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The Young Tradition - Galleries (1968) Vanguard/VSD-79295 - Original US Pressing - LP/FLAC In 24bit/96kHz

The Young Tradition - Galleries
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Vanguard/VSD-79295 | Released: 1968 | Genre: Progressive-Folk

Essential: A masterpiece of Progressive-Folk music
The Young Tradition was formed on 18 April 1965 by Peter Bellamy (8 September 1944 – 19 September 1991), Royston Wood (born 1935 died 8 April 1990) and Heather Wood (born Arielle Heather Wood, 31 March 1945, Attercliffe, Sheffield, Yorkshire) (who was unrelated to Royston Wood). Most of their repertoire was traditional British folk music, sung without instrumental accompaniment, and was drawn especially from the music of the Copper Family from Sussex, who had a strong oral musical tradition. They augmented the pure folk music with some composed songs which were strongly rooted in the English folk tradition, such as sea shanties written by Cyril Tawney, of which “Chicken on a Raft” was the most notable.
Jay McShann - The Big Apple Bash (1978) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27278}

Jay McShann - The Big Apple Bash (1978) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27278}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (png) -> 160 Mb | 5% repair rar | 24bit remaster
© 1978, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27278 | Jazz Best Collection 1000 Series
Jazz / Jazz Blues / Blues / Piano

Features 24 bit remastering and comes with a mini-description. Pianist Jay McShann has spent much of his career being classified as a blues pianist when in fact he is a flexible swing stylist. On this excellent release, McShann appears with two groups of all-stars. His original "Crazy Legs and Friday Strut" and "Georgia on My Mind" find him joined by Herbie Mann (on flute and tenor), baritonist Gerry Mulligan and a rhythm section that includes guitarist John Scofield. The other selections (two standards, Duke Ellington's "Blue Feeling" and McShann's own "Jumpin' the Blues") are performed by an octet also featuring Mann, altoist Earle Warren, trumpeter Doc Cheatham, trombonist Dicky Wells and Scofield. The unusual grouping of swing, bop and modern stylists is successful (the material is pretty basic) and Janis Siegel's guest appearance for a vocal duet with McShann on "Ain't Misbehavin'" works.
Jethro Tull - Aqualung (1971) Chrysalis/FV 41044 - US Carrolton Pressing - LP/FLAC In 24bit/96kHz

Jethro Tull - Aqualung
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Chrysalis/FV 41044 | Released: 1971 | This Issue: 1983 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track.
Miles Davis - Miles: The New Miles Davis Quintet (1956/2016) [Official Digital Download 24bit/192kHz]

The Miles Davis Quintet - Miles: The New Miles Davis Quintet (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 34:00 minutes | 921 MB
Studio Mono Master, Official Digital Download | Artwork: Digital booklet

This album was the first to be released showcasing Miles Davis and his new quintet (John Coltrane on tenor sax, Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums). However it was not the first that Davis recorded with this quintet: before Davis could leave Prestige for his new record label, Columbia, he had to fulfill the remainder of his contract.
Sleater-Kinney - Dig Me Out (1997/2014) [Official Digital Download 24bit/96kHz]

Sleater-Kinney - Dig Me Out (1997/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 36:35 minutes | 925 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Dig Me Out" is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who became the band's longest-serving and last drummer. This reissue is newly-remastered. Dig Me Out is friendlier, more intimate, but isn't any less passionate.
Victor Jara - Pongo En Tus Manos Abiertas… (1969) Jota Jota/JJL-03 - US Mono Pressing - LP/FLAC In 24bit/96kHz

Víctor Jara – Pongo En Tus Manos Abiertas…
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Jota Jota/JJL-03 | Released: 1969 | This Issue: 2016 | Genre: Folk

Pongo en tus manos abiertas… is the fourth studio album by the Chilean singer-songwriter Víctor Jara as a soloist, one of the most important representatives of the New Chilean Song. It was recorded during 1969, and published that same year by the record label Jota Jota (later DICAP). The album has been reissued several times and in different countries, changing its name in some versions to that of Te recuerdo Amanda.
Diana Krall - Love Scenes (1997/2014) Official Digital Download 24bit/96kHz]

Diana Krall - Love Scenes (1997/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 55:01 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Front cover

The fourth studio album from beloved jazz vocalist Diana Krall features a mix of timeless jazz classics played with a reverence for the classic age of swing songs. The album includes the hits Peel Me A Grape and They Can't Take That Away From Me, as well as gems written by songwriters such as Irving Berlin, Percy Mayfield, Bing Crosby and Peggy Lee.
Diana Krall - The Girl In The Other Room (2004/2013) Official Digital Download 24bit/96kHz]

Diana Krall - The Girl In The Other Room (2004/2013)
FLAC (tracks) 24 bit/96 kHz | Time - 56:06 minutes | 1,22 GB
Studio Master, Official Digital Download | Artwork: Front cover

"The Girl In The Other Room" is the seventh studio album by Canadian jazz star Diana Krall. Featuring songs co-written with Elvis Costello as well as covers of songs by Tom Waits and Joni Mitchell, the album ranked number 7 on Billboards's Top Jazz Albums of the Decade.
Miles Davis' All Stars - Walkin' (1957/2016) [Official Digital Download 24bit/192kHz]

Miles Davis' All Stars - Walkin' (1957/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 37:53 minutes | 826 MB
Studio Mono Master, Official Digital Download | Artwork: Digital booklet

Walkin', now considered one of the earliest essential albums in the Miles Davis canon, comprises two classic 1954 sessions: one with a quintet; the other a sextet. The influential sextet session, featuring trombonist J.J. Johnson and Lucky Thompson on sax, took advantage of long-playing record technology with two extended jams that announced both the return of modern jazz musicians to a focus on the blues and the coming of the funky hard bop era. The quintet date, with underground legend Davey Schildkraut on alto sax, provides the first inkling of the trumpeter’s haunting muted style and introduces his classic composition Solar.
Gentle Giant - The Missing Piece (1977) Capitol Records/SN-16046 - US Pressing - LP/FLAC In 24bit/96kHz

Gentle Giant ‎- The Missing Piece
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
A Wally Traugott Cut
Label: Capitol Records/SN-16046 | Release: 1977 | This Issue: 1980 | Genre: Symphonic-Rock

Excellent addition to any Prog-Rock music collection
Now, it must be said, I’m inclined to love just about anything Gentle Giant ever released or even breathed on. Thus, with the following praise in mind, unprepared fans of the band’s earlier work may get to this album, and a song like “I’m Turning Around,” and laugh their pants off. This would be an unfortunate reaction. Okay, so there is definitely a shift in direction evident on this album — there are less overtly “proggy” songs, more purely rocking songs, and a general lifting of the intense burden of creating “yet another insane experimental masterpiece!!!” that every album preceding seemed to bear.