24bit Rar

Marta Gómez - Entre Cada Palabra (Chesky Records JD301) (96kHz/24bit) (2006)

Marta Gómez - Entre Cada Palabra (Chesky Records JD301) (96kHz/24bit) (2006)
FLAC (14 Tracks) - No CUE - No LOG | Covers (PDF file) | TT 54:10 | 1.05 GB
MP3 CBR 320 Kbps (resampled to 44.1kHz/16bit) | 135 MB
Latin / Colombian | Label: Chesky Records | Hi-Res Download | 96kHz/24bit | RAR 3% Rec. | RS.com

Colombian jazz-folk singer-composer Gomez has achieved a charming synthesis of old and new, past and present. Her compositions are a travelogue of South and Central American, Caribbean and European influences. She moves fluidly between Peruvian lando, Argentinean chamame and Cuban son, weaving African-derived rhythms and percussions over the plaintive melodies of indigenous peoples or descended from Spanish conquistadores, whose own songs incorporated Sephardic Jewish and Moorish sounds. Recorded at New York’s Saint Peter’s Church, which is equally famous for its jazz ministry and warm acoustics, her clear, crooning mezzo-soprano is supported by an intimate combo of strings, woodwinds and percussion, plus an occasional accordion. In such a setting and in the hands of such talented performers, the special timbre of each instrument is appreciated anew and even handclaps take on an almost orchestral importance. One delightful stand-out is a Mexican ranchera-infused treatment of "Cielito Lindo." A chestnut if there ever was one, Gomez’ tender interpretation reflects love for her mother (whose name is Cielo – "Cielito" is the diminutive) and a sense that even familiar things may harbor unexpected surprises. –Christina Roden

Loopmasters - Deep Tech and Minimal House 24bit  Software

Posted by obloy333 at March 19, 2009
Loopmasters - Deep Tech and Minimal House 24bit

Loopmasters - Deep Tech and Minimal House 24bit | 760 MB

Deep, Tech and Minimal House is a vast collection of supremely recorded 24 bit samples for cutting edge producers looking for a quality selection of Underground Minimal Sounds, recorded and produced by legendary house producer Andy Lee.
Dick Katz, Derek Smith, Rene Urtreger - Jazz Piano International (1957) {2013 Japan Jazz Best Collection 1000 Series 24bit}

Dick Katz, Derek Smith, Rene Urtreger - Jazz Piano International (1957) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27217}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 189 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar | 24bit remaster
© 1957, 2013 Warner Japan / Atlantic / Rhino | WPCR-27217 | Jazz Best Collection 1000 Series
Jazz / Bop / Cool / Piano Trio

Features 24 bit digital remastering. Comes with a description. An unusual global session for Atlantic Records – an album that has John Lewis presenting work by three other musicians that he feels are ripe for wider discovery! The set's got some killer work from Rene Utreger – a key Parisian player in the postwar years, working here with dexterity that's almost at a Bud Powell level! Dick Katz is also featured on the set – with some nice colors and tones in the mix, similar to some of the work he'd go onto do for Atlantic and other labels. And perhaps the least known here is the British player Derek Smith – stepping out with a lyrical style that's captured surprisingly well here – and which makes the record a key addition to Smith's catalog.
Fred Kaz - Eastern Exposure (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27218}

Fred Kaz - Eastern Exposure (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27218}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar | 24bit remaster
© 1960, 2013 Warner Japan / Atlantic / Rhino | WPCR-27218 | Jazz Best Collection 1000 Series
Jazz / Post Bebop / Piano Trio

Features 24 bit digital remastering. Comes with a description. An unusual little record – a set that's a bit "fake" in its pedigree, but which still comes across with some wonderfully vivid results! Fred Kaz is a Chicago pianist, but he works here on a set of original compositions based on his readings on Near Eastern cultures – dubbed by Fred as "Turkish experiments" in the liner notes – and a compelling blend of Eastern modes and modern jazz piano – maybe not as all-out as later experiments of the type on MPS/Saba, but still pretty darn great!
Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}

Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (png) -> 98 Mb | 5% repair rar | 24bit remaster
© 1959, 2013 Warner Japan / Atlantic / Rhino | WPCR-27286 | Jazz Best Collection 1000 Series
Jazz / Bebop / Bop / Saxophone / Drums

Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
Charlie Parker - Big Band (1950-1953) {Verve Master Edition 24bit rel 1999}

Charlie Parker - Big Band (1950-1953) {Verve Master Edition 24bit rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 600 dpi (jpg) -> 449 Mb | 5% repair rar
© 1950-53, 1999 Clef Records / Verve / PolyGram Records | 559 835-2
Jazz / Bop / Bebop / Big Band / Saxophone

A reissue of the original 1952 Clef recording session, this is one of the few instances in Charlie Parker's later career where he played with something other than a small bebop group. Under contract at the time to Clef's Norman Granz, Parker was encouraged by the label to make recordings that took him out of his familiar settings and put him in with string arrangements, Latin rhythms, and larger band formats. This recording is the result of one of these experiments. Though Joe Lipman's arrangements are stellar, the musicians assembled for the sessions are an odd mix of pop-oriented big-band players and improvisers.
Gary Burton - Alone At Last (1971) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27085}

Gary Burton - Alone At Last (1971) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27085}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 218 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar | 24bit remaster
© 1971, 2012 Warner Japan / Atlantic / Rhino | WPCR-27085 | Jazz Best Collection 1000 Series
Jazz / Post Bop / Vibes

Features 24 bit digital remastering. Comes with a description. Because Gary Burton uses four mallets simultaneously, he has long been able to sound like two or three players at once. This remarkable solo set has three selections in which Burton overdubs vibes with piano, electric piano, and organ, but those are far overshadowed by three unaccompanied vibes showcased from the 1971 Montreux Jazz Festival and a slightly later (and very memorable) studio rendition of "Chega de Saudade (No More Blues)." The latter is one of the high points of Gary Burton's career. Wondrous music.
Billy Bauer - Plectrist (1956) {Verve Japan MiniLP 24bit UCCV-9176 rel 2004}

Billy Bauer - Plectrist (1956) {Verve Japan MiniLP 24bit UCCV-9176 rel 2004}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 162 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (jpg) -> 78 Mb | 5% repair rar | 24bit/96kHz remaster
© 1956, 2004 Norgran Records / Verve / Universal Japan | Verve 60th Anniversary Series | UCCV-9176
Jazz / Cool / Guitar

Billy Bauer was an accomplished studio guitar player whose only studio date as a leader was this release, finally reissued as a part of the Verve Elite Edition limited edition CD series in 2000. Throughout the CD he is never overpowering, but a solid rhythmic player, whether essaying a gently swinging "Too Marvelous for Words" or a more sprightly "You'd Be So Nice to Come Home To." Bauer also wrote several originals for the date, including the easygoing bop vehicle "Lincoln Tunnel," the tender ballad "Night Cruise," and the unaccompanied "Blue Mist." Accompanying Bauer is bassist Milt Hinton, drummer Osie Johnson, and the obscure pianist Arnold Ackers. While this won't be an essential CD for every jazz fan, those who acquire it will not be disappointed.
Kenny Clarke & Francy Boland - The Golden Eight (1961) {Blue Note RVG 24bit Japan TOCJ-9544 rel 2003}

Kenny Clarke & Francy Boland - The Golden Eight (1961) {Blue Note RVG 24bit Japan TOCJ-9544 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 307 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar | 24-bit remaster
© 1961, 2003 Blue Note / Toshiba-EMI Japan | RVG Mini LP | TOCJ-9544
Jazz / Bop / Progressive Jazz

Reissue of the album recorded with Dusko Goykovich, et al. 24bit digitally remastered. Cardboard sleeve (mini LP). This is one of the rarest of all Blue Note albums, and one that is a must for record collectors. The Francy Boland/Kenny Clarke big band was one of the most exciting orchestras of the 1960s and ‘70s. Much less known but also brilliant was a unique octet co-led by Boland and Clarke just prior to the big band.
Sonny Rollins - Sonny Rollins And The Big Brass (1958) {Verve 24bit Master Edition 314 557 545-2 rel 1999}

Sonny Rollins - Sonny Rollins And The Big Brass (1958) {Verve 24bit Master Edition 314 557 545-2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 416 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 600 dpi (jpg) -> 286 Mb | 5% repair rar
© 1958, 1999 MetroJazz / Verve / PolyGram | 314 557 545-2 | Verve 24bit Master Edition
Jazz / Hard Bop / Saxophone

Big Brass is an appropiate name for the large ensemble arranged and conducted by Ernie Wilkins that accompanies the huge sound of Sonny Rollins. The energy within the leader's gospel-flavored shout "Grand Street" is considerable, while a swinging but no less powerful version of George & Ira Gershwin's "Who Cares" features a choice solo by guitarist Rene Thomas. Also added to this compilation are trio recordings with bassist Henry Grimes and drummer Specs Wright, including a brilliant leisurely stroll through "Manhattan," along with Rollins' tour de force unaccompanied tenor sax on "Body and Soul."