Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Guitarist Johnny Smith in a sweet, laidback trio setting – just the kind of mode that's perfect for his gentle sense of color and tone – a style he virtually invented for jazz guitar in the 50s! The album's one of his classics for the Roost label, and it's a masterpiece in chromatic hues – subtle, simple, but completely fantastic – at a level that makes Johnny Smith one of the true legends in jazz guitar from the 50s. Accompaniment is by George Roumanis on bass and Mousie Alexander on drums – but both players are extremely gentle, and leave most of the sound to Johnny – as it should be. Titles include "Little Girl Blue", "My Funny Valentine", "Polka Dots & Moonbeams", "Everything Happens To Me", "Pavanne", and "Blues Back Stage".
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". Great CD version – one of the few proper issues of this material!
Verve Records was originally the product of the vision of jazz impressario Norman Granz (1918-2001). He formed the label in 1956 and moved all of the recordings released on his earlier Norgran Records and Clef Records labels to create the new Verve catalog.
This album was originally released in 1988 as "Bobby McFerrin - Don't Worry, Be Happy". Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music – equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else…
Oscar Peterson was recorded by Verve more often than any other artist. In those years, his groups had the ability to not just keep up with him but become equal partners in creating music that would soar the heights while never forgetting to flat-out swing. Hear him in classic duo, trio, and big-band settings with such stalwarts as Cannonball Adderley, Ray Brown, Herb Ellis, Sam Jones, Clark Terry, and Ed Thigpen.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. The gentle genius of guitarist Johnny Smith – perfectly captured in this late nite trio session from the 50s! There's a lot more jazz here than you might guess from the "easy listening" title – and Johnny's working with drummer Charlie Mastropaolo and bassist George Roumanis, in a style that's very much in keeping with his other best Roost work at the time. Smith has this way on the strings that's like few other players of his time – a style of playing the guitar that's so gentle, so spacious, the notes come off the instrument almost by themselves – with a lightly ringing quality that's the best part of the unique Johnny Smith tone.