Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Rolling Stone’s definitive list of the 500 greatest albums of all time.
83. The Jimi Hendrix Experience, ‘Axis: Bold as Love’
Jimi Hendrix’s first album remade rock & roll with guitar magic that no one had ever dreamed of; his second album had even more sorcery.
If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut — which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer.
Essential: a masterpiece of progressive rock music
This was the first GE album I came in contact with back then. And it was quite a shock, I must say.
Some legendary tracks are featured here, and this album will be the showcase for their great live performances. From basic pop songs in their early days, the band has now evolved into a great hard- rock style tinted with special prog flavours (keys, flute, sax).
Features 24 bit digital remastering. Comes with a description. On this interesting LP, Four Brothers Sound refers to the four overdubbed tenor saxes Giuffre uses throughout the session. The effect is similar to that achieved by Bill Evans on his similar effort, Conversations With Myself. The chief differences between the two might be this: where Evans layered wholly different improvisational lines to the same changes, Giuffre generally sticks to ensemble work. Also, Evans was the only performer on his set, while pianist Bob Brookmeyer and guitarist Jim Hall join Giuffre on several cuts.
Don McLean’s final album for United Artists was a musical tour de force, and the best self-contained account of the full breadth of McLean’s talent. Recorded live in England, in Manchester, Bristol, London, and Oxford, the 26 songs encompassed not only the artist’s best-known work, but also many of his personal favorites, among them works by other composers (including Bob Dylan’s “Masters of War”).
Is there an ideal song compilation for every band? I don’t think so.
I like Chicago a lot, despite its stylistic changes in its long discography (Jazz Rock to Pop Rock). I lost track of this band after Chicago VII (1977), where the memorable “Wishing You Were Here” appears.
The Bee Gees Gold, Vol. 1 compiles the group’s biggest singles from their first five years of hit records, beginning with 1967’s “New York Mining Disaster 1941” and ending with 1971’s “How Can You Mend a Broken Heart.”