On this excellent set, the Brazilian acoustic guitarist/singer Toninho Horta plays unaccompanied solos. Horta wrote or co-composed every song, and his program is full of rich themes, haunting understated vocalizing (often wordless), and melodic guitar. The atmospheric performances, which are as much folk as jazz, work both as background music and for close listening. Overall, this is one of Toninho Horta's better efforts.
Toninho Horta comes from the State of Minas Gerais in Brazil, from the same place and the same group of composers and musicians which gave us Milton Nascimento. Some of the most notable songs recorded by Nascimento are Horta's compositions, featuring "Beijo Partido" in Nascimento's album "Minas". This was a Horta's album recorded in 1989 for Verve Forecast. His inspiration on beautiful songs and sophisticated arrangements are all there. Also Pat Metheny plays the title song "Moonstone" in a guitar duo with Horta in this CD.
From the classic blues of Bessie Smith and Ma Rainey to female country blues pioneers Memphis Minnie and Geeshie Wiley, this Rough Guide explores the hugely significant and often overlooked role that women have played in the story of the blues. 'The fact that this release brings attention to this overlooked category is well beyond overdue'.
Until the End of the World is a definite contender for best motion picture soundtrack of the 1990s. With a lineup that includes Talking Heads, Lou Reed, R.E.M., Nick Cave and the Bad Seeds, Depeche Mode, U2, and others all providing original songs or new covers, it's an absolute joy. Interspersed with Graeme Revell's haunting ambient score, virtually every pop/rock track works perfectly as part of a cohesive whole. "Sax and Violins," recorded during the dying days of Talking Heads, might be the band's most confident moment, as a jazzy background shuffle and keyboards provide compelling momentum underneath David Byrne's sarcastic vocals. Crime & the City Solution could have made an entire career out of the emotional yet existential "The Adversary." R.E.M. and Depeche Mode both contribute touching ballads. "Fretless" is one of the most beautiful tracks to be found in R.E.M.'s discography, documenting a wounded relationship with subtle grace. "Death's Door" is one of those sad numbers Depeche Mode fans have grown to love, with Martin Gore handling the vocals.
An above-average soundtrack to a mediocre film, this dance-oriented album hits more than it misses. The title track by David Bowie is fluff by his standards, but as it's produced by Nile Rodgers (a year before their collaboration on Black Tie White Noise), it's danceable fluff. Further in, the album samples the beginnings of the '90s techno revolution, with excellent tracks from Future Sound of London ("Papua New Guinea"), Moby ("Next Is the E"), Ministry's Bush-era primal scream "N.W.O.," and Mindless's "Mindless." Brian Eno's exclusive track "Under" is one of his best from the '90s.
The Sentinel represents a Virtual Reality journey, going deep into my imagination and
musical universes as I create audio chapters of space music that the listener can experience firsthand. In this journey, you are The Sentinel, you are on the command bridge, you are wearing the spacesuit, it is your universe, all told through imagination and the superb influence of these 3 great books. Welcome Aboard!
This release is a dedication to Music as a universal language that brings people together and help them share their psychedelic experience and spiritual transformations. Compilation 'Discovery' is new recordings by young and relatively unknown musicians hailing from different parts of the world. These artists combine their cultural roots with a more contemporary tradition of psychedelia to create a sound for infinite journey of self (re)discovery.