The first million-selling jazz album in history. With Brubeck on piano, Paul Desmond on alto saxophone, bassist Eugene Wright, and drummer Joe Morello, "Time Out" is one of the best-loved records in jazz. Upon its release, the LP reached number two in the U.S charts and stayed there for more than three years. "Take Five", with its 5/4 “Take Five rhythm” became an instrumental jazz staple and a surprise radio hit, entering the record books as the first million-selling jazz instrumental single on the Billboard Hot 100. “Blue Rondo à la Turk” also became an instant classic.
In the mold of recent 2-CD Legacy Editions of the classic albums From Elvis In Memphis and On Stage, Elvis Is Back (Legacy Edition) is the definitive version of one of Elvis most essential albums, expanded to include another historically significant album from the time period and the hit singles associated with both albums. It is argued by many that Elvis Is Back is possibly the best album Elvis ever recorded. During his two years in the army, Elvis had spent what spare time he had expanding his vocal range and improving his technique. Combined with a challenging and diverse repertoire, a new band of Nashville session aces, and improved three-track recording technology, it was an almost completely new Elvis who emerged in April of 1960. Recorded over just two nights, the sessions produced not only the twelve album tracks, but also six tracks for single release, including three #1 singles: all-time classics It s Now Or Never, Are You Lonesome Tonight? and Stuck On You.
SKETCHES OF SPAIN by Miles Davis: Each of Miles' four orchestral album collaborations with arranger-composer Gil Evans - Miles Ahead (1957), Porgy And Bess (1958), Sketches Of Spain (1959), and Quiet Nights (1962) - was a masterwork in its own right. Sketches was Miles' first post-Kind Of Blue project, and retains that LP's modal feel on the 16-minute version of Rodrigo's "Concierto de Aranjuez,' the inspiration for Davis and Evans. Liner notes for the 2009 edition of SKETCHES are written by composer academician Gunther Schuller, whose hundreds of accomplishments in jazz include playing French horn for Miles on the 1949-50 Birth Of The Cool sessions. SKETCHES was recorded in 1959 and released in 1960.
This historic edition presents the original album augmented by alternate and extra tracks, illustrating how this synergy developed. "The Maids of Cádiz" (from the 1957 album Miles Ahead) is the first example of Gil Evans adapting a composition of Spanish origin for an orchestral collaboration with Miles. The live performance of "Concierto de Aranjuez," the only such ever given, took place in Carnegie Hall in 1961, offering a rare, heightened performance of this centerpiece. "Teo," (from the 1961 album Someday My Prince Will Come) a small group piece dedicated to Producer Teo Macero, is simpatico with "Solea"–the other jewel from the original album, with its orchestral palette that is, in a word, sublime.
On a cold night in January 1956, Elvis Presley walked onto a New York City soundstage for his first national TV performance. Two weeks later, in his third appearance, he sang a song that literally changed the world of popular music: "Heartbreak Hotel." Its unique sound and style literally blew away everything that came before it, while at the same time introducing the musical blueprint for everything that was to come. RCA Victor released his iconic debut album "Elvis Presley," which topped the Billboard chart for 10 weeks and became RCA's biggest-selling album to date, on March 23 of that year. As Presley took America and the world by storm, the follow-up album "Elvis" was released to feverish demand on October 19 that same year, remaining at #1 for 5 weeks.
Fan Made Release - Not For Sale! Mono LP transfered & mastered by Prof Stoned. Mindblowing music from Captain Beefheart & The Magic Band – a record that's got plenty of garagey grit at the core, but which also has a heady freak rock vibe overall! The 1967 album really captures this perfect moment – one when so many artists like Don Van Vliet had their feet in older rockish modes, but were really tripping out with new ideas – able to get nice and freaky in the course of a short tune, yet still never lose a groove that really helped send the music home! In other words, there's nothing too hippieish about the record, and nothing that's ever too self-indulgent – yet the blend of organ, guitar, and drums is completely mindblowing – and as revolutionary today as it was back then.