Ex-sheriff Ben Stride tracks the seven men who held up a Wells Fargo office and killed his wife. Stride is tormented by the fact that his own failure to keep his job was the cause of his wife's working in the express office and thus he is partly responsible for her death. Stride encounters a married couple heading west for California and helps them. Along the way they are joined by two n'er-do-wells, Masters and Clete, who know that Stride is after the express-office robbers. They plan to let Stride lead them to the bandits, then make away with the loot themselves. But they aren't the only ones carrying a secret.
The Ozark Mountain Daredevils were among the more popular of mid-'70s country-rock outfits, slotting in chronologically and stylistically between the Eagles and Firefall. As exponents of '70s country-rock, the group rode a wave of success for five years on A&M Records and survived in some form into the 1990s, with a following just large enough to justify occasional record releases in their later years…
After 4 years Men From Spectre strike back with their new masterpiece album 'Claw'. This time Men From Spectre dive even deeper into the Mathmos of the late 1960s and early 1970s and deliver with the quality of a Swiss made clockwork the ultimate Retro-Dance-Party album. The sound and music of 'Claw' is so mind blowing authentic, that you feel immediate been taken on a trip by a time machine into the decade of Hippies and Flower Power. Hammond-sounds, 1960s Garage, Beat and Psychedelic Rock and a hard knocking rhythm section melt to a fire work of an absolute superlative!
John Tavener was the perfect choice as the composer to create the musical score for the film CHILDREN OF MEN. Much of the music used throughout the film (songs like 'Ruby Tuesday' etc) are well enough known that they don't require re-recording in this memoir of a deeply moving film. But it is the opportunity to listen without the visuals to the music Tavener created 'that brings an even deeper appreciation for his accomplishment. In addition to Tavener's own compositions this CD includes the Dietrich Fischer-Dieskau rendering of Mahler's 'Nun Will Die Sonn' So Hell Aufgeh'n' from the 'Kindertotenlieder' (a more apt song cycle could not be imagined for this childless film) as well as Krzysztof Penderecki's 'Threnody For The Victims Of Hiroshima' as conducted by the composer and Handel's excerpt from 'Alexander's Feast' ('War, he sung, is toil and trouble').
This release from altoist Sonny Fortune is a particularly strong session, a mostly high-powered modal modern mainstream date with Fortune playing at his best and contributing five of the eight compositions. Trumpeter Eddie Henderson (who is filling the gap left by the ailing Freddie Hubbard) and tenor-saxophonist Joe Lovano are major assets on three songs (they both appear on "Glue Fingers" and the 17-minute "Thoughts" while playing one song apiece with Fortune in a quintet) but the focus is mostly on the leader and the rhythm section (which consists of pianist John Hicks, bassist Santi Debriano and drummer Jeff "Tain" Watts). For Sonny Fortune (who has been underrated throughout his career), this is a pretty definitive session.