This boxed set of four CDs recorded between 1987 and 1989 illustrates Benny Carter's versatility performing with four different groups. He was already aged 80 when he recorded the first of these albums, yet there is no sign of ageing. Indeed, Benny stayed alive and active until he was 95. From the very first track, the listener is struck by Carter's pure, mellow sound, putting him in contention with Johnny Hodges and Willie Smith as one of the three altoists in jazz with the sweetest tone. This CD also exhibits Benny as a composer, since he wrote all eleven tunes. Dizzy Gillespie makes guest appearances on three tracks, playing with restraint and harmonizing well with Carter.
In the documentary ‘Gay meets Girl’ friends and creators Tim (26) and Nicolaas (29) go in search of the boundaries of their own sexuality. They’re both gay, at least, they think so. But how sure are they? What would it be like to experiment with the other sex? Is their sexual identity really as fixed as they think? ‘Gay,’ ‘straight’ or ‘bi’: aren’t these really just labels we use to pigeonhole ourselves, because society expects us to make a choice? Tim decides to step outside his box and tries, for the first time in his life, to have sex with a woman.
"Pavement Tree" (Sea Recordings, 14) meant, in a way, a break with Bigott's earlier preferences, betting on a somewhat darker and thicker sound. A maneuver with which Borja Laudo and company recovered their best tone after the inferior "Blue Jeans" (Recordings in the Sea, 13) published the previous year. The present delivery, however, tends towards the opposite tendency, as it shines as a continuist disc that delves with accuracy and depth in the forms of its aforementioned predecessor. In such a circumstance definitely influences the fact that the production of the album falls again on Jeremy Jay, who goes back to surpass the strict functions of the position to fully engage and dye the whole work with his recognizable seal.