Aoxomoxoa is the work of the magical band. Can you hear this music and not see them before your eyes? The music is so much the reality of their physical and spiritual bodies that seeing them is the wonder of seeing music.
Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
Following the ‘Gramophone Record of the Year’ award-winning set of the Brahms Symphonies, Riccardo Chailly turns his “rare talent for transforming music ripe for rediscovery” to Brahms’s Serenades. This exquisite recording renews these unjustly neglected and rarely performed works in performances of “trademark clarity” (Gramophone Record of the Year 2014) and marks the first Decca recording of these works since Kertesz in 1968.
Two great artists at the peak of their powers, the soprano Dorothea Röschmann and the pianist Dame Mitsuko Uchida perform songs by Schumann (Liederkreis, Op 39 and Frauenliebe und Leben) and Alban Berg (Seven Early Songs).
One of the finest singers of our time and the world’s leading tenor, Jonas Kaufmann presents his personal tribute to one of opera’s most beloved composers, Giuseppe Verdi.
On her new album, cello superstar Sol Gabetta teams up with one of the best young artists, French pianist Bertrand Chamayou. Gabetta and Chamayou have played together on many occasions and quickly became both friends and artistic partners. They collaborated on the album concept and will tour this repertoire in Europe throughout 2015. The Chopin Album contains a selection of pieces by well-loved composer Frédéric Chopin (1810-1849) as well as music by his close friend, the composer and cellist Auguste-Joseph Franchomme (1808-1884).
Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Another fundamental brick in the prog-rock music wall.
This band started its career by doing artistic cover versions from tunes composed by other people, and this third album presents their own matured composing skills. Earlier "The Beat Goes On" was more like an abstract artsy tryout when compared to this masterpiece in my opinion. The most dominant elements are still the strong organ chord layers, powerful vocal harmonies and very strong emotional load, resembling a state of religious pathos.