Summer Breeze offered an unusually ambitious array of music within a soft rock context – most artists tried to avoid weighty subjects in such surroundings (except, of course, CSN or Simon & Garfunkel, who could pretty much get away with anything). The title track is one of those relentlessly appealing 1970s harmony-rock anthems, in the same mode as the Doobie Brothers' "Listen to the Music" and appropriately ubiquitous on the radio and in the memory; the guitar (electric and acoustic) and vocal hooks are all well-nigh irresistible. The rest varies in sound and focus.
Featuring hit single "A Heart In New York"
Garfunkel is the second compilation album by Art Garfunkel, released in 1988.
Fate for Breakfast is the fourth solo album by Art Garfunkel released in March 1979 on Columbia Records.
The original idea was for Art Garfunkel to record an album of songs written by Jimmy Webb. But when the leadoff single, "Crying in My Sleep," failed to make the charts, Columbia Records withdrew the album and induced Garfunkel to put together a cover of Sam Cooke's "(What A) Wonderful World" with Paul Simon and James Taylor harmonizing. The single and a revised version of the album then made the Top 40.
The soundtrack to Mike Nichols' The Graduate remains a key musical document of the late '60s, although truth be told, its impact was much less artistic than commercial (and, for that matter, more negative than positive). With the exception of its centerpiece track, the elegiac and oft-quoted "Mrs. Robinson" – which only appears here as a pair of fragments – the Simon & Garfunkel songs that comprise much of the record (a series of Dave Grusin instrumentals round it out) appeared on the duo's two preceding LPs; Nichols' masterstroke was to transplant those songs into his film, where they not only meshed perfectly with the story's themes of youthful rebellion and alienation (and the inner life of the central character, Dustin Hoffman's Benjamin Braddock) but also heralded a new era in movie music centered around the appropriation of past pop hits, a marketing gimmick that grew exponentially in the years to follow.
Bridge Over Troubled Water was one of the biggest-selling albums of its decade, and it hasn't fallen too far down on the list in years since. Apart from the gospel-flavored title track, which took some evolution to get to what it finally became, however, much of Bridge Over Troubled Water also constitutes a stepping back from the music that Simon & Garfunkel had made on Bookends – this was mostly because the creative partnership that had formed the body and the motivation for the duo's four prior albums literally consumed itself in the making of Bridge Over Troubled Water.