A New Orleans musician in every sense of the word, drummer Stanton Moore's main gig is with his enormously popular funk band Galactic but he also plays with a wide variety of other musicians in both club and studio settings. Growing up in New Orleans, Moore was attracted to the thriving music scene, where he absorbed the work of Professor Longhair, Meters drummer Zigaboo Modeliste, and his mentor, Johnny Vidacovich. After meeting founding Galactic members Robert Mercurio and Rich Vogel in the early '90s, Moore played in a series of early versions of the group, including Galactic Prophylactic and the Ivanhoes (in which the band learned a good portion of the catalog of the legendary Meters, New Orleans' founding funk band).
A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic…
“I think it’s important to be ambitious,” asserts Echo Bloom frontman and founder Kyle Evans. “When I started this band, that was a challenge that I set for myself. I wanted to make something really beautiful, whether it’s folk music or rock music or something more experimental. The medium and the people I’ve worked with have changed, but I’ve always tried to hold on to that fundamental idea.”
To approximate the first half of Fred Ho's album Year of the Tiger, it's necessary to imagine the sound that might be created if the members of Duke Ellington & His Orchestra were mixed with the players from Parliament/Funkadelic and set loose on the Michael Jackson and Jimi Hendrix catalogs. That's right, songs like "Thriller" and "Purple Haze" get severely retrofitted into an aggressive, irreverent jazz-funk style, with harsh, massed horn parts. Sometimes, the sound resembles a couple of high-school marching bands fighting it out on the same football field.