob Dylan (1963). It’s the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. It’s the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. It’s the sound of change, the feeling of ground shifting beneath one’s feet, and the entrance of an entirely new way of thinking. It’s the effective beginning of what’s arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. It’s The Freewheelin’ Bob Dylan…

The Band - 6 Albums (1968-1975) [MFSL, 2009-2012] (Repost)  Music

Posted by gribovar at March 12, 2017
The Band - 6 Albums (1968-1975) [MFSL, 2009-2012] (Repost)

The Band - 6 Albums (1968-1975) [MFSL, 2009-2012]
EAC Rip | FLAC/WavPack (image+.cue+log) - 1,8 GB | MP3 CBR 320 kbps (LAME 3.93) - 751 MB | Covers - 721 MB
Genre: Rock | RAR 3% Rec. | Label: Mobile Fidelity Sound Lab

For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. Although the Band retired from touring after The Last Waltz and disbanded several years later, their legacy thrived for decades, perpetuated by the bandmates' respective solo careers as well as the enduring strength of the Band's catalog…