"…Stockfisch has reproduced the live feel of this extraordinary group with great precision. The separation of the instrumentation (especially between guitar and violin, and accordions) eliminates the occasional dint of live recording. The balance of the sound seems proportionate. Vocals never impinge on the music, and vice versa. Live At Stockfisch Studio is a towering achievement." ~audiophile-audition
From the opening gong, you know you're in for a treat with Obon. Marking Hiroshima's 25th anniversary, the new disc is the Japanese-American group's first without vocals—save a wordless chant by Shoji Kameda on "Obon Two-Five. Formed by Dan and June Kuramoto (the only Japanese native in the group) in 1979, Hiroshima has successfully blended traditional Japanese sounds with North American pop, soul, R&B, and of course jazz.
Robert Dwayne "Bobby" Womack is an American singer-songwriter and musician. An active recording artist since the early 1960s where he started his career as the lead singer of his family musical group The Valentinos and as Sam Cooke's backing guitarist, Womack's career has spanned more than 50 years and has spanned a repertoire in the styles of R&B, soul, rock and roll, doo-wop, gospel, and country. In 2009, Womack was inducted into the Rock and Roll Hall of Fame.
A collection of 8 CD, which includes 7 studio albums by T-Bone Burnett, is an American musician, songwriter, and soundtrack and famous record producer.
This album is from the psychedelic era of Porcupine Tree, back when Porcupine Tree sounded like a trippier and heavier version of Pink Floyd. A huge improvement over PT's eclectic debut featuring much stronger songwriting, playing and production values which will appeal to a wide variety of fans with its masterful blend of trip/psych/pop/hard rock. Memorable melodies and guitar moments abound, with outstanding effects and spacey ambience to fill the gaps, all of which combines to take the listener on a real musical journey.
Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.
…Whatever reservations one might harbor about this or that individual performance, it is unlikely that this set as a whole will be surpassed in the near future. It belongs in every serious music library, private or public.
This four-disc box from London's JSP Records collects an astounding 100 songs recorded by John Lee Hooker in Detroit from the years 1948 to 1952, including his first two sides ever, the signature tunes "Boogie Chillen" and "Sally Mae." Most of the tracks here are done solo, with Hooker's ever-present foot-stomping, although a few feature other musicians on loose-limbed blues boogies. Since Hooker never significantly altered his style during his long career, these first recordings set the stage for all that came after, and he arguably never sounded fresher or better. Four discs worth of this throwback Mississippi bluesman will be severe overkill for casual listeners, but diehard Hooker fans will find this box set absolutely essential.