Bound to Roll, Julian Sas’ eight studio album, is a record that took time to make. More than two-and-a-half years, tells the Dutch blues man, I had tons of ideas and was writing constantly but a lot of that went straight into the bin. ‘Bound to Roll’ is a very personal record. This album is about pleasure, enjoyment, love, loss, pain and sadness. About real life, about the blues, about experiences that, I hope, made me stronger and a better human being. For me making this album was a way of dealing with my emotions.
Pianist Harold Mabern and bassist Kieran Overs, although from Memphis and Canada, respectively, explore ten songs written by jazz musicians from Philadelphia on this CD, plus Mabern's "Edward Lee." While a few of the tunes are fairly well known in jazz (particularly Lee Morgan's "Ceora" and Benny Golson's "Whisper Not"), most of the others are obscure. Mabern and Overs work quite well together, with the bassist adding stimulating lines to the pianist's solos and having some good solo spots himself. Since Mabern, whose modern chord voicings are fresh and personal while influenced a bit by McCoy Tyner, has not recorded enough during his long career, this set is a valuable addition to his discography.
This remarkable documentary tells the amazing story of Daisy and Violet Hilton, conjoined twins who rose to superstardom at the beginning of the 20th century as sideshow attractions, performing alongside the likes of Bob Hope and Charlie Chaplin. Ruthlessly exploited by their managers, the sisters ultimately sued for their freedom-which they won at a terrible cost. Bound By Flesh puts a touchingly human face on two outsiders who went from the lowest rungs of society to the big time and back again.
I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger. — Rudy Van Gelder