Giant Steps… The First Five Years: Compilation album featuring tracks from 'Gentle Giant', 'Acquiring the Taste', 'Three Friends', 'Octopus', 'In a Glass House' and 'Power and the Glory'.
The Elephant in the Room is the eighth studio album by American rapper Fat Joe. The album was released on March 11, 2008, by Terror Squad, Virgin Records and Imperial Records. Production for the album was done by Scott Storch, Cool and Dre, Danja, DJ Khaled, DJ Premier, Swizz Beatz, The Alchemist, Streetrunner & The Hitmen, and guest contributions came from artists like Beatz, Plies, Lil Wayne, J. Holiday and KRS-One.
Here is the 2011 self-released album from Sun King titled 'The Elephant Upstairs'. Sun King was founded by singer & guitarist Andrew Seminara and drummer Fred Carleton in 2005. The two musicians and childhood friends had been playing out together with various bands around the Cape Cod and Greater Boston area since 2000.
The gripping and emotionally-charged story of Tyke, a circus elephant who went on a rampage in Honolulu, Hawaii, in 1994, killed her trainer in front of thousands of spectators and died in a hail of gunfire.
Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.