24bit Rar

Loopmasters - Deep Tech and Minimal House 24bit  Software

Posted by obloy333 at March 19, 2009
Loopmasters - Deep Tech and Minimal House 24bit

Loopmasters - Deep Tech and Minimal House 24bit | 760 MB

Deep, Tech and Minimal House is a vast collection of supremely recorded 24 bit samples for cutting edge producers looking for a quality selection of Underground Minimal Sounds, recorded and produced by legendary house producer Andy Lee.
Marta Gómez - Entre Cada Palabra (Chesky Records JD301) (96kHz/24bit) (2006)

Marta Gómez - Entre Cada Palabra (Chesky Records JD301) (96kHz/24bit) (2006)
FLAC (14 Tracks) - No CUE - No LOG | Covers (PDF file) | TT 54:10 | 1.05 GB
MP3 CBR 320 Kbps (resampled to 44.1kHz/16bit) | 135 MB
Latin / Colombian | Label: Chesky Records | Hi-Res Download | 96kHz/24bit | RAR 3% Rec. | RS.com

Colombian jazz-folk singer-composer Gomez has achieved a charming synthesis of old and new, past and present. Her compositions are a travelogue of South and Central American, Caribbean and European influences. She moves fluidly between Peruvian lando, Argentinean chamame and Cuban son, weaving African-derived rhythms and percussions over the plaintive melodies of indigenous peoples or descended from Spanish conquistadores, whose own songs incorporated Sephardic Jewish and Moorish sounds. Recorded at New York’s Saint Peter’s Church, which is equally famous for its jazz ministry and warm acoustics, her clear, crooning mezzo-soprano is supported by an intimate combo of strings, woodwinds and percussion, plus an occasional accordion. In such a setting and in the hands of such talented performers, the special timbre of each instrument is appreciated anew and even handclaps take on an almost orchestral importance. One delightful stand-out is a Mexican ranchera-infused treatment of "Cielito Lindo." A chestnut if there ever was one, Gomez’ tender interpretation reflects love for her mother (whose name is Cielo – "Cielito" is the diminutive) and a sense that even familiar things may harbor unexpected surprises. –Christina Roden
Harry Chapin – Verities & Balderdash (1974) Elektra/7E-101 – Original US Terre Haute Pressing - LP/FLAC In 24bit/96kHz

Harry Chapin – Verities & Balderdash
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Elektra Sound Recorders By Terry Dunavan
Label: Elektra/7E-101 | Released: 1974 | Genre: Country-Pop

Verities & Balderdash is a very strange and wonderful album. “Cat’s in the Cradle” was the driving force behind the album’s sales, but there’s a lot more to appeal to listeners, along with enough personal, topical material to make it seem a bit didactic at the time, but Chapin was cultivating a politically committed audience. Verities & Balderdash walked several fine lines, between topical songwriting and an almost (but not quite) pretentious sense of its own importance, humor and seriousness, and balladry and punditry, all intermingled with catchy, highly commercial ballads such as “I Wanna Learn a Love Song” (which is about as pretty a song as he ever wrote).
The Stan Getz Quintet - Interpretations #3 (1955) {2013 Japan Jazz The Best Series 24bit Remaster UCCU-9751}

The Stan Getz Quintet - Interpretations #3 (1955) {2013 Japan Jazz The Best Series 24bit Remaster UCCU-9751}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (jpg) -> 66 Mb | 5% repair rar | 24bit remastering
© 1953-54, 2013 Norgran Records / Verve / Universal Japan | UCCU-9751
Jazz / Cool / West Coast Jazz / Mainstream Jazz / Saxophone

Sublime early work from Stan Getz — a lyrical genius even at this early point in his career ! There's a subtle brilliance here that's undeniable — a tenor sound that draws from Lester Young and Ben Webster, but which pushes into fresh new territory for the 50s — lean, but still very soulful at the core — a blend that none of Stan's contemporaries could ever match this well ! The album features a group that includes a very young Bob Brookmeyer on valve trombone, plus rhythm by Teddy Kotick, John Williams, and Frank Isola. Tracks are longish and easily swinging — and Getz's tone, as always, makes the whole thing come together like magic!
Emtidi – Saat (1972) Wah Wah Records/LPS037 – SP 180g Pressing - LP/FLAC In 24bit/96kHz

Emtidi – Saat
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Wah Wah Records/LPS037 | Released: 1972 | This Issue: 2007 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
A beautiful, dreamy album by German folk rockers Emtidi! This one belongs to Pilz catalogue (where have been signed all the best of German “acid” folk at the beginning of the 70’s).
Renaissance – Novella (1977) Sire/SA 7526 – 1st US Demo Pressing - LP/FLAC In 24bit/96kHz

Renaissance ‎- Novella
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Sire/SRK 7526 | Released: 1977 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
Just another sublime Renaissance album! Following the marvelous “Song for Scheherazade”, Novella still has many of its magical moments. There are wonderful orchestral arrangements, unforgettable melodic piano parts, and the bass is well played, sophisticated and absolutely not timid. Annie’s voice is superb, as always, and the other musicians produce excellent backing vocals.
Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}

Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 211 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 72 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27166 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Soul Jazz / Piano

Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
Jimmy Giuffre - The Four Brothers Sound (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27267}

Jimmy Giuffre - The Four Brothers Sound (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27267}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 190 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 600 dpi (jpg) -> 70 Mb | 5% repair rar | 24bit remaster
© 1958, 2013 Warner Japan / Atlantic / Rhino | WPCR-27267 | Jazz Best Collection 1000 Series
Jazz / Cool / Tenor Saxophone

Features 24 bit digital remastering. Comes with a description. On this interesting LP, Four Brothers Sound refers to the four overdubbed tenor saxes Giuffre uses throughout the session. The effect is similar to that achieved by Bill Evans on his similar effort, Conversations With Myself. The chief differences between the two might be this: where Evans layered wholly different improvisational lines to the same changes, Giuffre generally sticks to ensemble work. Also, Evans was the only performer on his set, while pianist Bob Brookmeyer and guitarist Jim Hall join Giuffre on several cuts.
The Buddy DeFranco Quartet - Jazz Tones (1954) {2012 Japan Jazz The Best Series 24bit Remaster UCCU-9953}

The Buddy DeFranco Quartet - Jazz Tones (1954) {2012 Japan Jazz The Best Series 24bit Remaster UCCU-9953}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (jpg) -> 80 Mb | 5% repair rar | 24bit remaster | Mono
© 1953, 1954, 2012 Verve / Universal Japan | UCCU-9953 | Verve LP MG V-8158
Jazz / Bop / Clarinet

The jazz tones here are mighty nice — on a record that sparkles with some of Buddy DeFranco's best music ever ! As with other Verve dates from the time, this DeFranco outing's got a rhythmic pulse that really gets things going — a sense of swing that's nice and lean, but quite powerful too — pushing Buddy past any cliched clarinet modes of the 50s, into a realm that really unlocks new sax-like sounds in his horn! The piano has a lot to do with the record – played here by either Kenny Drew or Sonny Clark — with bass from Milt Hinton or Gene Wright, and drums from Art Blakey and Bobby White.
Chet Baker - Baby Breeze (1965) {Universal Japan Mini LP UCCM-9095, 24bit Remastered}

Chet Baker - Baby Breeze (1965) {Universal Japan Mini LP UCCM-9095, 24bit Remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 321 Mb | MP3 @320 -> 132 Mb
Full Artwork @ 300 dpi (png) -> 84 Mb | 5% repair rar
© 1965, 2002 Limelight / Universal Japan | Mini LP | UCCM-9095 | 24bit remastered
Jazz / Cool Jazz / West Coast Jazz / Fluegelhorn / Vocal Jazz

Although Chet Baker's recordings from late in his life varied dramatically in quality, this series of studio sessions is a high point in his career. After having his trumpet stolen, he plays beautifully with a borrowed flügelhorn throughout most of these songs with a powerful tone, especially on "Baby Breeze" and Hal Galper's intense "This Is the Thing." Baker delivers some strong vocals on the session led by pianist Bobby Scott, though Scott's huge hit "A Taste of Honey" is marred somewhat by his odd honky tonk piano in the background.