THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz.
This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.
Soul Jazz Records’ new ‘Studio One Dub Fire Special’ brings together 18 heavyweight dub cuts all recorded at 13 Brentford Road in the 1970s. Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands - The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars – featuring the likes of reggae’s finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.
Soul Searchin' is the third solo studio album by Glenn Frey, the guitarist and co-lead vocalist for the Eagles. The album was released in mid 1988 on MCA in the United States and the United Kingdom, four years after Frey's successful album, The Allnighter and eight years after the demise of the Eagles. The album features eight original songs co-written by Frey with Jack Tempchin and the song "Two Hearts" contributed by Frey's friend, Hawk Wolinski. The album also features contributions from fellow Eagles member Timothy B. Schmit, Max Carl, Robbie Buchanan, Michael Landau, and Bruce Gaitsch.
Australia is not the first place you think of as a crate-digger's paradise. But these 20 slices from the country's early-Seventies season in commercial R&B and pop-jazz fusion are a lively lesson in the ingenious adaption of imported trends over an extreme distance. This is overwhelmingly white funk: "Back on the Street Again," an Etta James cover by Billy Thorpe and the Aztecs, and the ID's "Feel Awlright" are examples of hot shots from Australia's Sixties-beat and heavy-rock scenes finding their dance-floor feet; a track by the progressive-rock band Tamam Shud comes from the soundtrack to a 1971 surfing documentary. But it is all robust fun with intriguing sampling prospects.
With the exception of Joy Division's last single, Love Will Tear Us Apart, which faded out gradually into the anguished silence of singer Ian Curtis' suicide, none of the band's songs ever really ended; they either fell apart or collapsed, as if to bring about a proper end to something beyond their grasp. Joy Division couldn't stand still…