The angels on the Ghent Altarpiece (Van Eyck) are singing plainchant and/or polyphony. If it is plainchant, they could be responses from the period after Easter. These responses make explicit references to the book of Revelations - which makes sense because the Ghent Alterpiece is full of references to the Apocalypse. The combination of these chants with two-voices Agnus-Dei fragments from masses by Dufay, Ockeghem, Desprez and others, make for a series of small and beautiful vignettes. Triptychs.
Have you ever seen any beguines? We haven’t either. Those devout laywomen of centuries past are no more. But would you like to hear them sing? That is possible. The Beghinae of Psallentes sing works from manuscripts found in the beguinages of Bruges, Antwerp and Amsterdam, among others. Beguines? They appear before your very eyes.
The Anthology of the Royal Concertgebouw Orchestra is a recorded history of six decades of performances by the Concertgebouw Orchestra, taken from broadcasts contained in the archives of Dutch Radio and Radio Netherlands World Service. RCO Live has chosen not only legendary performances under chief conductors of the RCO but also concerts led by countless guest conductors of both greater and lesser renown. The sixth volume of the anthology features broadcasts from the 1990s, and presents a fascinating and colorful portrait of the orchestra s artistic development under various conductors during that period.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
VOLUME TWO : 5CD set, in card LP replica sleeves. Collects "Greasy Truckers Party : Live" (1972), "Live At The Padget Rooms, Penarth" (1972), "Back Into The Future" (1973), "Christmas At The Patti : Live" (1973) and "Maximum Darkness : Live" (1975)…