Former member of Con Funk Shun is back with fifth solo album. This time on the Thump label entitled, "Are We Cool". Cooper has enjoyed considerable success as a solo artist and this release is no exception. The veteran soul singer doesn't disappoint here. Funk lovers will also hear that famous Con Funk Shun horn section that made them mainstays on the R&B charts all through the late 70's and 80's. On the initial listen a stand out track will be hard to pick since there are so many, but 'Butter Luv' the lead off track, 'Are We Cool', 'Remember L.O.V.E.', 'Marry Me Again', & 'Club Feenz', highlight Cooper's creative R&B genius. Very cool album. Yes Coop....we are very cool.
The organ can often take a back seat in the pecking order of great Jazz instruments but underappreciate it at your peril. The likes of Jimmy Smith, Jack McDuff, Booker T and Ray Charles, to name but a few, made the instrument their own while crafting jazz cuts of dazzling brilliance.
The dark, smoky voice of Patricia Barber is quite haunting. On Modern Cool, she mostly sings downbeat songs at slow tempos. All but three songs are her own originals, and they deal with such subject matter as an "homage to beauty" that seems to connect painting one's face with prostitution, loneliness, mindless conformity, the "Postmodern Blues," and other such topics…
An incredible tribute to German pianist Jutta Hipp – one of the few female players in the postwar European jazz scene, and one of the few who managed to make a splash on this side of the Atlantic too! Jutta's best known to American audiences for a handful of records she cut for Blue Note – and this set takes those records, and moves way way past them – to including a huge range of material that really opens up our understanding of Hipp's music in her all-too-short career! The CDs feature early German recordings – in a number of sessions with small groups that include a quintet with Emil Mangelsdorff on alto and Joki Freeund on tenor, a number of performances in the New Jazz Stars group of tenorist Hans Koller, work in a quintet with Attila Zoller on guitar, another sextet with Albert Mangelsdorff on trombone, and a group co-led with baritone saxoponist Lars Gullin.
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.