Reissue with the latest 2015 DSD remastering. Comes with liner notes. Pianist Denny Zeitlin is sporting a beard on the cover of this fourth album for Columbia Records – and his music here definitely reflects a bit of a change from his earlier cleaner-cut image! Denny steps a bit outside at times – never to much so to make the album a session of avant jazz, but definitely showing the listener at the start that he's able to stretch out in the same way as some of the more adventurous pianists of his generation – yet really sound best as a master of lyrical understatement, as on his previous few records! Zeitlin's command of chords is wonderful – these blocks of color and subtle sound in his hands – inspired by Bill Evans, but taken in a whole new direction – and set up here in two different trios, with either Charlie Haden or Joe Halpin on bass, and Oliver Johnson or Jerry Granelli on drums. The real star of the show is always Denny.
Reissue with the latest remastering. Comes with liner notes. While the phenomenal success of George Benson’s Breezin’ (1976) album may have fattened his wallet; it led the guitarist down a path that dismayed jazz critics worldwide. Indeed, the bulk of Benson’s albums over the past 20 years have featured considerably less jazz and, unfortunately, more pop. Not so with The George Benson Cookbook (1966). This sizzling CD features the then young, hotshot string-picker on 14 swingin’ bebop/soul-jazz tracks. Benson kicks things off in rapid fashion with the aptly titled, "The Cooker." Not only does this track feature blazing licks from Benson, but baritone saxophonist Ronnie Cuber and organist Lonnie Smith also weigh in with tasty solos.
Reissue with the latest remastering. Comes with liner notes. George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's hard wailing organ jazz of the same time. George is working with a group that features a young Lonnie Smith on organ, plus Blue Mitchell on trumpet, Ronnie Cuber on sax, and Charlie Persip on drums – all tightly coming together, and jamming hard on the album's short cooking tracks. Tracks include "Clockwise", "Jaguar", "Hello Birdie", and "Bullfight". Plus, the CD adds five bonus tracks, including "Sideman", "Minor Chant", and the previously unreleased "J.H. Bossa Nova" and "Clockwise (Alternate Take)".
What I'm Feelin' is the seventh studio album by American singer-songwriter Anthony Hamilton. The album was released on March 25, 2016, by RCA Records
It only takes a quick look at the cover to get a reasonably decent idea that this isn't your typical pop album: Decked out in a grossly oversized suit and heavy theatrical makeup, Klaus Nomi is not your typical pop singer, either. Both the cover and the music within lean heavily to the dramatic – Nomi's delivery is all in a very operatic falsetto, though most of the music itself is more of the early-'80s European dance school (indeed, one of his collaborators here was Man Parrish, probably best-known for his later work with Man 2 Man).
Reissue with the latest 2015 remastering. Comes with liner notes. One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, the strength here is really the group – not just tremendous trombone from JJ, but great work from Nat Adderley on trumpet, Bobby Jaspar on tenor and flute, Cedar Walton on piano, Spanky DeBrest on bass, and Albert Heath on drums – all working with a soaring, soulful energy that's a lot more hardbop heavy than you might expect from JJ Johnson on some of his other projects for the label.
With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.
In 1972, Lou Reed was a minor cult hero to a handful of rock critics and left-of-center music fans who championed his former band, the Velvet Underground, but he was unknown to the mainstream music audience. By 1986, Reed was a rock & roll icon, widely hailed as a master songwriter and one of the founding fathers of punk, glam, noise rock, and any number of other vital rock subgenres; he even scored a few hits along the way. If you want to know what happened during those 14 years to make such a difference, the answer can be found in The RCA & Arista Album Collection, a 17-disc box set that brings together nearly all of Reed's recorded work from this period…
Reissue with the latest remastering. Comes with liner notes. One of JJ's best from the late 50s – a tightly crackling hardbop set, recorded very much in the manner of his classic JJ Inc album! The sound here is a bit more compact overall – with some shorter tracks that really allow Johnson to display his keen sense of economy on his horn, while working in a burning mode that recalls some of his best bop sides from the early years – particularly his work on Blue Note.