One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, "dangerous" Elvis that had won the hearts of the kids and earned the animosity of their elders. Presley plays a young buck who accidentally kills a man while protecting the honor of a woman. Thrown into prison, Elvis strikes up a friendship with visionary fellow-con Mickey Shaughnessy. Shaughnessy suggests that Elvis perform in the upcoming prison show. Ol' swivel-hips scores a hit, and decides to stay in showbiz after his release. Together with pretty Judy Tyler (the former Princess Summerfall Winterspring on Howdy Doody, who would die in a horrible traffic accident shortly after completing this film), Elvis sets up his own record company. Alas, success goes to his head, and soon Elvis plans to ditch Tyler in favor of signing with a big-time label. Shaughnessy shows up long enough to punch out Elvis for his disloyalty; as a result, Elvis' vocal chords are damaged and he is unable to sing.
"…Thanks to Marek Janowski's inspiring direction, the singers' commitment and the peerless sound quality, this recording sets a new benchmark for Tristan und Isolde in the 21st century and undoubtedly it is one that all Wagnerites will wish to investigate. Unreservedly and enthusiastically recommended." ~SA-CD.net
Robert Dwayne "Bobby" Womack is an American singer-songwriter and musician. An active recording artist since the early 1960s where he started his career as the lead singer of his family musical group The Valentinos and as Sam Cooke's backing guitarist, Womack's career has spanned more than 50 years and has spanned a repertoire in the styles of R&B, soul, rock and roll, doo-wop, gospel, and country. In 2009, Womack was inducted into the Rock and Roll Hall of Fame.
A collection of 8 CD, which includes 7 studio albums by T-Bone Burnett, is an American musician, songwriter, and soundtrack and famous record producer.
On the verge of bankruptcy, undertaker Vincent Price hits upon a novel method of drumming up business. Together with his cringing assistant Peter Lorre, Price sneaks into the homes of wealthy old men under cover of night and smothers the sleeping occupants to death–then collects a hefty commission when the victims' relatives come calling. At home, Price is continually frustrated in his efforts to poison his senile father-in-law Boris Karloff, who owns the undertaking business. Meanwhile, Price's neglected wife Barbara Nichols takes quite a shine to the shy Lorre. The homicidal undertaker's best-laid schemes go terribly agley when his latest "customer," wealthy Basil Rathbone, doggedly refuses to stay dead. Joe E. Brown has a cameo as a cockney graveyard attendant.
As you traverse the rolling landscape of ‘Hotels And Dreamers’ Allan Taylor draws you in with a richly grained collection of songs to stimulate both heart and head. The terrain is occupied by wise-but-weary vocals, and muted acoustic arrangements which conspire to pay gentle and affectionate homage to “the Beats who started me on this road” and contemporaries who also took this route less travelled…
The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.
For Becoming Jane, Adrian Johnston delivers an elegant score that perfectly captures the poignant and bittersweet, utterly romantic tone of the film. Johnston was given permission to study the surviving music books that once belonged to the Austen family in preparation for scoring the film, and that study shows. By weaving music from the period throughout the score, he gives this highly speculative "biopic" a genuinely authentic feel. Particularly notable is the inclusion of themes from "The Irishman" in the tracks "Bond Street Airs" and "A Letter." Also noteworthy are the tracks "The Basingstoke Assembly," featuring "The Recruiting Officer," and "Laverton Fair," featuring "Softly good Tummas" - both pieces of source music by Kynaston/Walsh and arranged by Johnston sparkle with energy. Track after track of the score features cues of music positively dripping with the sound of delicate strings and exquisite piano solos. This is music to think, to read, to write, to DREAM by - it encourages a quiet, reflective mood (perfectly suited to curling up with one of Austen's novels and a cup of tea).
Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.