Joaquim Homs was a Catalonian composer, schooled in Schoenberg's twelve-tone techniques, so one might expect to hear music that shouts "I'm different, I'm learned, respect me!" However, Homs' piano music, particularly as played by Jordi Masó, speaks more for the person who wrote it, rather than for itself. Much of it is atonal and composed following prescribed techniques, but it is at the same time very evocative and emotionally expressive.AllMusic
The first six volumes of this unauthorized series of Dave Clark Five CD reissues contain everything from the 12 non-compilation LPs the group issued in the U.S. between 1964-1968, as well as everything from the four U.K. LPs (never issued in the U.S.) that followed in 1969-1972. The seventh and final volume contains 25 tracks that somehow didn't find a place on any of those LPs.
First released in 1984 and reissued in 2001, this disc featuring the Alban Berg Quartet's recordings of the string quartets of Debussy and Ravel, as well as Stravinsky's Three Pieces, Concertino, and Double Canon for string quartet should never be out of the catalog. The Alban Berg Quartet is not necessarily the first group one would think of for this repertoire, but the performances here are consistently impressive, if somewhat uncharacteristic.
Though participants in the "authentic performance practice" movement might insist otherwise, the search for the old is really a search for the new. This statement certainly captures the spirit that Dutch keyboardist Gustav Leonhardt brought to his early music performances in the 1950s. His style was characterized not by a rigorous observance of rules, but by the intuitive, almost spiritual connection it tried to establish with the music a kind of authenticity that sought validation not so much from a rigorously academic accuracy (though Leonhardt is by no means historically careless) as from its having an "authentic" effect on the listener.
Other Aspects is unlike any other title in Eric Dolphy's catalog. The startling 15-minute composition "Jim Crow," recorded in 1962 with an unidentified rhythm section and operatic singer, shows his embracing of 20th century classical composition. Strong Indian influence is heard on 1960's "Improvisations and Tukras," featuring Dolphy's flute mixed with tabla and tamboura. The final three pieces were also recorded in 1960: "Inner Flight 1 and 2" are solo flute pieces, while "Dolphy'n" is a collaboration with bassist Ron Carter featuring Dolphy on alto. This music remained in the private collection of Dolphy's friend Hale Smith until the recordings were handed over to Blue Note in 1985. While Other Aspects is fascinating, and in its own way essential, it should be one of the final discs obtained for your Dolphy library.
During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example).
These works are also called "the time-bracket pieces," a reference to the notation of the pieces.