The angels on the Ghent Altarpiece (Van Eyck) are singing plainchant and/or polyphony. If it is plainchant, they could be responses from the period after Easter. These responses make explicit references to the book of Revelations - which makes sense because the Ghent Alterpiece is full of references to the Apocalypse. The combination of these chants with two-voices Agnus-Dei fragments from masses by Dufay, Ockeghem, Desprez and others, make for a series of small and beautiful vignettes. Triptychs.
The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
The Teseum in Tongeren contains many ecclesiastical treasures, including late mediaeval plainchant manuscripts. From these beautiful sources, Psallentes has chosen a series of real gems: chant from the liturgy for the great feasts — such as Christmas and Easter— and chant with a more local colour — such as the hymns for saints such as Maternus and Servatius. This recording thus offers a fine image of the richness of the liturgy in Tongeren in the fourteenth and fifteenth centuries.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Master Stroke’s sixth (and presumed final) volume of Queen’s Rare Cuts series focuses upon tracks from the final two LPs, 1991’s Innuendo and 1995’s Made In Heaven. Like the other titles, it presents both rarities that have been out before and brand new tracks making their silver debut. Many can be found on the prior release Secret Fantasy (Queen Digital Archives Q-007)…