Glenn Miller's reign as the most popular bandleader in the U.S. came relatively late in his career and was relatively brief, lasting only about three and a half years, from the spring of 1939 to the fall of 1942. But during that period he utterly dominated popular music, and over time he has proven the most enduring figure of the swing era, with reissues of his recordings achieving gold record status 40 years after his death. Miller developed a distinctive sound in which a high-pitched clarinet carried the melody, doubled by a saxophone section playing an octave lower, and he used that sound to produce a series of hits that remain definitive examples of swing music. Miller's approach is not much appreciated by jazz fans…
This set collects the seven studio albums from 1984′s Red Roses For Me to Pogue Mahone from 1996 and adds a previously unreleased live album The Pogues with Joe Strummer Live In London (recorded in December 1991). There have been Pogues reissues before of course, notably in 2004 when the albums were re-released on CD with bonus tracks. Rhino also issued an Original Album Series collection in 2009 that brought together the five Shane MacGowan albums in the usual card slipcase packaging. So while in some ways 30 Years treads familiar ground, there is still much to recommend it. First off the band were involved in the project, and were keen to have their say. The decision to revert back to ‘just’ the albums and lose the 2004 bonus tracks was theirs, for instance. Another example of the band’s input was the cover design of the box. The literary types amongst you might notice that the typesetting and design is ‘inspired by’ an edition of James Joyce’s landmark work Ulysses.
The most comprehensive collection of Pogues material to date, 30:30 - The Essential Collection arrived on the heels of the band's 30th anniversary. Comprised of material culled from 1984 to 1996 and representing each of the group's seven studio albums, the two-disc set offers up a winning mix of bona fide classics ("If I Should Fall from Grace with God," "A Pair of Brown Eyes," the contemporary Christmas standard "Fairytale of New York," and its less yuletide-centric kissing cousin "A Rainy Night in Soho") and fan favorites ("Rain Street," "Boys from the County Hell," "Misty Morning, Albert Bridge") that dutifully encapsulates the best of the band's "lost decade."
Amazingly, it has been 30 years since Roy Orbison‘s 1987 television ‘comeback’ show A Black & White Night. To mark the occasion ‘Roy’s Boys’ – Alex Orbison and Roy Orbison Jnr – have gone back to the source footage and audio and re-edited, remastered and, if you are feeling fanciful, ‘re-imagined’ the television special, to create an expanded audio/visual document that will be available on CD/Blu-ray or CD/DVD in February. The concert – filmed at Cocoanut Grove in Los Angeles – was shot using seven separate cameras and there were hundreds of hours of footage that went unused and unseen. Roy’s youngest son Alex has gone back to this source material and, with the help of co-editor Luke Chalk, re-edited to reflect the correct set order as seen by those who attended the show.
In memoriam Maestro Maazel, Sony Classical re-releases the ‘Maazel Great Recordings’ 30-CD Box to honour his great work.
I had to hunt for this listing; for some odd reason this CD was buried in the Ultravox listings, almost lost! In any case, this is a great compilition of early Ultravox recordings, picking the cream off their first three albums, before Midge Ure and "Vienna" catapulted them to worldwide acclaim and popularity. But these songs were just as dynamic and moving. This version of Ultravox, of course, had a different lead singer, that being the stylish John Foxx.
Drawing on his vast experience as viola player of the Arditti Quartet, Ensemble InterContemporain and his close collaboration with many of the today’s leading composers, Garth Knox has become a master of many styles. Presenting a completely new interpretation of the “Book of Angels”, the beautiful medieval-tinged arrangements produced by Garth Knox and his group capture the folk song quality of Zorn’s compositions with a lovely and intimate ensemble of strings and percussion. Playing viola and viola d’amore, Garth presents these enigmatic compositions in a new and refreshing light. This penultimate installment of the “Book of Angels” is also one of the most charmingly beautiful.