“Greatest Hits” is an early compilation album from Neil Diamond of the two first LPs under the Bang Records label published in 1970.
This contains the hit songs like “Solitary Man”, “I’m A Believer”, “New Orleans” and many others.
Billy Bauer was an accomplished studio guitar player whose only studio date as a leader was this release, finally reissued as a part of the Verve Elite Edition limited edition CD series in 2000. Throughout the CD he is never overpowering, but a solid rhythmic player, whether essaying a gently swinging "Too Marvelous for Words" or a more sprightly "You'd Be So Nice to Come Home To." Bauer also wrote several originals for the date, including the easygoing bop vehicle "Lincoln Tunnel," the tender ballad "Night Cruise," and the unaccompanied "Blue Mist." Accompanying Bauer is bassist Milt Hinton, drummer Osie Johnson, and the obscure pianist Arnold Ackers. While this won't be an essential CD for every jazz fan, those who acquire it will not be disappointed.
Reissue of the album recorded with Dusko Goykovich, et al. 24bit digitally remastered. Cardboard sleeve (mini LP). This is one of the rarest of all Blue Note albums, and one that is a must for record collectors. The Francy Boland/Kenny Clarke big band was one of the most exciting orchestras of the 1960s and ‘70s. Much less known but also brilliant was a unique octet co-led by Boland and Clarke just prior to the big band.
Big Brass is an appropiate name for the large ensemble arranged and conducted by Ernie Wilkins that accompanies the huge sound of Sonny Rollins. The energy within the leader's gospel-flavored shout "Grand Street" is considerable, while a swinging but no less powerful version of George & Ira Gershwin's "Who Cares" features a choice solo by guitarist Rene Thomas. Also added to this compilation are trio recordings with bassist Henry Grimes and drummer Specs Wright, including a brilliant leisurely stroll through "Manhattan," along with Rollins' tour de force unaccompanied tenor sax on "Body and Soul."
The Flight of the Condor: Ice, Wind and Fire is a documentary on The BBC World program, first aired in 1982. Directed and produced by Michael Andrews, who spent eighteen months in the Andes mountain range along with award-winning cameramen Martin Saunders, Hugh Miles and Rodger Jackman, the documentary shows wildlife as well as the particular Andean landscapes.
Born to Nigerian parents brought to Algeria, percussionist Guem grew up playing traditional music and trance rhythms from an early age. His family soon initiated him into the secrets of the diwan–ceremonies where many of the participants enter a state of trance.
Another Night was a wholly unexpected album at the time of its release in February of 1975.
The Hollies’ 15th official album, it also marked the return of Allan Clarke to the lineup for the first time since Distant Light in 1971 — and it was, apart from one number, comprised entirely of group originals, a feat of songwriting acumen that the Hollies had not achieved since 1969’s Hollies Sing Hollies (which was sort of a “ringer” in that regard); and just as much to the point, all of the songs and recordings were pretty much first-rate, ranging widely from lyrical pop/rock to harder, edgier, album-oriented sides, with a couple of classic performances among them.
Special Feature / Bonus Track: 2 bonus tracks. After years of staying free of comparisons with Charlie Parker, Sonny Stitt steps confidently into a set of compositions by the late, great one – sounding really wonderful in his own interpretations of these classics! The album's got the same simple and focused still as Stitt's best work on Roost – and although the compositions are all by Bird, the overall sound is still very much Sonny's own – especially given the wonderful sense of space and timing brought to some of the performances! The group's an unusual one, especially for Stitt – and features John Lewis on piano, Jim Hall on guitar, Richard Davis on bass, and Connie Kay on drums – all offering a slightly more modern take on Bird than might be expected – especially through the angular lines on Hall's guitar.