This is the eagerly awaited final volume in our historic series of Vaughan Williams’s Symphonies, started about twenty-five years ago by the late Richard Hickox, and recently continued by that other expert in British repertoire, Sir Andrew Davis.
…Nowhere is this overindulgence as exciting but in his rendering here of Strauss' Death and Transfiguration. Charged with energy, depth, and intellect, this is one of the finest modern-day accounts of this work ever recorded. Telarc's sound is naturally clear and deep, which makes for a riveting compact disc all the way around. If you aren't familiar with Runnicles or his work, you deserve to know both him and it. This recording is not to be missed.
This release places Scott’s early masterpiece, the first Piano Concerto, alongside one of the larger orchestral works composed after the Second World War. Performed here by Howard Shelley, the large scale Piano Concerto was composed immediately before the First World War and premiered by Scott himself, with the London Symphony Orchestra under the baton of his friend Sir Thomas Beecham. Scott’s static and exotic harmony, and his use of ostinati, repeated motifs, exotic orchestral colours and the bell-like effect of repeated fourths lend the work an oriental sound world. Scott himself ….
Never judge a book (or jazz recording) by its cover, as the inconspicuous album portrait of Lage Lund's Early Songs is little indication of the music's impressive content. From Norway, Lund resides in New York and has performed within traditional boundaries (Mingus Big Band , Wynton Marsalis, Ron Carter) and newly progressive terrains (Jaleel Shaw , Seamus Blake, and David Sanchez). The winner of 2005's Thelonious Monk International Jazz Guitar Competition, Lund's guitar acumen is informed of Pat Metheny, Pat Martino and other greats. Yet, he seeks his own path, as heard in the new breed of jazz guitarists such as Miles Okazaki and Mike Moreno. ~ AllAboutJazz