7 Layer

Otis Redding - Otis Blue / Otis Redding Sings Soul (1965) [Analogue Productions, Remastered 2016] Audio Layer

Otis Redding - Otis Blue / Otis Redding Sings Soul (1965)
Remastered by Kevin Gray at Cohearent Audio, 2016
EAC | FLAC | Tracks (Cue&Log) ~ 191 Mb | Mp3 (CBR320) ~ 83 Mb | Scans included
Deep Soul, Southern Soul | Label: Analogue Productions | # CAPP 095 SA | 00:33:39

Otis Redding's third album presents his talent unfettered, his direction clear and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding's version of songs by Sam Cooke, his idol, who had died the previous December. Otis Blue/Otis Redding Sings Soul is considered by many critics to be Redding's first great album. Recorded in April and July of 1965, it was released September 15th of that same year. The styles of Cooke and Redding couldn't have been more different; Cooke smooth and sure, Redding raw and pleading. But Redding's versions of "Shake" and "A Change Is Gonna Come" show how Cooke's sound and message helped shape Redding's Southern soul sound. Redding's singing reaches a new level of expressiveness with this as well as with covers of B.B. King's "Rock Me Baby" and the Motown hit "My Girl." This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes.
Jackie McLean - 4, 5 and 6 (1956) [Analogue Productions' Prestige Mono Series, Remastered 2012] Audio CD Layer

Jackie McLean - 4, 5 and 6 (1956)
Mastered by Kevin Gray at Cohearent Audio, 2012
EAC | FLAC | Tracks (Cue&Log) ~ 260 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7048 SA | 00:45:36

This LP for Prestige helped establish alto sax giant McLean on the jazz scene. He was joined by trumpeter Donald Byrd (who shines with the altoist on Charlie Parker’s “Confirmation”) and tenor saxophonist Hank Mobley (also bopping hard on the tune), in a date solidified by McLean’s rhythm section: Mal Waldron on piano, Doug Watkins on bass and Arthur Taylor on drums. McLean also plays ballads, including Waldron’s sublime tune “Abstraction.” Writing in the original notes, Ira Gitler said, ”Jackie McLean is musically coming of age. His playing, out of Charlie Parker and Sonny Rollins, has become a personalized, more individual voice in 1956 and he has not lost any of the basic emotion, swinging qualities that help his style live up to the second syllable of his last name so well.” Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series. Mini "old style" gatefold jacket packaging.

JixiPix Artista Impresso Pro 1.7.9  Software

Posted by melt_ at Oct. 29, 2017
JixiPix Artista Impresso Pro 1.7.9

JixiPix Artista Impresso Pro 1.7.9 (x86/x64) | 95.3 Mb

For professionals who like creative control we give them Layers for blending multiple paint styles and brushes to paint on and off the impressionism strokes. We have also included an ultra-impressionism effect called 'Tache' to cover the painting with broken brush strokes or dabs of color that literally stand out, apply them sparsely or cover the entire painting, the choice is yours.
Jackie McLean - Lights Out! (1956) [Analogue Productions' Prestige Mono Series, Remastered 2013] Audio CD Layer

Jackie McLean - Lights Out! (1956) [Remastered 2013]
EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7035 SA | 00:46:10

A perpetual favorite among Jackie McLean’s earlier recordings, Lights Out finds the hard-swinging young alto saxophonist in 1956 still very much under the wing of Charlie Parker, who had died less than a year earlier. Yet McLean was beginning to find ways out of the seductive artistic security of Bird imitations. For one thing, he was experimenting with tonal variations. For another, he was working with Charles Mingus, and Mingus’s genius as a leader included forcing musicians to look deeply into their most cherished stylistic practices. The McLean of Lights Out is the hot young bebopper with a slightly acid edge to his sound and a solid blues foundation under everything he played. McLean and trumpeter Donald Byrd occasionally engage in the "pecking" technique of mutual improvisation they developed as members of the George Wallington Quintet. Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series. Mini "old style" gatefold jacket packaging.

Fundamentals of Boundary-Layer Meteorology  eBooks & eLearning

Posted by nebulae at Oct. 22, 2017
Fundamentals of Boundary-Layer Meteorology

Xuhui Lee, "Fundamentals of Boundary-Layer Meteorology"
English | ISBN: 3319608517 | 2017 | 268 pages | PDF, EPUB | 7 MB
VA - The Wonderful Sounds of Christmas (2015) [Analogue Productions] Audio CD Layer

VA - The Wonderful Sounds of Christmas (2015)
Mastered by Ryan Smith at Sterling Sound
EAC | FLAC | Tracks (Cue&Log) ~ 390 Mb | Mp3 (CBR320) ~ 186 Mb | Scans included | 01:11:10
Holidays, Vocal Jazz, Vocal Pop, Rhythm & Blues | Label: Analogue Productions | # CAPP 094 SA

Worthy of audiophile treatment. Not every Christmas tune meets that high standard. But each song on this SACD, with each song chosen by Acoustic Sounds owner and CEO Chad Kassem, sound better than it ever has before. These are some of the most familiar - and well-recorded - Christmas tracks ever. We feel we're bringing you a record that you and your family will enjoy every year forevermore. These truly are The Wonderful Sounds Of Christmas. From the peaceful solemnity of Harry Simeone Chorale's "The Little Drummer Boy" to the festive spirit of Jose Feliciano's "Feliz Navidad," The Wonderful Sounds Of Christmas brings you the very best examples of holiday songs ever recorded. With wonderful music in abundance, this Christmas compilation offers a celebration of the season's most joyous and cherished songs. Truly, Christmas has never sounded better!

Pixelmator 3.7 Multilangual MacOSX  Software

Posted by Givaraa at Oct. 6, 2017
Pixelmator 3.7 Multilangual MacOSX

Pixelmator 3.7 Multilangual MacOSX | 84 MB

Pixelmator takes full advantage of the latest Mac features and technologies, giving you speedy, powerful tools that let you touch up and enhance images, draw or paint, apply dazzling effects, or create advanced compositions with ease. Once your images are ready, save them to popular image formats, share them via email or social networks, print them, or instantly add them to your Photos library. All right from Pixelmator
Miles Davis - Bags' Groove (1957) [Analogue Productions’ Prestige Mono Series, Remastered 2014] Audio CD Layer

Miles Davis - Bags' Groove (1957)
Mastered by Kevin Gray at Cohearent Audio, 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included | 00:46:21
Bop, Hard Bop, Trumpet Jazz | Label: Analogue Productions, Prestige | # CPRJ 7109 SA

Hybrid Mono SACD for sale individually and as part of Analogue Productions’ Prestige Mono Series, Mini "old style" gatefold jacket packaging. There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session – featuring Thelonious Monk – which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed.
Charles Mingus - The Black Saint and the Sinner Lady (1963) [Analogue Productions, Remastered 2011] Audio CD Layer

Charles Mingus - The Black Saint and the Sinner Lady (1963)
Mastered by Kevin Gray at Cohearent Audio, 2011
EAC | FLAC | Tracks (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Avant-Garde Jazz, Post-Bop | Label: Analogue Productions | # CIPJ 35 SA | 00:39:32

The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and – implied in his famous inclusion of liner notes by his psychologist – it's as much an examination of his own tortured psyche as it is a conceptual piece about love and struggle. It veers between so many emotions that it defies easy encapsulation; for that matter, it can be difficult just to assimilate in the first place. Yet the work soon reveals itself as a masterpiece of rich, multi-layered texture and swirling tonal colors, manipulated with a painter's attention to detail. There are a few stylistic reference points – Ellington, the contemporary avant-garde, several flamenco guitar breaks – but the totality is quite unlike what came before it. Mingus relies heavily on the timbral contrasts between expressively vocal-like muted brass, a rumbling mass of low voices (including tuba and baritone sax), and achingly lyrical upper woodwinds, highlighted by altoist Charlie Mariano.
Muddy Waters - Folk Singer (1963) [Analogue Productions, Remastered 2011] Audio CD Layer

Muddy Waters - Folk Singer (1963)
Mastered by Kevin Gray at Cohearent Audio, 2011
EAC | FLAC | Tracks (Cue&Log) ~ 207 Mb | Mp3 (CBR320) ~ 99 Mb | Scans included | 00:40:35
Chicago Blues, Delta Blues | Label: Analogue Productions | # CAPB 1483 SA

Folk Singer is the fourth studio album by Muddy Waters, released in April 1964 by Chess Records. The album features Waters on acoustic guitar, backed by Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on acoustic guitar. It is Waters's only all-acoustic album. Numerous reissues of Folk Singer include bonus tracks from two subsequent sessions, in April 1964 and October 1964. Despite not charting in any country, Folk Singer received critical acclaim; most reviewers praised its high-quality sound, especially on remastered versions, as well as the instrumentation. In 2003, the album was ranked number 280 on Rolling Stone magazine's list of the 500 greatest albums of all time.