This 16-track compilation covers Senegalese singer/songwriter and multi-instrumentalist Youssou N'Dour's Columbia Records period, from 1991 to 1996. Perhaps the most popular pop culture figure in Senegal's history, N'Dour created a music of his own from various sources, which he called "mbalax" and which incorporates everything from jazz, soul, hard R&B styles, hip-hop, and even Cuban samba, and juxtaposes them with the folk melodies and polyrhythms of his native land. The cuts here, particularly "Old Man," "New Africa," "Yo le Le, (Fulani Rhythm)," and the covers of Smokey Robinson's "Don't Look Back," and Lennon and McCartney's "Ob-La-Di-Ob-La-Da," reveal N'Dour's idiosyncratic, yet very accessible grasp and integration of Western and African pop styles.
Recollections of Britain's arch-glam gods generally inspire two theories of their producers, Mike Chapman and his partner, Nicky Chinn. Either they knew just what they were doing and calculated accordingly, or blindly hit pay dirt, following toothless early singles like "Funny Funny" (none of which grace this disc). By this reckoning, Sweet was a '70s-era pinup band or a closeted hard rock quartet who only got their due after breaking the Chapman/Chinn combination…
The collection is produced by the band, with all surviving members contributing to song selection. Ocasek also supervised digital remastering of all the audio with Ted Jensen at Sterling Sound. The collection features the band s big hits along with a rare, single mix for I m Not The One, as well as a live version of Everything You Say, and a new mix by producer Philippe Zdar of Sad Song, a track from the band s last album, 2011 s Move Like This.
Music Club has done it again with this amazing retrospective of blues guitarist and harmonicat Charlie Musselwhite. The Mississippi-born, Memphis-raised, and Chicago-trained bluesman has issued so many strong recordings it's a wonder that this isn't a box set. But if you have to boil it down to a single disc for a budget price, this is the one to have without question. Contained within its 20 selections are tracks from his two 1970s Arhoolie albums, Takin' My Time and Goin' Back Down South, from 1971 and 1974, respectively; The Harmonica According to Charlie Musselwhite, issued first on Kicking Mule and later on Blind Pig in 1978 and 1994, respectively; and finally from his Alligator albums, Ace of Harps (1990 and a Grammy winner), Signature (1992 and Grammy nominated), and In My Time (1994, also Grammy nominated).