Hermann Goetz's lifespan was no longer than Mozart's, and though much admired by contemporaries, as a tragic genius his music became almost forgotten, and the domain of but a few connoisseurs such as Gustav Mahler. Goetz's style remained closer to schumann and Mendelssohn, preferring lyricism and clarity to the more radical approaches of Liszt and Wagner. The virtuoso First Piano Concerto was a student work, its lovely central adagio sharing a use of colorful wind parts with the freshly optimistic Second Piano Concerto composed six years later.
After rubbing your eyes and maybe even hitting your forehead with the palm of your hand a few times to convince yourself that, yes indeed, in fact a young pianist has chosen to make his concerto recording debut with the Tchaikovsky and Grieg concertos, go ahead and have a listen. Denis Kozhukhin, who took first prize at the 2010 Queen Elisabeth, here partners with the Berlin Radio Symphony Orchestra under Vassily Sinaisky. Out of repertory that has been celebrated, picked over and just about played to death over the course of almost a century and a half, they create magic.
Despite a career spanning more than 50 years and a gold medal at the Tchaikovsky Piano Competition (among others), pianist John Lill may be an artist sadly missing from many CD collections. Heralded as an intellectual musician, his approach to the instrument is decidedly academic and straightforward. This is not to say that his music-making is not impassioned or thoughtful anymore than the same could be said of Starker or Gingold simply because they are master technicians at their instruments.
Warner Classics have put together a number of cheap and cheerful boxed sets, from operas to chamber music, taking in this collection of all the piano concertos along the way. Mozart 250th Anniversary Edition: Piano Concertos is a 10-disc set.