For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its arguably biggest project in its semicentennial history: a 50-CD set of Sviatoslav Richters concert recordings! This collection is far from the complete phonographic legacy of the great musician. Nevertheless, the set includes plenty of exclusive, previously unreleased recordings that will make the hearts of even most erudite connoisseurs and collectors rejoice.
GQ originally formed in 1968 as Sabu & The Survivors. They released three albums on Arista Records between 1979 and 1981. DISCO NIGHTS was their debut album and also their most successful spending five weeks at the #2 position in the R&B charts and reaching #13 in the Pop chart. DISCO NIGHTS (ROCK FREAK) was the first single from the album and gained them the #1 spot in the R&B charts as well as #3 in the Disco chart and #12 in the Pop chart. It sold over one million copies in the US alone and has become an ultimate Dance classic.
Crazy Nights is the 14th studio album by American rock band Kiss, recorded from March to June 1987 and released on September 18, 1987 by Mercury and Vertigo in Europe. This was the second album to feature the new line-up of Gene Simmons, Paul Stanley, Bruce Kulick, and Eric Carr…
This was Alicia de Larrocha’s finest account of Nights in the Gardens of Spain, fully capturing the Andalusian atmosphere of this evocative score. After all, it’s not a work about landscapes and flowers – it’s about love. Rafael Frühbeck de Burgos does a superb job of drawing perfume and color out of an English orchestra.
By 1984 it was a common complaint that Sonny Rollins's live appearances were much more exciting than his studio recordings. Although none of the latter were throwaways (and virtually all of the Milestone sessions have their moments of interest), few were real gems. Sunny Days, Starry Nights as usual finds the great tenor at his best on the two ballads ("I'm Old Fashioned" and Noel Coward's "I'll See You Again") while the other four originals have been largely forgotten. His backup crew features trombonist Clifton Anderson and keyboardist Mark Soskin.
Goodrum has written songs that became hits for such performers as Kenny Rogers (What Are We Doin’ in Love), Anne Murray (You Needed Me), Steve Perry (Foolish Heart) George Benson (20/20), Toto, El Debarge, among others. This is his first album as a performer, and while nobody is likely to start thinking of him as a golden voice, it’s appealing to hear a good pop composer sing his own material. In this case it’s disappointing that Goodrum decided not to do any of his hits, singing instead eight of his mostly unrecorded songs, plus the sometime Chordettes and Harris-Parton-Ronstadt hit Mr. Sandman. The fact that Goodrum does all his own backup playing and singing, and even recorded the LP at his house, makes it a little sterile too. He nonetheless has a gentle touch as a songwriter—his tunes are full of sighs of regret—and his vocals bring to mind Michael Franks.