Already established within Viennese culture by Haydn and Mozart, the trio genre was taken to new limits by the inexhaustible imagination of Beethoven's genius: "a serene joy come from an unknown world", was E. T. A. Hoffmann's reaction on hearing the Trio in D major Op.70 no.1. The Wanderers have ventured into the Beethoven piano trios and mastered every inch of its topography. What better guide could there be for us to follow with total confidence, in their 25th anniversary year?
Isabelle Geffroy, better known by the nickname Zaz, is a French singer-songwriter mixing jazzy styles, French variety, soul and acoustic. Her vocals are often compared to those of Edith Piaf. Recto Verso is her second studio album. The album was Zaz's first album in three years, after her eponymous début, released in 2010. It débuted on the French Album Chart at #2 and to date has spawned two singles, "On ira" and "Si". Musically, it is largely in a similar style to Zaz's début album. The title refers to the two sides of Zaz's personality, which she wished to express in the music of the album.
These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.
“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.
“Vivencia” is the disc that follows “Mi Cuarto” LP. I read somewhere in the network that after that LP (Mi Cuarto), they did not get better jobs … Hmmm, debatable.
Soriana is ‘our Syria’. Our country that we left behind, forced out either by a search or by circumstances. We head out thinking that we carry no baggage, completely unaware of the biggest gift our country has bestowed upon us. That gift is the gift of musical knowledge. It remains with me throughout many journeys, it soothes wounds and inspires creation, provides warmth and a platform of stability, images, aromas, tastes that water the mouth and inspire new creations still. This music is my gift to our Syria – Soriana.
Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time. Remarkably dramatic, even visual, it is not only Gabriel's best film work but deserving of serious consideration as his finest music of any kind; equally worthwhile is Passion – Sources, which assembles the original native recordings which served as his creative launching pad.
Trouble Man is a soundtrack and twelfth studio album by American soul singer Marvin Gaye, released on December 8, 1972, on Motown-subsidiary label Tamla Records. As the soundtrack to the 1972 Blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his landmark politically charged album What's Going On.
You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell, released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson (who composed two of the four hit songs on the first Gaye/Terrell duets LP, United), You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort, as Terrell would turn ill following recording, before succumbing to a brain tumor in 1970.