The Dirty Dozen is the fourteenth studio album from blues rock artist George Thorogood and the Destroyers. The album was released on July 28, 2009. The Dirty Dozen reached #1 on the Billboard Top Blues Albums and was on the chart for 11 weeks. The album includes six new songs (1-6) and six classic favorites (7-12), including three tracks that were previously out-of-print in the U.S.
The glittering city of Dresden, whose painstaking reconstruction after it was reduced to rubble in World War II is one of the great success stories of architecture preservation, is a hot topic in the Baroque music field, and this 2000 recording, reissued in budget form in 2010, offers a taste of the excitement. As the seat of the Holy Roman Empire's Elector of Saxony, the city was musically significant even before the rise to power of the man who really made its cultural reputation, August the Strong.
It’s been 45 years since Hound Dog Taylor & The Houserockers entered a Chicago recording studio to cut the album that would change the face of American music forever. That self-titled release came out in August 1971 and launched an American institution, Alligator Records. Label boss Bruce Iglauer ran the operation from an efficiency apartment in the Windy City. In the subsequent decades, his imprint would issue roughly 300 titles, including releases from Koko Taylor, Albert Collins, Luther Allison, and Lil’ Ed and The Blues Imperials, among many, many others. When quality blues records were hard to come by and majors turned their attention to the latest fashions, Iglauer stuck it out, giving a loyal fan base music they didn’t know they were missing. To see the Alligator logo on an album’s spine meant you were getting something handpicked from a friend who loved that music as much as you did. Maybe even more.