4 Piano Concertos Rachmaninoff

S.Rachmaninov - The 4 Piano Concertos, Rhapsody on a Theme of Paganini - V.Eresko

S.Rachmaninov - The 4 Piano Concertos, Rhapsody on a Theme of Paganini - Victor Eresko, piano
The USSR Symphony Orchestra, Conductor Gennadi Provatorov,
The Leningrad Philharmonic Symphony Orchestra, Conductor Vladimir Ponkin

2CD Set | APE/MP3-320kbps+cue+cover | no log | 541.4/277.1Mb | Melodija 1996
Favourite Piano Concertos, Vol.1 / Mozart, Chopin, Liszt, Beethoven, Rachmaninoff (1998)

Favourite Piano Concertos, Vol.1 / Mozart, Chopin, Liszt, Beethoven, Rachmaninoff (1998)
EAC Rip | FLAC, log, cue, no covers | RAR Rec. 3% | 690 MB | hotfile, filesonic
Classical | Label: Philips | 2CD

This collection is an absolute steal. Three of the concerto recordings are unsurpassed. The Haskil Chopin is legendary, Richter's Liszt is colossal and Janis's Rachmaninoff is absolutely formidable. Brendel's recordings of Mozart and Beethoven are on a lesser level of achievement, but never less than good.

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Daniel Barenboim, Staatskapelle Berlin, Gustavo Dudamel - Johannes Brahms: The Piano Concertos (2015) 2CDs

Johannes Brahms: The Piano Concertos 1 & 2 (2015) 2CDs
Daniel Barenboim, piano; Staatskapelle Berlin; Gustavo Dudamel, conductor

EAC | FLAC | Image (Cue&Log) ~ 415 Mb (incl 5%) | Scans included | Time: 01:42:06
Genre: Classical | Label: Deutsche Grammophon | # 479 4899 GH2

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.
Rudolf Serkin, New York Philharmonic‎, Leonard Bernstein - Beethoven: Piano Concertos Nos. 3 & 5 (2004)

Rudolf Serkin, New York Philharmonic‎, Leonard Bernstein - Beethoven: Piano Concertos Nos. 3 & 5 (2004)
MP3 (CBR 320 kbps) | 78:43 | 191 MB
Genre: Classical | Label: Sony Music

Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.

Rudolf Buchbinder - Brahms: Piano Concertos (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 27, 2016
Rudolf Buchbinder - Brahms: Piano Concertos (2016) [TR24][OF]

Rudolf Buchbinder - Brahms: Piano Concertos
Classical | FLAC (tracks) 24-bit/44.1 kHz | 90:28 min | 1.34 GB | Front Cover
Label: Sony Classical | Tracks: 07 | Rls.date: 2016

This recording unites pianist Rudolph Buchbinder with his friend and conductor Zubin Mehta with whom he has built an intimate musical rapport. They are joined on this album by the Wiener Philharmoniker, an orchestra with which Buchbinder has appeared over many decades and enjoyed some of the greatest triumphs of his career.

Rudolf Buchbinder - Brahms: Piano Concertos (2016)  Music

Posted by Pisulik at Nov. 25, 2016
Rudolf Buchbinder - Brahms: Piano Concertos (2016)

Rudolf Buchbinder - Brahms: Piano Concertos (2016)
Classical | MP3 CBR 320 kbps | 01:30:28 | 209 MB
Label: Sony Classical | Release Year: 2016

By 1858, Brahms had his First Piano Concerto ready for performance. He was then only 25. Beethoven had died three decades earlier. Try imagining a 25-year old composer today. Stravinsky–a figure of our time comparable to Beethoven in terms of novelty and influence on subsequent composers–died only 30 years ago. His personality still weighs on today’s new music, and you can still hear echoes of his typical rhythmic signatures in plenty of recent works written by young composers.
Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos (2016) [TR24][OF]

Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 69:29 min | 1.43 GB | Front Cover
Label: ICA Classics | Tracks: 09 | Rls.date: 2016

Elegance and energy characterise this account of K453, Ingrid Jacoby especially attractive to listen to in her fluid and dynamic playing, crispy phrased and also affectionate without losing the Concerto s bigger picture, and most attentively accompanied by the Academy of St Martin in the Fields and Sir Neville Marriner. Separating such lively music-making (the playful and ultimately witty Finale brings a smile), the soulful slow movement is particularly eloquent with some very expressive contributions from woodwind soloists, and Jacoby digs deep into the music's potential.
Karl Kaiser, Michael Schneider, La Stagione Frankfurt - Carl Friedrich Abel: 4 Flute Concertos (1994)

Karl Kaiser, Michael Schneider, La Stagione Frankfurt - Carl Friedrich Abel: 4 Flute Concertos (1994)
EAC | APE (image+.cue, log) | Covers Included | 63:27 | 295 MB
Genre: Classical, Baroque | Label: CPO | Catalog: 999 208-2

Abel published quite a few chamber works with flute, meeting the demand for new music by the many gentleman flutists in England. The flute concertos contained here, despite their opus number, were never published, but are found in a manuscript held in Leipzig which can be dated prior to 1759. Stylistically these works have left the Baroque far behind, with regular phrases, simple basses , broad harmonic movement. The melodies make ample use of lombardic rhythms and syncopations and the florid passaggi sparkles with triplets and scalar passages in sixteenths. Though there are occasional harmonic complications which recall Abel's background, the overall tone here is that of the Enlightenment. Who can Abel have written these works for?

Glenn Gould - Beethoven & Bach: Piano Concertos (1958/2015)  Vinyl & HR

Posted by SERTiL at Nov. 14, 2016
Glenn Gould - Beethoven & Bach: Piano Concertos (1958/2015)

Glenn Gould - Beethoven & Bach: Piano Concertos
Classical | FLAC (tracks) 24-bit/44.1 kHz | 44:38 min | 443 MB | Digital booklet
Label: Columbia, Sony Music Ent. | Tracks: 08 | Rls.date: 1958/2015

Instead of Leonard Bernstein, the Columbia Symphony Orchestra was fronted this time by Vladimir Golschmann. Born in Paris to Russian émigrés in 1893 and head of the St. Louis Symphony Orchestra from 1931, Golschmann was one of the few conductors with whom Gould apparently never had problems, and vice versa. In the Beethoven concerto Gould played his own cadenza – with a noticeable nod to Max Reger ….