Guided By Voices’ August By Cake is the one hundredth studio album that Robert Pollard has released since 1986’s Forever Since Breakfast. To put that in perspective, Bob Dylan has released roughly thirty nine studio albums since 1959. And that includes the Traveling Wilburys. This is a highly anticipated record, which includes the new line-up (returning GBV veterans Doug Gillard and Kevin March, virgins Bobby Bare Jr and Mark Shue) that has been wowing audience in clubs and festivals throughout 2016. It’s the most musically adept and versatile line-up Pollard has ever assembled.
This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.
Voices is a deep and engaging album from an e-music legend, Vangelis. This CD predates his regular use of symphony orchestras to augment his synths. His synths are, however, very symphonic. He creates broad atmospheres and dramatic soundscapes with synth hooks, chant vocals, and samples. Vangelis also adds some experimental textures and smooth melodies to cap his soundscapes. This is an exciting CD. Vangelis is in a league with few peers. In terms of stature and emotional response, this disc will appeal to fans of Enya and Yanni.
After last year's releases on Spectrum Spools, Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego. "Live at MAXXI" is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for. As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard – the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence…
This is a very good collection of Gesualdo's sacred motet style, performed beautifully. Most of these pieces are much more conservative and less chromatic than his madrigals, but they are exquisite and expresive and every bit as competent as the styles of contemporaries such as Gesualdo's alter-ego, Palestrina. Much of this music makes his mental turmoil and fear of damnation over his infamous murders achingly clear, especially the disturbing mode changes and chromaticism on parts of the text that say things like "have mercy on me" and words like "my sorrow and "my tears".
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. –David Patrick Stearns
After their highly acclaimed debut album ´Voices of Rock MMVII´ Germany based producers Chris Lausmann (Bonfire, Jaded Heart) and Michael Voss (Mad Max, Michael Schenker) did it again. The award winning team of Lausmann & Voss (´SAE alumni´ award for the best procuction 2007) decided to move on and write new gems in the vein of traditional Melodic Rock. On this album, you won't find any compromises, - no-one will jump onto a trendy train here.
2007 release from Melodic Rock supergroup/project. 10 tracks: Features members of House Of Lords, Harem Scarem, Hardline, MSG, Malmsteen, Street Talk, Robin Beck, Giant, Dan Reed, Crown Of Thorns, and FM.