Stand Up is the second studio album by the British rock band Jethro Tull, released in 1969. Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. The result was an eclectic album with various styles appearing in its songs, yet an album which remained somewhat in the blues rock mould, which would be the last such album from Jethro Tull. The album quickly went to number 1 in the UK charts.
How to Ruin Everything is Face to Face's reflection piece. The bandmembers take a look back on what made them love punk rock in the first place and churn it into an infectious disposition. They spent the 1990s fighting against the mainstream and through various personal and professional shifts inside the band, and How to Ruin Everything emerges as Face to Face's strongest material to date. Frontman Trever Keith is fierce, and his songwriting is now shaped into something courageous and meaningful. He and bandmates bassist Scott Shiflett and drummer Pete Parada ignore current punk-pop sounds for a gnarling rock growl.
While many mainstream punk bands put up an image that they exist outside the system of corporate rock, Face to Face proved when putting together Reactionary that they are, in fact, just as keyed into the marketing process as the boy bands. According to the liner notes, 16 tracks were posted on the Internet and fans voted for the best songs, 12 of which appear on this album. Kind of like a year 2000 equivalent of the Pizza Parlor Jury. The songs are rather typical hardcore punk, certainly not ranking up with the band's best material.
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the best Jazz Fusion albums ever produced…..and Eric Gale on guitar is a wonderful contributor. Recording is similar in sound and vibe to Eric Gale's other Jazz/Fusion records. If you like "In a Jazz Tradition" or "In the Shade of a Tree" you'll like this.
Having helped generate the first wave of '90s pop-punk, Face to Face was due to profit from the mainstream success of artists like Lit and Blink 182 who had taken their melodic approach to punk songcrafting to new commercial heights. With so much punk credibility to be had, the last thing anyone expected these famous SoCal punkers to do is release a hard rock record; which is exactly what the foursome did when they shipped their first disc for Beyond Records in 1999. From the initial drum and guitar blasts of the record's lead cut "Overcome" Ignorance Is Bliss lets listeners in on the fact that Face to Face would not be limited to the punk genre, and that the quartet's songwriting skills stand up against the most successful of hard rock bands.
Albedo 0.39 is a studio album by the Greek electronic composer Vangelis, released in 1976. It was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It was his first Top 20 UK album. It is a concept album themed around space physics (the reflection of light i.e. physical truth). Its title is inspired by the idea of a planet's albedo, the proportion of the light it receives that is reflected back into space. The album title refers to the average albedo value of the planet Earth as it was in 1976. From the explanation on the back of the LP cover : "The reflecting power of a planet or other non-luminous body. A perfect reflector would have an Albedo of 100%. The Earth's Albedo is 39%, or 0.39". It was performed at the Royal Albert Hall in 1977. The album reached #18 on the UK Album Charts.
After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove…