Essential: A masterpiece of Progressive-Folk music
The Young Tradition was formed on 18 April 1965 by Peter Bellamy (8 September 1944 – 19 September 1991), Royston Wood (born 1935 died 8 April 1990) and Heather Wood (born Arielle Heather Wood, 31 March 1945, Attercliffe, Sheffield, Yorkshire) (who was unrelated to Royston Wood). Most of their repertoire was traditional British folk music, sung without instrumental accompaniment, and was drawn especially from the music of the Copper Family from Sussex, who had a strong oral musical tradition. They augmented the pure folk music with some composed songs which were strongly rooted in the English folk tradition, such as sea shanties written by Cyril Tawney, of which “Chicken on a Raft” was the most notable.
Features 24 bit remastering and comes with a mini-description. Pianist Jay McShann has spent much of his career being classified as a blues pianist when in fact he is a flexible swing stylist. On this excellent release, McShann appears with two groups of all-stars. His original "Crazy Legs and Friday Strut" and "Georgia on My Mind" find him joined by Herbie Mann (on flute and tenor), baritonist Gerry Mulligan and a rhythm section that includes guitarist John Scofield. The other selections (two standards, Duke Ellington's "Blue Feeling" and McShann's own "Jumpin' the Blues") are performed by an octet also featuring Mann, altoist Earle Warren, trumpeter Doc Cheatham, trombonist Dicky Wells and Scofield. The unusual grouping of swing, bop and modern stylists is successful (the material is pretty basic) and Janis Siegel's guest appearance for a vocal duet with McShann on "Ain't Misbehavin'" works.
Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track.
Pongo en tus manos abiertas… is the fourth studio album by the Chilean singer-songwriter Víctor Jara as a soloist, one of the most important representatives of the New Chilean Song. It was recorded during 1969, and published that same year by the record label Jota Jota (later DICAP). The album has been reissued several times and in different countries, changing its name in some versions to that of Te recuerdo Amanda.
Excellent addition to any Prog-Rock music collection
Now, it must be said, I’m inclined to love just about anything Gentle Giant ever released or even breathed on. Thus, with the following praise in mind, unprepared fans of the band’s earlier work may get to this album, and a song like “I’m Turning Around,” and laugh their pants off. This would be an unfortunate reaction. Okay, so there is definitely a shift in direction evident on this album — there are less overtly “proggy” songs, more purely rocking songs, and a general lifting of the intense burden of creating “yet another insane experimental masterpiece!!!” that every album preceding seemed to bear.