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Auryn Quartett - Haydn: String Quartets Op.50 (2CD) (2009)  Music

Posted by Domestos at April 21, 2018
Auryn Quartett - Haydn: String Quartets Op.50 (2CD) (2009)

Auryn Quartett - Haydn: String Quartets Op.50 (2CD) (2009)
EAC Rip | FLAC (tracks+.cue, log) ~ 314.04 Mb + 292.85 Mb | 77:23 + 70:28 | Cover
Classical | Label: Tacet - Tacet 185

Daß Partitur und Partitur nicht dasselbe ist, mag eine Binsenweisheit sein, eine folgenreiche allerdings. Im Zeitalter nicht nur der Verwissenschaftlichung der Noten-Edition, sondern auch der historischen Aufführungspraxis droht selbst wissenschaftlich fundierten Gesamtausgaben das „Verfallsdatum“: neue Erkenntnisse, neue Schriftdeutungen, das Auffinden verschollen geglaubter Autographe – all dies fließt in die Editionspraxis ein, und selbst scheinbar problemlose Klassikerausgaben werden fragwürdig oder gar dubios.

R.E.M. - Drive (1992) "Collector's Edition" CD Single  Music

Posted by Designol at April 21, 2018
R.E.M. - Drive (1992) "Collector's Edition" CD Single

R.E.M. - Drive (1992) "Collector's Edition" CD Single
EAC | FLAC | Tracks (Cue&Log) ~ 154 Mb | Mp3 (CBR320) ~ 75 Mb | Scans included | 00:18:48
Alternative Pop/Rock, Folk-Rock | Label: Warner Bros. | # W0136CDX, 9362-40633-2

"Drive" is the lead single and first track from American alternative rock band R.E.M.'s eighth studio album Automatic for the People in 1992. Although it was not as commercially successful as previous lead singles "Losing My Religion," "Stand," or "The One I Love" in the United States, it became R.E.M.'s then second biggest hit on the UK Singles Charts, peaking at #11. It managed a peak of #28 on the Billboard Hot 100. The song did hit number one on the Modern Rock Tracks and number two on the Mainstream Rock Tracks.

R.E.M. - The One I Love (1988) Limited Edition Single  Music

Posted by Designol at April 20, 2018
R.E.M. - The One I Love (1988) Limited Edition Single

R.E.M. - The One I Love (1988) Limited Edition Single
EAC | FLAC | Tracks (Cue&Log) ~ 90 Mb | Mp3 (CBR320) ~ 34 Mb | Scans included | 00:13:33
Alternative Pop/Rock, College Rock, Folk-Rock | Label: I.R.S. | # DIRMX 178

"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987. The song was their first hit single, reaching #9 in the US Billboard Hot 100, #14 in Canada, and later reached #16 in the UK singles chart on its UK release (1991). The song was included in Activision's Guitar Hero World Tour and is in Guitar Hero On Tour: Decades. In March 2005, Q magazine placed "The One I Love" at number 57 in its list of the 100 Greatest Guitar Tracks. In 2012, Slant Magazine listed the song as the 38th best single of the 1980s.

Missy Elliott - Respect M.E. (2006)  Music

Posted by Designol at April 20, 2018
Missy Elliott - Respect M.E. (2006)

Missy Elliott - Respect M.E. (2006)
EAC | FLAC | Tracks (Cue&Log) ~ 450 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Hip-Hop, Rap, R&B | Label: Atlantic, The Goldmind | # 7567-83955-2 | Time: 01:08:27

One of the great decade-long singles runs is straightforwardly documented on Respect M.E., a compilation distributed throughout Europe and, unfortunately, not released in the States. From 1997 through 2006, Missy Elliott's work – often the product of a partnership with producer Timbaland – was in steady rotation on the radio and on video programs. Nearly every time out, she came up with something fun, inventive, out of this world, and lasting, charting alternate paths for pop music while also projecting the image of a fully empowered plus-size woman in a mainstream populated by females who tended to be anything but. Although each one of Elliott's albums is well worth owning, nothing can deny the need for this release, which includes almost every noteworthy track she released during the period, from "The Rain (Supa Dupa Fly)" through the underappreciated "Teary Eyed." The most significant omissions are "Lick Shots" and "Take Away": hardly deal breakers. An ideal companion release would contain the hits Elliott wrote and/or produced for other artists, such as Aaliyah's "One in a Million," SWV's "Save Me," 702's "Where My Girls At," Nicole's "Make It Hot," Total's "What About Us," Monica's "So Gone," and Tweet's "Oops (Oh My)." During these years, there was no greater force in popular music.

Simon & Garfunkel - Wednesday Morning, 3 A.M. (1964)  Music

Posted by v3122 at April 18, 2018
Simon & Garfunkel - Wednesday Morning, 3 A.M. (1964)

Simon & Garfunkel - Wednesday Morning, 3 A.M. (1964)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1989 | CBS CDCBS 63370 | Austria | ~ 162 or 76 Mb | Scans(jpg) -> 64 Mb

Wednesday Morning, 3 AM doesn't resemble any other Simon & Garfunkel album, mostly because their sound here was fundamentally different from that of the chart-topping duo that emerged a year later. Their first record together since their days as the teen harmony duo Tom & Jerry, the album was cut in March 1964, at a time when both Simon and Garfunkel were under the spell of folk music…

Lambchop - Mr. M (2012)  Music

Posted by Designol at April 17, 2018
Lambchop - Mr. M (2012)

Lambchop - Mr. M (2012)
EAC | FLAC | Image (Cue&Log) ~ 297 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 151 Mb
Label: Merge | # MRG434, 6 73855 04342 5 | Time: 00:56:02
Alternative Country, Chamber Pop, Alternative/Indie Rock

Lambchop have made a number of outstanding albums as they've evolved from "Nashville's most f–ked-up country band" to a singular chamber pop ensemble during a career that lasted nearly two decades, but one of their finest works is not really a Lambchop album at all. Vic Chesnutt recruited Lambchop to serve as his backing band on the 1998 album The Salesman and Bernadette, and the results were a marvelous fusion of the group's broad but emotionally intimate approach and Chesnutt's witty, skewed, and perceptive gifts as a songwriter. Chesnutt and Lambchop's Kurt Wagner seemed like kindred spirits, fellow Southerners who married oblique yet telling poetry to melodies that were strong yet fluidly graceful, and it should surprise no one that Wagner was hit hard by Chesnutt's death in late 2009. Lambchop's first studio project since Chesnutt's passing, 2012's Mr. M, is dedicated to Wagner's friend and collaborator, and though the songs don't deal explicitly with Chesnutt, there's a sense of sorrow in these songs that's deeper than what we've come to expect from Lambchop, infused with an air of reflection and regret that's impossible to miss.

R.E.M. - Finest Worksong (1988) UK Limited Edition Single  Music

Posted by Designol at April 16, 2018
R.E.M. - Finest Worksong (1988) UK Limited Edition Single

R.E.M. - Finest Worksong (1988) UK Limited Edition Single
EAC | FLAC | Tracks (Cue&Log) ~ 105 Mb | Mp3 (CBR320) ~ 48 Mb | Scans included
Alternative Pop/Rock, College Rock | Label: I.R.S. | # DIRM 161 | 00:16:22

"Finest Worksong" is the third and final single released from R.E.M.'s fifth studio album Document. It peaked at number 50 on the UK Singles Chart in April 1988, at the time the group's highest-charting single in the UK. The single version of the song (also known as Mutual Drum Horn mix), featuring a new horn section by The Uptown Horns, was placed on R.E.M.'s I.R.S. Records compilation Eponymous. This was the last original single the band released on I.R.S. Records.

R.E.M. - The Best Of R.E.M. (1991)  Music

Posted by Designol at April 15, 2018
R.E.M. - The Best Of R.E.M. (1991)

R.E.M. - The Best Of R.E.M. (1991)
EAC | FLAC | Tracks (Cue&Log) ~ 417 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included | 00:59:28
Alternative Pop/Rock, College Rock, Jangle Pop | Label: I.R.S. | # CDP 7131282

The Best of R.E.M. is a greatest hits album by R.E.M. released in 1991, shortly after the success of the band's seventh studio album, Out of Time, released by Warner Bros. The Best of R.E.M., however, was released by the band's previous record label, I.R.S. Records, and only includes tracks from their first five albums while the group was with that label. As such, it covers their output from 1982 to 1987. The Best of R.E.M. was only issued in the United Kingdom, New Zealand, Australia and Brazil, complete with liner notes from Remarks: The Story of R.E.M. by Tony Fletcher (a domestic American greatest hits album had been released prior with a very similar track list titled Eponymous). It has no alternate mixes (unlike Eponymous); all the songs are the album versions. Three songs were taken from each of the first five studio albums and one song was taken from Chronic Town, the band's first EP, making a total of sixteen songs on the album.

A.C. Reed - I'm In The Wrong Business! (1987) [Re-Up]  Music

Posted by Designol at April 14, 2018
A.C. Reed - I'm In The Wrong Business! (1987) [Re-Up]

A.C. Reed - I'm In The Wrong Business! (1987)
EAC | FLAC | Image (Cue&Log) ~ 324 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included
Electric Chicago Blues, Soul-Blues | Label: Alligator | # ALCD 4757 | Time: 00:51:55

Solid, soulful blues, often with humorous, self-deprecating lyrics, comes from the well-respected vocalist, tenor player, composer, and veteran of the bands of Albert Collins, Buddy Guy, Magic Sam, and Son Seals. Reed has been called "the definitive Chicago blues sax player." This album features Reed's band, with guests Bonnie Raitt and Stevie Ray Vaughan
Les Siècles & François-Xavier Roth - Ravel: Ma Mère l'Oye, Le tombeau de Couperin (2018) [Official Digital Download]

Les Siècles & François-Xavier Roth - Ravel: Ma Mère l'Oye, Le tombeau de Couperin & Shéhérazade, ouverture de féerie (2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 56:14 minutes | 493 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In this recording, it’s interesting to compare the two works for so-called ‘small orchestra’, Le Tombeau de Couperin and Ma mère l’Oye. For, when discussing Ravel’s orchestral music, one thinks more readily of the large symphony orchestra in all its luxuriance, of the teeming array of percussion, which often requires a timpanist and seven percussionists.